30 intermediate recital pieces for violin and piano. Par . Following the successful first volume, Piccolo Paganini Vol. 2 contains 30 original intermediate-level pieces for violin and piano. Violin experts Christiane Schmidt and Gudrun Jeggle focus on musically sophisticated and rarely-heard concert pieces by composers ranging from Handel and Elgar to Pauline Viardot García and Grazyna Bacewicz. This appealing and attractive repertoire will help every little Paganini shine ? a real treasure trove for teaching, performance, and competitions. 30 intermediate-level compositions for violin and piano (mainly 1st and 3rd positions, but going up to 5th position) Appealing and musically rewarding repertoire pieces Ideal for developing fluency, bowing technique and basic double-stop playing With performance notes and short biographies For teaching, performance, and competitions / Date parution : 2023-06-01/ Recueil / Violon et Piano

Par BOLT BEN. Cette collection rend la musique légendaire de Niccolo Paganini accessibles aux guitaristes. Sélections comprennent : Allegro, Andantino - Allegretto - Andante - Sonate - Valtz - et plus encore. Texte est présenté en anglais, espagnol, français et japonais. Ecrit en tablature et notation standard. Audio disponible en ligne. / Niveau : Intermédiaire / Classic - Solos / Tablatures / Guitare Tablatures

Par PASQUINI BERNARDO. Extraits du manuscrit de PasquiniClavecin : Emer BuckleyAccord Mésotonique : Partite del Saltarello, Partite diverse di Follia, Tastata per Milone, Bergamasca, Passacaglia, Sarabanda, Partite di Bargamasca, Toccata terza, Variationi Capricciose.Accord Italie, XVIIIe siècle: Alemanda Scozzese Corrente (GIGA), Capriccio, Variationi per Francia, Tastata per lo Scozzese, Variationi per il paggio tedesco, Toccata con lo Scherzo del Cucco. / Niveau : Facile / Répertoire / Clavecin (Fac-similé)

2Git. Par PASQUINI BERNARDO. ÖLP / Niveau : Facile à Assez Facile / Répertoire / 24 Guitares

2Git. Par PASQUINI BERNARDO. ÖLP / Niveau : Facile à Assez Facile / Répertoire / 28 Guitares

2Git. Par PASQUINI BERNARDO. ÖLP / Niveau : Facile à Assez Facile / Répertoire / 23 Guitares

Par PASQUINI BERNARDO. Langue: International (more than one language)/ Répertoire / Piano

2Git. Par PASQUINI BERNARDO. ÖLP / Niveau : Facile à Assez Facile / Répertoire / 25 Guitares

2Git. Par PASQUINI BERNARDO. ÖLP / Niveau : Facile à Assez Facile / Répertoire / 20 Guitares

Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692

Par PAGANINI NICCOLO. Paganini and Wieniawski were two of the most famous violin virtuosos of the 19th century, and composers of a number of the most treasured masterpieces in the violin repertory. Here, in a comprehensive playing edition, are three of their most celebrated works for solo violin: Paganini's innovative Caprices, Op. 1 and Wieniawski's major collections of studies, l'Ecole Moderne, op. 10 and Etudes-Caprices, op. 18. Paganini's twenty-four Caprices are a virtual textbook of the phenomenal technical breakthroughs that he achieved, showing off his trail-blazing array of fingered octaves, double, triple and quadruple stop chords, and 'ricochet bowings'. Wieniawski's etudes fuse unmistakeableSlavonic colours with his already formidable technique and are, like Paganini's Caprices, among the most demanding works in the solo violin repertory, and essential parts of every professional violinist's training/ Répertoire / Violon

Der in Erfurt geborene Komponist Edward Mollenhauer (1827?1914) war in Amerika als Solist und Pädagoge erfolgreich. Seine bekanntesten Stücke für junge Geiger sind ?The Boy Paganini? und ?The Infant Paganini?. Beide erscheinen in der Originalausgabe für Geige und Klavier sowie erstmals auch in einer Transkription für Cello von Christoph Sassmannshaus. Die Fantasie ?The Infant Paganini? für Violine und Piano (BA 10691) ist ein reizvolles Vorspielstück in Erster und Dritter Lage und kann von Schülern auf dem Niveau des vierten Bandes der Sassmannshaus-Violinschule erreicht werden. Es werden Flageoletts und Pizzicati erwartet. Ebenfalls ein dankbares Vortragsstück in Erster bis Vierter Lage ist ?The Infant Paganini? auf dem Cello (BA 10693), das von Schülern bewältigt werden kann, die mit dem vierten Band des Frühen Anfangs arbeiten. An Bogentechniken sind wie bei der Geige Detaché, Legato, Spiccato und Saitenwechsel mit Arpeggios gefordert. Es werden zudem Flageoletts und Pizzicati erwartet. Anspruchsvoller ist die Fantasie ?The Boy Paganini? für Violine und Piano (BA 10692), ein beindruckendes Konzertstück in der Ersten bis Fünften Lage. Die beiden Sätze verlangen Taktwechsel, Flageoletts und Pizzicati. In der Cello-Version (BA 10694) ist das Spiel in der Ersten bis Vierten Lage erforderlich. Der Schüler sollte die vier Bände des ?Frühen Anfangs auf dem Cello? nahezu vollständig durchgearbeitet haben. Weitere Herausforderungen sind Akkorde über alle vier Saiten sowie einfaches Spiel in Oktaven. ? Beliebte Konzertstücke ? Direkt im Anschluss an ?Früher Anfang? ? Jetzt auch in einer Transkription für Cello