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Puccini, Mode D'Emploi
28.00
Puccini, Mode D'Emploi
En Français
Voix seule
Avant Scène Opéra
Puccini est un mystère. Populaire et pourtant méconnu. Médiatique et pourtant...
(+)
Puccini est un mystère. Populaire et pourtant méconnu. Médiatique et pourtant secret. Mimì, Tosca et Madame Butterfly, si émouvantes et immédiates, font oublier la modernité musicale de La Fille du Far West ou de Turandot. Car Puccini est un homme de son temps et son temps est le xxe siècle. Siècle de l'image : l'opéra puccinien sera cinématographique autant qu'intimiste.Ce Mode d'emploi se propose d'éclairer ce mystère de l'intérieur. / Voix
28.00 EUR - vendu par LMI-partitions
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Instrumental Play-Along-Who needs a singer' With Play Puccini flutists can bathe...
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Instrumental Play-Along-Who needs a singer' With Play Puccini flutists can bathe themselves in luxurious Italian melody! These ten opera arias are among the composer's most famous and distinctive achievements here transcribed for intermediatelevel solo flute and piano. The book includes a biography of Puccini notes about the plot of each opera and the dramatic context of the selected aria. The companion CD features excellent performances as well as pianoaccompaniments for practice. Includes arias from: La Bohème La Fanciulla Del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca andTurandot.
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38 Inspired Selections from 9 Operas-Piano solo arrangements of 38 inspired selections from 9 Puccini operas: La Bohème La Fanciulla del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca Turandot and Le Villi.Includes plot notes for each opera information on its premiere listings of librettists pronunciation guides and more.
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Instrumental Play-Along-Who needs a singer' With Play Puccini instrumentalists can bathe themselves in luxurious Italian melody! These ten opera arias are among the composer's most famous and distinctive achievements here transcribed forintermediate level solo instrument and piano. The book includes a biography of Puccini notes about the plot of each opera and the dramatic context of the selected aria. The companion CD features excellent performances as wellas piano accompaniments for practice. Includes arias from: La Bohème La Fanciulla Del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca andTurandot.
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Instrumental Play-Along-Who needs a singer' With Play Puccini instrumentalists ...
(+)
Instrumental Play-Along-Who needs a singer' With Play Puccini instrumentalists can bathe themselves in luxurious Italian melody! These ten opera arias are among the composer's most famous and distinctive achievements here transcribed forintermediate level solo instrument and piano. The book includes a biography of Puccini notes about the plot of each opera and the dramatic context of the selected aria. The companion CD features excellent performances as wellas piano accompaniments for practice. Includes arias from: La Bohème La Fanciulla Del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca andTurandot.
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Giacomo Puccini: Play Puccini: Clarinet and Accomp.: Instrumental Album
15.99
Giacomo Puccini: Play Puccini: Clarinet and Accomp.: Instrumental Album
Clarinette et Piano
[Partition + CD]
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Instrumental Play-Along-Who needs a singer' With Play Puccini clarinetists can ...
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Instrumental Play-Along-Who needs a singer' With Play Puccini clarinetists can bathe themselves in luxurious Italian melody! These ten opera arias are among the composer's most famous and distinctive achievements here transcribed forintermediate level solo instrument and piano. The book includes a biography of Puccini notes about the plot of each opera and the dramatic context of the selected aria. The companion CD features excellent performances as wellas piano accompaniments for practice. Includes arias from: La Bohème La Fanciulla Del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca andTurandot.
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Giacomo Puccini: Play Puccini: Trombone: Instrumental Album
15.99
Giacomo Puccini: Play Puccini: Trombone: Instrumental Album
Trombone
[Partition + CD]
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Instrumental Play-Along-Who needs a singer' With Play Puccini instrumentalists ...
(+)
Instrumental Play-Along-Who needs a singer' With Play Puccini instrumentalists can bathe themselves in luxurious Italian melody! These ten opera arias are among the composer's most famous and distinctive achievements here transcribed forintermediate level solo instrument and piano. The book includes a biography of Puccini notes about the plot of each opera and the dramatic context of the selected aria. The companion CD features excellent performances as wellas piano accompaniments for practice. Includes arias from: La Bohème La Fanciulla Del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca andTurandot.
15.99 GBP - vendu par Musicroom GB
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Giacomo Puccini: Play Puccini: Cello and Accomp.
18.99
Giacomo Puccini: Play Puccini: Cello and Accomp.
Violoncelle
[Partition + CD]
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Instrumental Play-Along-Who needs a singer' With Play Puccini instrumentalists ...
(+)
Instrumental Play-Along-Who needs a singer' With Play Puccini instrumentalists can bathe themselves in luxurious Italian melody! These ten opera arias are among the composer's most famous and distinctive achievements here transcribed forintermediate level solo instrument and piano. The book includes a biography of Puccini notes about the plot of each opera and the dramatic context of the selected aria. The companion CD features excellent performances as wellas piano accompaniments for practice. Includes arias from: La Bohème La Fanciulla Del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca andTurandot.
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Giacomo Puccini: Play Puccini: Alto Saxophone and Accomp.: Instrumental Album
15.99
Giacomo Puccini: Play Puccini: Alto Saxophone and Accomp.: Instrumental Album
Saxophone Alto et Piano
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Instrumental Play-Along-Who needs a singer' With Play Puccini instrumentalists ...
(+)
Instrumental Play-Along-Who needs a singer' With Play Puccini instrumentalists can bathe themselves in luxurious Italian melody! These ten opera arias are among the composer's most famous and distinctive achievements here transcribed forintermediate level solo instrument and piano. The book includes a biography of Puccini notes about the plot of each opera and the dramatic context of the selected aria. The companion CD features excellent performances as wellas piano accompaniments for practice. Includes arias from: La Bohème La Fanciulla Del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca andTurandot.
15.99 GBP - vendu par Musicroom GB
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Cantolopera: Puccini Gold
39.43
Cantolopera: Puccini Gold
Voix Tenor
[Partition + CD]
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Ce document, unique par son ISBN 9790041401256 a été conçu par Puccini Giacom...
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Ce document, unique par son ISBN 9790041401256 a été conçu par Puccini Giacomo et a pour titre CANTOLOPERA: PUCCINI GOLD. Il fait partie de la catégorie Classique. / Voix Et Piano / Partition
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Cantolopera: Puccini Gold
39.43
Cantolopera: Puccini Gold
Voix Soprano
[Partition + CD]
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Ce document, unique par son ISBN 9790041401263 a été conçu par Puccini Giacom...
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Ce document, unique par son ISBN 9790041401263 a été conçu par Puccini Giacomo et a pour titre CANTOLOPERA: PUCCINI GOLD. Il fait partie de la catégorie Classique. / Voix Et Piano / Partition
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Mozart. Die Zauberflöte (MASCHKA ROBERT)
19.67
Mozart. Die Zauberflöte (MASCHKA ROBERT)
[Livre]
Barenreiter
Par MASCHKA ROBERT. Dem Volke Pekings wird bekanntgegeben: Prinzessin Turandot h...
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Par MASCHKA ROBERT. Dem Volke Pekings wird bekanntgegeben: Prinzessin Turandot heiratet denjenigen, der drei von ihr aufgegebene Rätsel löst. Wer dies nicht schafft, auf den wartet der Henker. Unzählige Kandidaten haben schon den Tod gefunden, als sich ein unbekannter Prinz erneut dem Wagnis stellt und - unfassbar - die Rätsel löst. Aber lässt sich die grausame Kaisertochter dadurch wirklich zur Liebe bekehren? Über diese dramaturgische Frage geriet der bereits schwer erkrankte Puccini ins Stocken und verstarb 1924, noch bevor er eine Lösung für die Schlussszene seiner Oper finden konnte. Der Nachwelt hinterließ er musikalische Skizzen, welche ein mögliches Ende andeuten. Wie also hätte das Finale klingen können, und was hätte Turandot von ihrer Herzenskälte erlöst? Michael Horst beleuchtet in seinem Buch besonders jene letzte Schaffensperiode Puccinis und konzentriert sich auf die Vollendungsversuche der Oper durch andere Komponisten wie Franco Alfano und Luciano Berio. - Anschauliche Figurenporträts und Darstellungen zur Entstehungsgeschichte, Aufführungspraxis und Inszenierungsgeschichte - Mit zahlreichen, auch farbigen Abbildungen und Notenbeispielen Der Autor Michael Horst war lange Jahre Feuilleton-Redakteur der Berliner Morgenpost' und lebt heute als freier Journalist und Autor in Berlin. Er arbeitet für Deutschlandradio Kultur, SWR 2 sowie für Tageszeitungen und Magazine. In der Reihe Opernführer kompakt' ist von ihm bereits erschienen: Puccini - Tosca' (2012)./ Livre / Livre
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Preludio A Orchestra (PUCCINI GIACOMO)
21.50
Preludio A Orchestra (PUCCINI GIACOMO)
Ottavino, 2 Flûtes Traversières, 2 Hautbois, 2 Cla
[Partition]
Carus Verlag
Arrangeur: Wolfgang Ludewig. Par PUCCINI GIACOMO. In cooperation with the Fondaz...
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Arrangeur: Wolfgang Ludewig. Par PUCCINI GIACOMO. In cooperation with the Fondazione Puccini und dem Centro studi G. Puccini in Lucca. Reconstruction of a missing passage by Wolfgang Ludewig. Through its original treatment of form and the conscious use of orchestral colors, Giacomo Puccinis first surviving work, Preludio a Orchestra from 1876, allows a glimpse of the composer who would later become a master of the operatic stage. This first critical edition also contains a reconstruction of the missing passage from the middle section, thus restoring a sense of closed form to this work. The Preludio was performed for the first time in this new version on 16 October 2005 by the Orchestra Filarmonica della Scala, under thedirection of Riccardo Chailly./ Répertoire / Ottavino, 2 Flûtes Traversières, 2 Hautbois, 2 Cla
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Le Willis (PUCCINI GIACOMO)
36.98
Le Willis (PUCCINI GIACOMO)
Piano, Voix
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Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIAC...
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Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIACOMO. Here, appearing for the first time, is the piano vocal score of Le Willis, Giacomo Puccinis first stage work, whose full score remained unpublished until 2020, when it was issued by Casa Ricordi (NR 139546).The critical edition by Martin Deasy is based, as far as the first six Numbers are concerned, on the autograph score that Puccini reutilized for composing Le Villi. The autograph pages incorporating the final Number pages that were later removed, in order to make space for the new material produced for Le Villi are also proposed as the principal text.Pursuing an innovative philological approach, the editor has, furthermore, taken into due consideration the contemporaneous printed editions of the piano vocal score, on the assumption that they constitute the principal collateral sources, if one considers the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor proves that the vocal material produced for the first performance of Willis was not copied from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordis printed edition of the piano vocal score./ Répertoire / Chant et Piano
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Capriccio Sinfonico (PUCCINI GIACOMO)
44.10
Capriccio Sinfonico (PUCCINI GIACOMO)
Ottavino, 2 Flûtes Traversières, 2 Hautbois, 2 Cla
[Partition]
Carus Verlag
Par PUCCINI GIACOMO. With his Capriccio Sinfonico, SC 55, Giacomo Puccini comple...
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Par PUCCINI GIACOMO. With his Capriccio Sinfonico, SC 55, Giacomo Puccini completed his studies in 1883 at the Milan Conservatory. It is the most extensive of his three orchestral works and also his last. Apart from occasional smaller works, thereafter he dedicated himself only to opera. Nonetheless, the Capriccio Sinfonico plays an important role in Puccinis oeuvre, not only as a source of motives for the operas which followed [for example, the beginning of the fast middle section of Capriccio Sinfonico appears almost note-for-note as the instrumental beginning of La Bohème], but also due to the fact that it is his first extensive composition which displays that very specific Puccini soundin which he attempted to combine the tradition of Italian bel canto style with Wagners treatment of motivic material and handling of the orchestra. This is the first critical edition of the work./ Répertoire / Ottavino, 2 Flûtes Traversières, 2 Hautbois, 2 Cla
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Le Villi (PUCCINI GIACOMO)
39.43
Le Villi (PUCCINI GIACOMO)
Piano, Voix
Ricordi
Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIAC...
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Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIACOMO. What is being presented here is the piano vocal score of Le Villi, Giacomo Puccinis first stage work, the full score of which was published by Casa Ricordi (NR 141755) in 2020.The premiere of Le Villi took place at the Teatro Regio in Turin on 27 December 1884, and was followed by a Milanese performance at Teatro alla Scala on 24 January 1885: both productions were quite well received by critics and public alike.The critical edition by Martin Deasy is based on the autograph score that Puccini initially prepared for the one-act version (Willis), and later modified for the two-act, revised version (Villi). Pursuing a groundbreaking philological approach, the editor has, furthermore, taken into proper consideration the contemporaneous printed editions of the piano vocal score, which constitute, in his view, the principal collateral sources, if one is to consider the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor demonstrates that the vocal material realized for the first performance of Willis was not derived from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordis printed edition of the piano vocal score./ Répertoire / Chant et Piano
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Giacomo Puccini: Puccini Highlights: Concert Band: Score & Parts
109.99
Giacomo Puccini: Puccini Highlights: Concert Band: Score & Parts
Orchestre d'harmonie
[Conducteur et Parties séparées]
De Haske Publications
Giacomo Puccini (1858-1924) est après Verdi l?un des plus grands représentan...
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Giacomo Puccini (1858-1924) est après Verdi l?un des plus grands représentants de l?opéra italien. Il reste célèbre pour les teintes sublimes de ses mélodies chaleureuses ses orchestrations colorées ses drames envoûtants sa créativité musicale et son incroyable capacité à délivrer des ambiances exotiques à travers des textures sonores.Parmi les classiques des opéras pucciniens on peut citer Manon Lescaut La Bohème Tosca Madame Butterfly et Turandot. Il est également frappant de constater que de nombreux airs de Puccini même sortis de leur contexte d?origine sont parfaitement adaptés à une interprétation en concert.Pour réaliser cet arrangement Wil van derBeek a puisé dans le tissu musical de l?air pour ténor E lucevan le stelle (Tosca) dans le chœur d?opéra Gira la cote! Gira! (Turandot) et dans l?air pour soprano Un bel di vedremo (Madame Butterfly).
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Giacomo Puccini: Puccini Highlights: Concert Band: Score
16.99
Giacomo Puccini: Puccini Highlights: Concert Band: Score
Orchestre d'harmonie
De Haske Publications
Giacomo Puccini (1858-1924) est après Verdi l?un des plus grands représentan...
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Giacomo Puccini (1858-1924) est après Verdi l?un des plus grands représentants de l?opéra italien. Il reste célèbre pour les teintes sublimes de ses mélodies chaleureuses ses orchestrations colorées ses drames envoûtants sa créativité musicale et son incroyable capacité à délivrer des ambiances exotiques à travers des textures sonores.Parmi les classiques des opéras pucciniens on peut citer Manon Lescaut La Bohème Tosca Madame Butterfly et Turandot. Il est également frappant de constater que de nombreux airs de Puccini même sortis de leur contexte d?origine sont parfaitement adaptés à une interprétation en concert.Pour réaliser cet arrangement Wil van derBeek a puisé dans le tissu musical de l?air pour ténor E lucevan le stelle (Tosca) dans le chœur d?opéra Gira la cote! Gira! (Turandot) et dans l?air pour soprano Un bel di vedremo (Madame Butterfly).
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PUCCINI G. - LE WILLIS - CHANT ET PIANO
37.50
PUCCINI G. - LE WILLIS - CHANT ET PIANO
Voix solo - piano
RICORDI
Here, appearing for the first time, is the piano vocal score of Le Willis, Giaco...
(+)
Here, appearing for the first time, is the piano vocal score of Le Willis, Giacomo Puccinis first stage work, whose full score remained unpublished until 2020, when it was issued by Casa Ricordi (NR 139546).The critical edition by Martin Deasy is based, as far as the first six Numbers are concerned, on the autograph score that Puccini reutilized for composing Le Villi. The autograph pages incorporating the final Number pages that were later removed, in order to make space for the new material produced for Le Villi are also proposed as the principal text.Pursuing an innovative philological approach, the editor has, furthermore, taken into due consideration the contemporaneous printed editions of the piano vocal score, on the assumption that they constitute the principal collateral sources, if one considers the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor proves that the vocal material produced for the first performance of Willis was not copied from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordis printed edition of the piano vocal score. / Partitions classique / Vocale - chorale / Voix solo - piano / RICORDI
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PUCCINI G. - LE VILLI - CHANT ET PIANO
39.99
PUCCINI G. - LE VILLI - CHANT ET PIANO
Voix solo - piano
RICORDI
What is being presented here is the piano vocal score of Le Villi, Giacomo Pucci...
(+)
What is being presented here is the piano vocal score of Le Villi, Giacomo Puccinis first stage work, the full score of which was published by Casa Ricordi (NR 141755) in 2020.The premiere of Le Villi took place at the Teatro Regio in Turin on 27 December 1884, and was followed by a Milanese performance at Teatro alla Scala on 24 January 1885: both productions were quite well received by critics and public alike.The critical edition by Martin Deasy is based on the autograph score that Puccini initially prepared for the one-act version (Willis), and later modified for the two-act, revised version (Villi). Pursuing a groundbreaking philological approach, the editor has, furthermore, taken into proper consideration the contemporaneous printed editions of the piano vocal score, which constitute, in his view, the principal collateral sources, if one is to consider the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor demonstrates that the vocal material realized for the first performance of Willis was not derived from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordis printed edition of the piano vocal score. / Partitions classique / Vocale - chorale / Voix solo - piano / RICORDI
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Giacomo Puccini: Manon Lescaut: Opera: Vocal Score
25.50
Giacomo Puccini: Manon Lescaut: Opera: Vocal Score
Piano, Voix
[Partition]
Ricordi
Testo Cantato In Italiano-Inglese-The Vocal Score for Giacomo Puccini's wonderfu...
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Testo Cantato In Italiano-Inglese-The Vocal Score for Giacomo Puccini's wonderful opera Manon Lescaut. With this work Puccini confirmed his reputation and novel conception of melodrama. Puccini was set to be the successor in fame and renown to Verdi and with Manon Lescaut he rocketed to equal levels of success. To produce this level of attention the opera was staged in Turin rather than Milan and was staged just before Verdi's own opera ensuring all attention fell on Manon Lescaut instead. The theme and the melody take precedence over the lyrics inthis tragic drama of love between two humans.
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Motetto Per San Paolino Sc 2 - Ka (PUCCINI GIACOMO)
13.61
Motetto Per San Paolino Sc 2 - Ka (PUCCINI GIACOMO)
Choeur et Orchestre
[Partition]
Carus Verlag
Par PUCCINI GIACOMO. Puccinis first known sacred work was composed during his ...
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Par PUCCINI GIACOMO. Puccinis first known sacred work was composed during his school days at the Istituto Pacini in Lucca. It was first performed there in 1877. The text was a hymn to the Patron Saint of Lucca which was probably written by the composer himself. The work was so popular that by 1880 it had received three further performances, though it was also inserted in the Messa a 4 voci, after the Credo. Thereafter it disappeared from the music world and was only first rediscovered in the 1990s. Since, with the exception of the lack of a solo tenor in the piece, it is identical with this one in the Messa, for this reason it would seem only natural to perform these two works together./ Répertoire / Choeur et Orchestre
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Klarinette Spielen - Mein Schönstes Hobby Spielbuch 3
21.70
Klarinette Spielen - Mein Schönstes Hobby Spielbuch 3
Clarinette
[Partition + CD]
Schott
Le livre jeu contient une collection variée de pièces de jeu et des chansons p...
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Le livre jeu contient une collection variée de pièces de jeu et des chansons pour l'enseignement et les concerts d'étudiants. Le plaisir de jouer ensemble - que ce soit avec clarinette et piano ou deux clarinettes - vient au premier plan. Le livre de jeu est en train d'apprendre le contenu de la 3e La fanfare de l'école, 'jouer de la clarinette - Mon passe-temps favori', a convenu. D'après le contenu: Habanera de l'opéra 'Carmen' (Bizet), As Time Goes By (Hupfeld), A Foggy Day (Gershwin), Stranger sur la Rive-(Bilk), The Easy Winners (Joplin), la prière du soir (Humperdinck) en prière (Fauré), Nessun Dorma (Puccini), le cône Duets (Mozart) et plus encore. Un trésor de leçons et des concerts. / Clarinette / 100 pages / niveau : Facile / Intermédiaire / Partition Cd
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Manon Lescaut (PUCCINI GIACOMO)
304.33
Manon Lescaut (PUCCINI GIACOMO)
Opéra
Ricordi
Crit. Ed. Roger Parker. Par PUCCINI GIACOMO. The Critical Edition of MANON LESCA...
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Crit. Ed. Roger Parker. Par PUCCINI GIACOMO. The Critical Edition of MANON LESCAUT is the first volume of the series THE OPERAS OF GIACOMO PUCCINI - CRITICAL EDITION - in collaboration with Archivio storico Ricordi and Fondazione Simonetta Puccini. It makes available the three main versions of the opera that have survived in various sources: an 1893 version, with the original Act I finale, the first version of Manons Act IV aria, and the uncut version of the final duet in Act IV; a 'midcareer'version imagined by Puccini in the first decade of the new century, when he sanctioned the almost complete omission of Manons Act IV aria; and finally the last version that Puccini lived to approve, with Manons aria restored, albeit with a revisedliterary text. The edition consists of two volumes of full score. The first volume is introduced by a preface to the Puccini Critical Edition and an historical introduction; the second volume ends with a detailed description of the operas many sources and alengthy critical commentary which discusses numerous problematic details in the musical text. / Opéra-opérette / Date parution : 1905-07-06/ Répertoire / Opéra
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Giacomo Puccini: Manon Lescaut: Voice
28.99
Giacomo Puccini: Manon Lescaut: Voice
Piano, Voix
Ricordi
Dramma lirico in quattro atti-Manon Lescaut is the fi rst volume of the series ?...
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Dramma lirico in quattro atti-Manon Lescaut is the fi rst volume of the series ?The operas of Giacomo Puccini? - Critical Edition - in collaboration with Archivio storico Ricordi and Fondazione Simonetta Puccini. It makes available the three main versions of the opera thathave survived in various sources: an 1893 version with the original Act I finale the fi rst version of Manon?s Act IV aria and the uncut version of the fi nal duet in Act IV; a ?midcareer? version imagined by Puccini in the fi rst decade of thenew century when he sanctioned the almost complete omission of Manon?s Act IV aria; and fi nally the last version that Puccini lived to approve with Manon?saria restored albeit with a revised literary text. The volume is introduced by a preface to the Puccini Critical Edition an historical introduction a detailed description of the opera?s many sources and a lengthy critical commentary whichdiscusses numerous problematic details in the musical text.
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Tabarro (PUCCINI GIACOMO)
27.60
Tabarro (PUCCINI GIACOMO)
Piano, Voix
[Partition]
Ricordi
Ed. Tradizionale - Opera Completa (Testo Cantato In Italiano-Inglese). Par PUCCI...
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Ed. Tradizionale - Opera Completa (Testo Cantato In Italiano-Inglese). Par PUCCINI GIACOMO. The Vocal Score for Il Tabarro, the one-act Opera by Giacomo Puccini. With a libretto by Giuseppe Adami, Il Tabarro is the first of three operas that make up Puccini 's triptych. Along with 'Suor Angelica' and 'Gianni Schicchi', Il Tabarro is one of Puccini 's most famous and best-loved works. Typically known as the 'tragic panel' of the triptych, this work was composed in two stages - in 1913 and then between 1915 and 1916. Il Tabarro heralds a move towards an expressionist form of language and drama for Puccini, a truly unique work ofart./ Répertoire / Chant et Piano
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