La plupart des arias de cette collection font partie du répertoire standard de solistes de renom, et c'est vraiment grâce à eux que les opéras auxquels ils appartiennent sont devenus célèbres. C'est sans doute vrai des airs tels que Lascia ch'io pianga, Ombra mai fu et Caro Mio Ben. Dans Coro Mio Ben, Gwyn Arch a créé de nouveaux arrangements d'oeuvres et ces plus de Haendel, Mozart, Verdi et d'autres compositeurs, et donc ouvert ce genre musical à un public entièrement nouveau. Les accompagnements de piano sont largement tournée vers les originaux. Comprend 2 CD avec 18 enregistrements complets chorales et 10 pistes d'accompagnement de piano. / Choeur Mixte (SATB)

Composé sur la commission en 2004 par le choeur de Chambre des pays-bas et le chapitre de la cathédrale de Winchester, c'est un cadre de texte à partir Il Paradiso de XXXIII de Dante de Canto. Il fut créé en octobre 2004 par le choeur de Chambre des pays-bas menée par Stephen Layton. / Choeur Mixte (SSAATTBB)

Songs include: Addio del passato bei sogni ridenti (La Traviata) Caro nome che il mio cor (Rigoletto) Casta Diva (Norma) Come in quest'ora bruna (Simon Boccanegra) Convien partir (La figlia del reggimento) D'amor sull'ali rosee (Il Trovatore) Ebben?... N'andrò lontana (La Wally) Eccomi in lieta vesta (I Capuleti e i Montecchi) In quelle trine morbide (Manon Lescaut) La Vergine degli Angeli (La forza del destino) Mi chiamano Mimì (La Bohème) and more.

Oratorio in due parti. Par SCARLATTI ALESSANDRO. / Date parution : 2022-03-15/ Répertoire / Chant et Piano

2 Solo Sopranos 2 Solo Altos 3 Solo Tenors 2 Solo Basses Mixed Choir and Orchestra-Scholarly-critical Urtext edition orientated towards performance practice.Detailed critical commentary (Eng) in the full score.Movements 10 13 and 14 are included in their original high clef in the appendix of the full score.These movements are also available with Piano reduction as print-on-demand.Claudio Monteverdi?s ?Vespro della Beata Vergine? is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas under thedirection of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led for instance to a divergent evaluation of the ?Lauda Jerusalem? oriented towards performance practice with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.Full score & performance material available for sale.

Basso Continuo-Claudio Monteverdi?s Vespro Della Beata Vergine is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas under the direction of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led for instance to a divergent evaluation of the ?Lauda Jerusalem?oriented towards performance practice with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.- Scholarly-critical Urtext edition orientated towards performance practice- Detailed critical commentary (English) in the full score- Movements 10 13 and 14 are included in their original high clef in the appendix of the full score.- These movements are also available with Piano reduction as copy on request.

Par PERGOLESI GIOVANNI BATTISTA. In 1732 Giovanni Battista Pergolesi composed a setting of the Vespers in honor of St. Emidius, Naples’s patron saint and protector against earthquakes. All that has survived are the introit Domine ad adjuvandum and three psalm settings: Dixit Dominus, Laudate and Confitebor. Malcolm Bruno’s reconstruction consists of Pergolesi’s Hymnus, Magnificat, several short instrumental interpolations, and the contrafactum of a secular cantata for the Salve Regina, thereby presenting a full cross-section of Pergolesi’s artistic evolution. The reconstructed Vespers ranges from the early Confitebor, with its allusions to Vivaldi, to the late Salve Regina with its reminiscences of thefamous Stabat Mater; from contrapuntal choral writing to operatic arias; and from the magnificently scored Dixit to the almost intimate Laudate. The present edition follows the original sources as closely as possible and contains an appendix with detailed notes on performance practice. Performance material available for hire Effective reconstruction of a full-length work Cross-section of Pergolesi’s sacred music Clear and easy-to-play piano reduction/ Répertoire / Solistes, Choeur Mixte (SATB) et Orchestre

Adoramus te. Par BRAHMS JOHANNES / VERDI GIUSEPPE. Marienfeste, Marianische Gesänge - Verwendung / Kirchenjahr: Karwoche -/ Répertoire / Choeur Mixte

Par PART ARVO. Arvo Pärt received a commission to compose this work from the Agenzia Romana per la preparazione del Giubileo, that was, the body responsible for the organisation of the Holy Year 2000 in Rome. Pärt was asked to write a work to be performed by the Chorus and Orchestra of the Accademia Nazionale di Santa Cecilia. Pärt was inspired by the story of the martyrdom of Saint Cecilia and he embarked on a search for a suitable text in 1999. He eventually found one in Latin at the seminary in the Austrian city of Graz: it is the Breviarium Romanum (S. Ceciliae Virg. et Mart. , Lectio iii for 22 November) which contains a concise description of the saint's life. An old translation of thetext into Italian has been located in the library of the Monastero di Bose in Northern Italy. The world premiere of Cecilia, vergina romana took place in Rome on 19 November, that is, three days before the Saint Cecilia feast on 22nd (repeat performances on 20 and 21 November). Arvo Pärt has dedicated the work to the conductor, Myung-Whun Chung as well as the Chorus and Orchestra of the Accademia Nazionale di Santa Cecilia./ Répertoire / Choeur SATB et Orchestre

Contents : Verdi: Rittorna vincitor! (Aida) - Oh patria mia (Aida) - Tu che le vanita (Don Carlo) - Ernani, involami (Ernani) - Madre, pietosa Vergine (La Forza del Destino) - Pace, pace Mio Dio (La Forza del Destino) - Salce, Salce and Ave Maria (Otello) - Come in quest' ora bruna (Simon Boccanegra) - Tacea la Notte placida (Il Trovatore) - D'amor sull'ali rosee (Il Trovatore) - Gluck: Divinites du Styx (Alceste) - Smetana: Marenka's Aria (The Bartered Bride) - Puccini: Mi chiamano Mimì (La Bohème) - In quelle trine morbide (Manon Lescaut) - Bizet: Je dis que rien ne m'epouvante (Carmen) - Massenet: Pleurez! pleurez, mes yeux! (Le Cid) - Il est doux, il est bon (Herodiade) - Obeissons quand leur voix appelle (Manon) - Offenbach: Elle a fui, la tourterelle (Les Contes D'Hoffmann) - Mozart: Come scoglio (Così fan tutte) - Non mi dir (Don Giovanni) - Deh vieni, non tardar (Le Nozze di Figaro) - Porgi, amor, qualche ristoro (Le Nozze di Figaro) - Ach, ich fühl's (Die Zauberflöte) - Tchaikovsky: Tatiana's Letter Scene (Eugene Onegin) - Gounod: The King of Thule and the Jewel Song (Faust) - Beethoven: Abscheulicher! wo eilst du hin' (Fidelio) - J. Strauss: Klange der Heimat (Die Fledermaus) - Mein Herr Marquis (Adele's Laughing Song) (Die Fledermaus) - Wagner: Traft ihr das Schiff' (Der Fliegender Hollander) - Einsam in truben Tagen (Lohengrin) - Euch Luften (Lohengrin) - Dich, theure Halle (Tannhäuser) - Allmacht'ge Jungfrau (Tannhäuser) - Mild und leise (Tristan und Isolde) - Der Manner Sippe (Die Walkure) - C.M. von Weber: Und ob die Wolke (Der Freischütz) - Wie nahte mir der Schlummer (Der Freischütz) - Ozean! du Ungeheuer (Oberon) - Meyerbeer: Parmi les pleurs (Les Huguenots) - Leoncavallo: Stridono lassu (Pagliacci) - Monsigny: Il regardait mon bouquet (Le Roi et le Fermier).

Par MONTEVERDI CLAUDIO. / Date parution : 2023-03-21/ Répertoire / 2 Soprano, Alto, 2 tenor et 2 bass Soloists, ssatt