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Per Nørgård: Zigzag: Percussion: Score
28.99
Per Nørgård: Zigzag: Percussion: Score
PERC(6)::Percussion (Sextuor)
[Partition]
Wilhelm Hansen
Programme Note Zigzag percussion sextet (1981)ZIGZAG (1981 earlier entitled j...
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Programme Note Zigzag percussion sextet (1981)ZIGZAG (1981 earlier entitled just SEXTET) is the second of my three percussion sextets (the other being RONDO (1964) and SQUARE AND ROUND (TWO DANCES) (1986)). ZIGZAG derives its characteristic rhythmic impulse from the establishing of simple metres (for instance four-bar patterns) that are abruptly cut off before completion only to start over again immediately. This creates a sort of 'cubistic' rhythmic effect present also in my ISTERNIA (1979) for marimba solo and SONORA (1981) for flute and harp.Several percussion ensembles have performed SQUARE AND ROUND together with ZIGZAG the latter played attacca as a third movement. Ifind the result of this combination convincing and satisfactory and I recommend it in performance with the titleâSquare Round and Zigzag 3 pieces for percussion sextetâ (1981/86).However SQUARE AND ROUND as well as ZIGZAG may still be played separately.Per NørgÃ¥rd
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Per Nørgård: Zigzag: Percussion: Parts
Wilhelm Hansen
Programme Note Zigzag percussion sextet (1981)ZIGZAG (1981 earlier entitled j...
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Programme Note Zigzag percussion sextet (1981)ZIGZAG (1981 earlier entitled just SEXTET) is the second of my three percussion sextets (the other being RONDO (1964) and SQUARE AND ROUND (TWO DANCES) (1986)). ZIGZAG derives its characteristic rhythmic impulse from the establishing of simple metres (for instance four-bar patterns) that are abruptly cut off before completion only to start over again immediately. This creates a sort of 'cubistic' rhythmic effect present also in my ISTERNIA (1979) for marimba solo and SONORA (1981) for flute and harp.Several percussion ensembles have performed SQUARE AND ROUND together with ZIGZAG the latter played attacca as a third movement. Ifind the result of this combination convincing and satisfactory and I recommend it in performance with the titleâSquare Round and Zigzag 3 pieces for percussion sextetâ (1981/86).However SQUARE AND ROUND as well as ZIGZAG may still be played separately.Per NørgÃ¥rd
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Sadie Harrison: Gulistan-e Nur: String Ensemble: Parts
47.95
Sadie Harrison: Gulistan-e Nur: String Ensemble: Parts
Orchestre à Cordes
[Partition]
University Of York Music Press
The Rosegarden Of Light - String Sextet Parts-Gulistan-e Nur: The Rosegarden of ...
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The Rosegarden Of Light - String Sextet Parts-Gulistan-e Nur: The Rosegarden of Light for String Sextet and Youth Ensemble. Instrumentation: Professional String Sextet (2 Vlns 2 Vlas 1 Cello 1 Db). Youth/amateur ensemble (Interludes only): open instrumentation (5 treble alto bass parts (transpositions available) Keyboard). The Three Interludes are supplied separately. The sextet movements/Three Interludes can also be performed separately. I Bahar-e nastaran-bihag (Radio Piece) Interlude 1/ Introduction (Youth ensemble) Sextet Movement 1 (Professional) II - Shirin dokhtar-e maldar (Sweet Nomad Girl)Interlude 2 Sextet Movement 2 III - Watan Jan (Dear Homeland) Interlude 3 Sextet Movement 3 Duration: c.26 mins (complete) / c.16 mins (sextet movements only). On 11 December 2014 several young musicians from the Afghanistan National Institute of Music were performing at the Istiqlal School home to the French Cultural Centre in Kabul. The venue was targeted by a suicide bomber with devastating results leaving a number of students (and ANIMâs founder and Director Dr. Ahmad Sarmast) with severe injuries. Despite these most challenging of circumstances ANIM continues to provide an extraordinary learning environment for all its students regardless of gender ethnicity or social circumstances. They are committed to assuring musical rights rebuilding lives through music training future music educators establishing intercultural dialogue and to reviving and preserving Afghan Music. Gulistan-e Nur: The Rosegarden of Light is dedicated with great admiration to Dr. Ahmad Sarmast and to the students and staff of the Afghanistan National Institute of Music in Kabul particularly remembering those who were injured in the 11 December attack. The work is also dedicated to Kevin Bishop and members of the pioneering ensemble Cuatro Puntos who are dedicated to global co-operation and
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Sadie Harrison: Gulistan-e Nur: String Ensemble: Score
19.95
Sadie Harrison: Gulistan-e Nur: String Ensemble: Score
Orchestre à Cordes
[Partition]
University Of York Music Press
The Rosegarden Of Light - String Sextet Score-Gulistan-e Nur: The Rosegarden of ...
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The Rosegarden Of Light - String Sextet Score-Gulistan-e Nur: The Rosegarden of Light for String Sextet and Youth Ensemble. Instrumentation: Professional String Sextet (2 Vlns 2 Vlas 1 Cello 1 Db). Youth/amateur ensemble (Interludes only): open instrumentation (5 treble alto bass parts (transpositions available) Keyboard). The Three Interludes are supplied separately. The sextet movements/Three Interludes can also be performed separately. I Bahar-e nastaran-bihag (Radio Piece) Interlude 1/ Introduction (Youth ensemble) Sextet Movement 1 (Professional) II - Shirin dokhtar-e maldar (Sweet Nomad Girl)Interlude 2 Sextet Movement 2 III - Watan Jan (Dear Homeland) Interlude 3 Sextet Movement 3 Duration: c.26 mins (complete) / c.16 mins (sextet movements only). On 11 December 2014 several young musicians from the Afghanistan National Institute of Music were performing at the Istiqlal School home to the French Cultural Centre in Kabul. The venue was targeted by a suicide bomber with devastating results leaving a number of students (and ANIMâs founder and Director Dr. Ahmad Sarmast) with severe injuries. Despite these most challenging of circumstances ANIM continues to provide an extraordinary learning environment for all its students regardless of gender ethnicity or social circumstances. They are committed to assuring musical rights rebuilding lives through music training future music educators establishing intercultural dialogue and to reviving and preserving Afghan Music. Gulistan-e Nur: The Rosegarden of Light is dedicated with great admiration to Dr. Ahmad Sarmast and to the students and staff of the Afghanistan National Institute of Music in Kabul particularly remembering those who were injured in the 11 December attack. The work is also dedicated to Kevin Bishop and members of the pioneering ensemble Cuatro Puntos who are dedicated to global co-operation and
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Wolfgang Amadeus Mozart: Serenade In E-Flat Major K.375: Ensemble: Study Score
14.00
Wolfgang Amadeus Mozart: Serenade In E-Flat Major K.375: Ensemble: Study Score
Partition de Poche
[Partition]
Barenreiter
a 6 et a 8-The Serenade in E-flat K.375 exists in two versions one for two cl...
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a 6 et a 8-The Serenade in E-flat K.375 exists in two versions one for two clarinets two horns and two bassoons and another for the same forces plus two oboes forming an octet.From Mozart himself we know a fair amount about the occasion that led to the first six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October the name-day of St. Theresa.The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics he also altered the work’s melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre thereby enabling him for example to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave.- Urtext of the New Mozart Edition- Parts sextet version (BA5333) octet version (BA5334) and study score both versions format 22.5 x 16.5cm (TP315) available for sale
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Divertimenti For 2 Oboes, 2 Horns And 2 Bassoons
55.92
Divertimenti For 2 Oboes, 2 Horns And 2 Bassoons
2 Hautbois, 2 Cors et 2 Bassons
G. Henle
Mozart wrote the five Divertimenti for Wind Sextet between the years 1775 and 17...
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Mozart wrote the five Divertimenti for Wind Sextet between the years 1775 and 1777 when he was living in Salzburg. The Italian title is reminiscent of simple 'light? music, but the pieces' melodic ingenuity and colourful writing for winds show it to be chamber music of the highest quality. Our edition is based on the autograph and brings together all five authentic sextets in one practical edition. An ensemble with the standard instrumentation (two oboes, two horns and two bassoons) will discover a true musical treasure. The two horn parts are provided both in the original transpositions (F/Bb/Eb) and also for horn in F. / 2 Hautbois, 2 Cors Et 2 Bassons
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String Sextets O. 18 And Op. 36 - Arrangements For Piano Four-Hands (BRAHMS JOHANNES)
253.20
String Sextets O. 18 And Op. 36 - Arrangements For Piano Four-Hands (BRAHMS JOHANNES)
1 Piano, 4 mains
G. Henle
Arrangements für ein Klavier zu vier Händen. Par BRAHMS JOHANNES. With Critica...
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Arrangements für ein Klavier zu vier Händen. Par BRAHMS JOHANNES. With Critical Report/ Répertoire / Piano 4 Mains
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Helen Grime: Into The Faded Air (Parts): String Quartet: Parts
21.99
Helen Grime: Into The Faded Air (Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Into the faded air was commissioned by Britten Sinfonia for first performance at...
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Into the faded air was commissioned by Britten Sinfonia for first performance at Filharmonic Hall Krakow Poland on Sunday 13th January 2008 with Jacqueline Shave (Violin) Miranda Dale (Violin) Clare Finnimore(Viola) Catherine Musker (Viola) Caroline Dearnley (Cello) and Banjamin Chappell (Cello).Scoring: String Sextet (2 Violins 2 Violas and 2 Cellos)Duration: 10 minutes Composer'sNotes 'Into The Faded Air is cast in four movements although the last three movements are played without a break.In the first movement the sextet is divided into twogroups. The first group consisting of violin viola and cello plays a sustained melody while the second group (also violin viola and cello) contributes more jagged and intricate material. The second movement is an extended duetfor two violas accompanied by the other instruments. As the movement progresses the accompanying instruments become more prominent. The third movement is the only fast movement in the piece with rapid semiquavers and much useof pizzicato throughout. This leads into a serene chorale where the three upper instruments (two violins and first viola) are set against the second viola and two cellos.' - HelenGrime
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Youth
27.78
Youth
Quatuor à cordes: 2 violons, alto, violoncelle
Barenreiter
This piece reflects Janácek's memories of childhood and youth in his native Huk...
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This piece reflects Janácek's memories of childhood and youth in his native Hukvaldy and the Augustinian Abbey in Brno. Kry?tof Maratka, a Czech composer resident in France and a great admirer of Janácek, has arranged the original version to produce a welcome addition to the string quartet repertoire.Youth for wind sextet, is a masterpiece from Janácek's late period (1924). Maratka has successfully managed to transform the concise winds' sound that give this work its unique flavour into the timbre of the strings, thereby creating a 'third string quartet? of the composer.- Janácek's wind sextet arranged for string quartet- Welcome addition to the string quartet repertoire- Foreword by the arranger (Cz/Eng/Ger) / Quatuor A Cordes
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Le Portrait de Daisy Hamilton op.140 Vol. 7 (KOECHLIN CHARLES)
54.94
Le Portrait de Daisy Hamilton op.140 Vol. 7 (KOECHLIN CHARLES)
Sextuor à Cordes
[Conducteur et Parties séparées]
Schott
Ten Pieces for String Sextet. Par KOECHLIN CHARLES. With this edition, we presen...
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Ten Pieces for String Sextet. Par KOECHLIN CHARLES. With this edition, we present another part of the composition 'Le Portrait de Daisy Hamilton' inspired by the film, Koechlin's homage to the film actress Lilian Harvey. From a total of 89 uninstrumented short pieces, some of them unfinished, the editor carefully assigned selected pieces to instruments which suit their character best. Ten charming miniatures were ideal for string sextet and are published in the present edition for the first time./ Répertoire / Sextuor à Cordes
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Peter Maxwell Davies: Strathclyde Concerto No. 9: String Orchestra: Score and
24.99
Peter Maxwell Davies: Strathclyde Concerto No. 9: String Orchestra: Score and
Orchestre
[Partition]
Chester
The solo group consists of a sextet of the woodwind instruments which are normal...
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The solo group consists of a sextet of the woodwind instruments which are normally doubled with more regular members of the orchestra: these six strangers now brought to the fore are piccolo alto flute cor anglais clarinet inEb bass clarinet in Bb and contrabassoon. They make a motley group diverse in colour as in register and one of the tasks of the piece sets itself is to have them blend and cohere both together as an ensemble and in partnershipwith the string orchestra (which itself is used with unusual variety and subtlety). Another evident task of the work is to provide fine solos for each member of the woodwind sextet: bright dances for the piccolo recitativesfor the alto flute a stoical song from the contrabassoon in the extreme bass. The work is cast as a single movement which begins in the composer's first-movement style of rapid regeneration. This is interrupted by slowinterventions including one for divided strings which gives rise to a sextuple cadenza for the soloists. Out of this comes a slow movement or sequence of short slow movements followed by a dancing finale with its own slowepisodes. Altogether this is music of songs and dances heavily tinged with Scottish rhythms and tonalities: one might think of a magic bagpipe having six chanters and a drone of variegated string texture.
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Steve Reich: Quartet: Ensemble: Study Score
[Partition]
Boosey and Hawkes
Composer's note:''Quartet' when mentioned in the context of concert music is g...
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Composer's note:''Quartet' when mentioned in the context of concert music is generally assumed to mean 'string quartet'. In my case the quartet hat has played a central role in many of my pieces (besides the string quartet) is that of two pianos and two percussion. It appears like that or in expanded form with more pianos or more percussion in The Desert Music Sextet Three Movements The Four Sections The Cave Dance Patterns Three Tales You Are (Variations) Variations for Vibes Pianos and Strings Daniel Variations Double Sextet and Radio Rewrite . In Quartet there is just this group alone: two vibes and two pianos. The piece is one of the morecomplex I have composed. It frequently changes key and often breaks off continuity to pause or take up new material. Though the parts are not unduly difficult it calls for a high level of ensemble virtuosity. The form is one familiar throughout history: fast slow fast played without pause. The slow movement introduces harmonies not usually found in my music.'
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Ernest Bloch: Chanty (from Poems of the Sea): Brass Ensemble: Score and Parts
49.99
Ernest Bloch: Chanty (from Poems of the Sea): Brass Ensemble: Score and Parts
Ensemble de cuivres
Schirmer
For brass sextet: 2 trumpets French horn 2 trombones and tuba.-The sea depicte...
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For brass sextet: 2 trumpets French horn 2 trombones and tuba.-The sea depicted in 'Poems of the Sea' from which this 'Chanty' was taken are neither as dramatically stormy as in 'The Flying Dutchman' nor as reflective as Debussy's in 'La Mer'. Instead they are gentle without being placid andenergetic without being turbulent. 'Chanty' itself is far removed form the kind of sea shanty exemplified by 'What Shall We Do With The Drunken Sailor' - this is a reflective piece with a touching melody. It is here arranged forBrass Sextet by R.W. Landes.
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