In the early years of our century when vital new forces were revolutionising the arts Russian-born Alexander Scriabin (1872-1915) was one of the visionary pioneers who sought a new musical language. At least a full decade before the advances of Stravinsky and Schoenberg Scriabin had begun the process of a complete break with all musical conventions. By 1905 he was immersed in a search for a way to express in sound the mystical and theosophical ideas obsessed him. Scriabin’s last two orchestral works were the products of a virtual delirium of composing. Simultaneously refining his poem called Poem of Ecstasy andcompleting the symphony that grew out of it (and shared its name) Scriabin never forgot the rapture of composing this work about creation and self-fulfilment: “I gasp for breath but oh what bliss! The very meter kindles the meaning…” Prometheus: Poem of Fire – Scriabin’s last and most revolutionary symphony – portrays Man’s epic journey from the mists of beginning time to a wonderous self-realisation given the gift of fire and light to make creative vision possible. Massively scored Prometheus incorporates a “colour Organ” to bathe the performance space in a vast interplay of coloured lights. For the music professional and every student of composition orchestration and conducting both scores are strikingly original and instructive. Equally fascinating are Scriabin’s approach to composition the extraordinary sonorities of his orchestra and his fanciful often supercharged performance instructions that replace conventional words for tempo mood and expression.

for Pianoforte Solo-Mis à jour le 18.01.19 Alexander Scriabine The Complete Preludes And Etudes Partition - Piano Dover Référence: DP10406 PIANO and CLAVIERS > Piano > Répertoire 15.99 ' EN STOCK 4 PRÉLUDES OP. 22 - 2 préludes op. 27 - 3 etudes op. 65 4 PRÉLUDES OP. 31 - 4 préludes op. 33 3 PRÉLUDES OP. 35 - 4 préludes op. 37 4 PRÉLUDES OP. 39 - 4 préludes op. 48 2 PRÉLUDES OP. 67 - 5 préludes op. 74 24 PRÉLUDES OP. 11 - 6 préludes op. 13 5 PRÉLUDES OP. 15 - 7 préludes op. 17 12 ETUDES OP. 8 - 8 etudes op. 42

This unique volume of Alexander Scriabin's piano music combines all of the Russian composer's widely admired Poèmes, which exude the richness and complexity of his later style, with all of the earlier, more Chopinesque Mazurkas and Impromptus. Nearly 100 piano works of varying length and difficulty, reprinted from authoritative Russian editions, represent the full span of Scriabin's musical life. Contenu :
1 Valse [Waltz], Op. 1 (1885)
2 From 3 Morceaux [3 Pieces], Op. 2 (1887-89)
3 10 Mazurkas, Op. 3 (1889)
4 Allegro appassionato, Op. 4 (1892)
5 2 Nocturnes, Op. 5 (1890)
6 2 Impromptus à la Mazur, Op. 7 (1892)
7 From 2 Morceaux pour la main gauche [for left hand], Op. 9 (1894)
8 2 Impromptus, Op. 10 (1894)
9 2 Impromptus, Op. 12 (1895)
10 2 Impromptus, Op. 14 (1895)
11 Allegro de concert, Op. 18 (1896)
12 Polonaise, Op. 21 (1897)
13 9 Mazurkas, Op. 25 (1899)
14 Fantaisie, Op. 28 (1900)
15 2 Poèmes, Op. 32 (1903)
16 Poème tragique, Op. 34 (1903)
17 Poème satanique, Op. 36 (1903)
18 Valse, Op. 38 (1903)
19 2 Mazurkas, Op. 40 (1902-3)
20 Poème, Op. 41 (1903)
21 2 Poèmes, Op. 44 (1905)
22 From 3 Morceaux, Op. 45 (1904-5)
23 Scherzo, Op. 46 (1905)
24 Quasi Valse, Op. 47 (1905)
25 From 3 Morceaux, Op. 49 (1905)
26 From 4 Morceaux, Op. 51 (1906)
27 3 Morceaux, Op. 52 (1906)
28 From 4 Pièces, Op. 56 (1907)
29 2 Morceaux, Op. 57 (1907)
30 Feuillet d'album, Op. 58 (1910)
31 From 2 Morceaux, Op. 59 (1910)
32 Poème-Nocturne, Op. 61 (1911)
33 2 Poèmes, Op. 63 (1911)
34 2 Poèmes, Op. 69 (1913)
35 2 Poèmes, Op. 71 (1914)
36 Vers la flamme [Toward the flame]: Poème, Op. 72 (1914)
37 2 Danses, Op. 73 (1914)
38 Valse, Op. post. (1886)
39 Canon, Op. post. (1883)

44 Pieces By Rachmaninoff Scriabin Mussorgsky and Others-Nineteenth-century Europe's immersion into Romanticism fostered a 'back to nature' movement in which artists turned toward folk music for inspiration. This collection spotlights the works of important Russian composers who drew upon and popularized folk melodies of their native country. Forty-four stirring pieces reflect the influence of Russia's peasant songs as well as the tonality and rhythms of music from the Russo-Greek Orthodox Church and Tartar culture. Suitable for intermediate-level pianists of all ages this collection features contributions from Michael Glinka hailed a century ago as 'the father of Russian musical art.' Additional contributors includeAlexander Borodin Modest Mussorgsky Nikolas Rimsky-Korsakov Alexander Scriabin Sergei Rachmaninoff and other composers. Reprint of the Carl Fischer New York 1915 edition.

Transcriber's Note: The poems op.32 were written in 1903. The rst poem remained one of Scriabin's favourite compositions and would appear in most of his piano recitals. The great cellist Gregor Piatigorsky transcribed it for cello and piano a couple of decades later. I owned a copy of the music from age 15 or so but when I eventually decided to learn it I was vexed by the changes Piatigorsky had made to the original score.These include the simpli cation of rhythms dynamics and anything eccentric and typical of Scriabin. During the process of making my own version I soon realised that the middle section did not bene t from beingbroken up into separate lines. While the piano part remains untouched I have borrowed material from the second poem to ll what might otherwise feel like gaps in the cello part (this version can be heard together with pianist Bengt Forsberg on the CD called Smörgåsbord for the Hyperion label). Interestingly the story around the tempestuous second poem had originally been conceived as an aria for a planned opera. As with Brahms and the opening of the E minor sonata op.38 Scriabin uses the word legato rather than indicating this with slurs (see piano part). - Mats Lidström. 

Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori Scriabin Complete Preludes Et Etudes Piano Solo de Scriabin Alexandre Nikolaïevitch. Cette partition qui est éditée par les éditions ID Music fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano peut être chez vous dans quelques jours. / Piano / Partition

PIANO SONATA NO. 4 from the years 1962?1964 is dedicated to the memory of Fiser?s friend, the pianist Antonín Jemelík, who died tragically. As a tribute to their friendship the composer incorporated into the introduction a quotation from their favourite work, Piano Sonata No. 10, Op. 70,by Alexander Scriabin. The tragedy of the death of the composer?s friend pervades the emotionally intense passage of unison octaves which follows the three-bar quotation. From a compositional point of view this work is a masterpiece of the mid-Sixties. Written as one movement, the piece is divided into numerous mutually contrasting segments which themselves are clearly grouped into two sections, exposition and development. The individual themes are introduced in the first section and thematically expanded in the second section. The motif treatment lies almost exclusively in the fragmenting or curtailing of the theme, or in the use of a combination of several themes, for the most part brief and eloquent. This compositional method, together with a clear-cut manner of execution, mainly semitonal melody and sharply contrastive dynamics, lends force and transparency to the piece. Piano Sonata No. 4 was completed in 1964 together with Symphonic Fresco, Concerto da camera for piano and orchestraand Fifteen Prints after Dürer?s Apocalypseand has earned its rightful place alongside them as masterpieces of Fiser?s ?uvre. The work was first performed by Pavel Stepán in Prague?s Rudolfinum in 1965. The new setting for this piece is based on the single edition to date (Panton, 1969) only with regard to a few inconsistencies in the score was it necessary to consult the composer?s manuscript (kept at the National Museum ? Czech Museum of Music, acquisition number 297/2006). H 7988, ISMN 979-2601-0447-1

Par SCRIABINE ALEXANDER. This unique volume combines all of the Russian composer's widely admired Poemes which exude the richness and complexity of his later style. The complete collection contains 75 piano works of varying length and difficulty. In style they represent the full span of Scriabin's musical life. State Music Publishers, Moscow, edition./ Répertoire / Piano

Series II: Piano Concerto in F sharp minor, op. 20. Par SCRIABINE ALEXANDER. / Date parution : 2022-01-18/ Recueil / 2 Pianos

Scriabin's 7th Piano Sonata is amongst the late sonatas nos. 6-10, conceived as preliminary studies for a Gesamtkunstwerk of enormous proportions, the 'Mysterium?. The mystic aura of the 7th Sonata is communicated to the player not least through the ecstatic performance directions contained in the autograph and the first edition. This and a great deal more can be seen in Scriabin's manuscript for the sonata, which we are presenting in a high-class facsimile in 2015, Scriabin Year. It is hard to believe how clearly and neatly the composer wrote this extremely complex music. The preface by the expert Valentina Rubcova provides an ideal guide for a journey of discovery through Scriabin's esoteric musical world. / Piano