SKU: TM.14264SC
SKU: TM.06934SET
Transposed: cl 1&2, cor 1&2, hn 1-4 orig. in F, tbn orig in Bass Clef. Score is to the original complete edition; some differences between score and parts. Parts are a reprint of Jungnickel Edition. See #14512 for Original opera edition (unedited).
SKU: CU.EC9874
SKU: TM.02292SC
Key of C. Starts 2 measures before Reh. 14 through end of Act I Part 1 (12 after reh. 18).
SKU: HL.50100400
6.75x10.5 inches.
SKU: AP.44781
UPC: 038081516929. English. Traditional German Carols.
A terrific multicultural addition to any beginning holiday concert, this arrangement by Sandra Dackow is a spirited rendition of three traditional German carols. These contrasting carols---Lasst uns froh und munter sein, O Come Little Children, and an unnamed traditional tune---are a fun way to introduce cut time and reinforce bow lifts to young string players. (1:45).
About Orchestra Expressions
SKU: TM.14588SC
Act III No. 11 complete. sc pg 291-326 (end of Act). Sung by Manrico and Leonora. For sections with Manrico alone, see #03204 Ah si ben mio and #03205 Di quella pira.
SKU: TM.03319VS
SKU: TM.03867SC
No. 9 Coro & Introduzione.
SKU: CL.111-0036-20
1st Part - Bb Soprano Saxophone OR Eb Alto Saxophone 2nd Part - Eb Alto Saxophone 3rd Part - Bb Tenor Saxophone 4th Part - Eb Baritone Saxophone.
SKU: TM.14000SC
Lady MacBeth. Not scored for viola.
SKU: TM.04314SET
SKU: TM.14507SET
Act I No. 5. Part of Act I Finale. Includes: Moi signor dolente io sono. Score pages 182-224. See #04324 for Infelice!. Chorus I = Soprano. Chorus II = Tenor, Bass. Choral parts do not contain vocal solo(s).
SKU: BT.SCHBB1400378
String Quartet (parts). Klebe, G.
SKU: TM.03174SC
Begins at the start of Act II No. 4. Contains recit: O Patria, cara patria. Does not contain: Nell'ombre e nel silenzio or O Patria (chs). See #14613 for complete scene with chorus and Nell'ombre e nel silenzio.
SKU: M7.DOHR-13872
ISBN 9790202028728.
SKU: TM.03071SET
Five Songs for Contralto: Sea Slumber(G), In Heaven(C), Sabbath Morning at Sea(C), Where Corals Lie(D), The Swimmer(D).
SKU: TM.14524SET
Act I Aria No. 4. Sc pg 73-108 (reh. 14-17). Scene, coro, cavatina.
SKU: RM.VERD00840-CO
SKU: HL.50580594
SKU: TM.02291SC
Starts with the recitative Surta e la notte; contains Cabaletta Tutto sprez zo cge d'er nani non. Key of Bb. See #14687 for version with middle section Women's Chorus.
SKU: BA.BA07590-79
ISBN 9790006541638. 32.5 x 25.5 cm inches. Preface: Marco Uvietta.
For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem; some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the Liber scriptus, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score as well as a detailed one on the Barenreiter website. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the Liber scriptus for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through