Johann Stamitz is considered the founding father of the Mannheim school of musical innovation. His two sons Carl and Anton were important members of the group as well. He was instrumental in setting the four-movement symphonic structure and the sonata form.Concertmaster of the Orchestra in Mannheim Stamitz wrote more than fifty symphonies and many other works. This work has been credited to Stamitz though he wrote little for the Trumpet and the title page of the work bears no signature. Some scholars believe the work to be that of Johann Georg Holzbogen. It has been recorded however as Concerto in D for Trumpet and the missing parts have been reconstructed bycomposer and arranger Alan Boustead.The style of the work falls in the time between our later delineations of the Baroque and Classical eras and the writing is typical energetic with quite an exciting solo part for the Trumpet.

Par STAMITZ. Karl Stamitz's Clarinet Concerto In E Flat as arranged and edited by Johannes Wojciechowski, for Clarinet and Piano. Karl Stamitz's Clarinet Concerto In E Flat as arranged and edited by Johannes Wojciechowski, for Clarinet and Piano./ Répertoire / Clarinette, Orchestre et Piano

Par STAMITZ. Piano score of Carl Stamitz's Double Concerto In B Flat for Clarinet, Bassoon and a Piano reduction of the original orchestral part./ Répertoire / Basson, Clarinette, Orchestre et Piano

Par STAMITZ CARL. En dehors de ses nombreuses oeuvres instrumentales, Carl Stamitz quitte également quatre concertos de corne. Pour des raisons de la technique de jeu, le concerto a été transposé par un demi-ton dans la présente édition. Ce travail est surtout une caractéristique du style personnelle ainsi que des réformes epoch-mak-ing par l'école de Mannheim./ Répertoire / Cor et Orchestre à Cordes 2 Flûtes Traversières et

Par STAMITZ CARL. Un brillant, début classique travaux qui peuvent également être effectuée par un quatuor à cordes. Carl Stamitz indiqué exactement dans sa Quartetto Concertante qui les articles des parties individuelles doivent être inscrit pour les solos et tutti. Avec le oeuvre étant inscrit pour choeur, il y a la possibilité d'une interaction très charmante./ Répertoire / Quatuor à Cordes ou Orchestre à Cordes)

The composer and violin virtuoso Johann Stamitz not only established the world-famous Mannheim school in the 18th century but is known among clarinettists above all for presumably being the first to present them with a true solo concerto. Even though Stamitz left it at just this one concerto, it has enjoyed great popularity since its rediscovery in the 20th century and has become a standard work in the concert repertoire. Due to its moderate technical demands, it is ideally suited for music students as a ?first? solo concerto, and as preparation for the more demanding solo parts of Mozart, Weber and Spohr. The newly prepared piano reduction was undertaken with a view to make it easy to play so that also less experienced piano players can undertake the accompaniment of the soloist; a renowned clarinettist, editor Nicolai Pfeffer also contributes suggestions for the cadenzas ? the result is an ideal Urtext edition for student recitals and music schools.

Par STAMITZ CARL. En dehors de ses nombreuses oeuvres instrumentales, Carl Stamitz quitte également quatre concertos de corne. Pour des raisons de la technique de jeu, le concerto a été transposé par un demi-ton dans la présente édition. Ce travail est surtout une caractéristique du style personnelle ainsi que des réformes epoch-mak-ing par l'école de Mannheim./ Répertoire / Cor Français et Orchestre à Cordes 2 Flûtes Traver