b minor-Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.

Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.

Arranged For Violoncello and Piano-In 1891 Dvorák arranged the final eighth dance of his popular first set of the Slavonic Dances Op.46 for violoncello and piano. The Czech composer Jir Gemrot born in 1957 has followed his example and has arranged the remaining dances for the same scoring. However in order to approach Dvorák?s ideal sound Gemrot based his arrangements on the composer's orchestral score.Dvorák?s own arrangement of Slavonic Dance No. 8 has been taken from the Complete Edition of the Works of Anton n Dvorák Volume IV/3 (Compositions for Violoncello).First complete edition of the first set of Slavonic Dances arranged for violoncello and pianoby Jir GemrotIncludes Dvorák?s own arrangement of Dance No.8With fingering and bowing by Tomá? Jamn kForeword (Cz/Eng/Ger) by Eva Velická

Cello-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale

Wind Instruments-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale

The year 2004 marked the 100th anniversary ofthe death of Antonin Dvorák. In 1879 Dvorákwrote this Polonaise as a commission for thecommittee organising the festivities for theirfamous national dance festival. Many famousCzech composers wrote dances specially for thisevent. This Polonaise in three movements with itsfine melody lines deserves to be more than just anoccasional work however. Wil van der Beek?sconcert band arrangement does justice to theoriginal piece.

Though only a minor pendant to the great Cello Concerto Anton n Dvorák?s Rondo Op. 94 is an effective and entertaining piece that belongs in the standard repertoire of every cellist. Dvorákcomposed it in December 1891 shortly before leaving for America and he gave the work its première performance on 3 January 1892 with his friend the cellist Hanus Wihan during his farewell concert tour. To produce this urtextedition Milan Posp sil consulted the autograph score and first edition not only for the Piano version but also for the orchestral version of October 1893.

Double Bass-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale

for Wind Instruments Violoncello and Double Bass op. 44-Serenade In D Minor Op.44 for Oboe I II; Clar I II; Bsn I II; Contra-Bsn; Horn I-III; Vc; KbIn 1878 Dvorák was in Vienna and was so impressed by a performance of Mozart?s Wind Serenade in B-flat major K. 361 that he wrote his own wind serenade within the space of two weeks after his return. Taking Mozart?s piece as his model he supplemented the wind band with a bass part for Violoncello and Double Bass.The Op.44 Serenade In D Minor which also delighted Johannes Brahms was issued by Dvorák?s publisher Simrock shortly after its première. Barenreiter's new Urtext edition draws on this first print while usingthe autograph to correct a number of mistakes and above all inconsistencies in articulation.First Urtext edition of Dvorák?s popular Serenade for windsDetailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger)Critical Commentary by Robin Tait (Eng)

Cello-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor

Set Wind Instruments-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor

Viola-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor

The Dvorák symphonies represent a milestone in symphonic literature and encompass the composer's creative period from 1865 to 1893. They reflect the impact of Czech and with the 9th Symphony the impact of American folk music on Dvorák. Each study score contains a short history of the Dvorák Edition as well as valuable information on each of the works by the Dvorák scholar Jarmila Gabrielová.