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Sonata For Violoncello And Piano F Major Op. 99
17.34
Sonata For Violoncello And Piano F Major Op. 99
Violoncelle, Piano
Barenreiter
Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. T...
(+)
Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata op. 99 by Hugo Becker and Carl Friedberg, as well as by Julius Klengel. Both cellists, Becker and Klengel, had a connection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such, the Barenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violoncelle Et Piano
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Mats Lidström: Lamenting Matthew Crawley: Cello: Score
8.00
Mats Lidström: Lamenting Matthew Crawley: Cello: Score
Violoncelle, Piano
-
Avancé
CelloLid
For fans of the popular TV series Downton Abbey Christmas Day 2012 came to a sad...
(+)
For fans of the popular TV series Downton Abbey Christmas Day 2012 came to a sad close as they witnessed the death of the well-loved character Matthew Crawley. This piece by Mats Lidström was composed in response to the shocking season finale and seeks consolation for what had just unfolded on the screen. Composed for Cello and Piano Lamenting Matthew Crawley also makes the perfect encore due to its romantic tone.
8.00 GBP - vendu par Musicroom GB
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Gest: Sunflowers In The Night: Cello: Instrumental Album
Violoncelle
CelloLid.com
Music for romantic moments. These four separate pieces for cello and piano may b...
(+)
Music for romantic moments. These four separate pieces for cello and piano may be used as encores following a recital. Or for vowing in general.
12.00 GBP - vendu par Musicroom GB
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Great Romantic Cello Concertos: Cello: Score
20.30
Great Romantic Cello Concertos: Cello: Score
Violoncelle, Orchestre
Dover Publications
Schumann Saint-Saens Dvorak-Complete scores of three great romantic cello conc...
(+)
Schumann Saint-Saens Dvorak-Complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century the compositions reveal extraordinary lyricism imagination and individual interpretation of the concerto form.Complete and unabridged edition.
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Schott Cello Library
26.64
Schott Cello Library
Violoncelle, Piano
Schott
13 pieces of easy to intermediate standard ideal for lessons and concerts. As we...
(+)
13 pieces of easy to intermediate standard ideal for lessons and concerts. As well as popular Baroque sonatas by the likes of Vivaldi and de Fesch, there are also some charming, lesser-known compositions by Lanzetti and Zocarini. Also included are Classical sonatas by J. C. F. Bach, Stephen Paxton and Beethoven alongside pieces from the Romantic era including Mendelssohn's Song Without Words Op. 109, Fauré's Sicilienne Op. 79 as well as two little pieces by Goltermann. / Violoncelle Et Piano
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Sonata (Version For Piano And Violoncello) / Mélancolie For Violoncello And Piano
27.26
Sonata (Version For Piano And Violoncello) / Mélancolie For Violoncello And Piano
Violoncelle, Piano
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Barenreiter
Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in...
(+)
Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franck's friend, the cellist Jules Desart, was so impressed when he heard the Violin Sonata performed at the Société nationale de musique in Paris that he adapted the work for his instrument. This arrangement was first published in 1887 by inserting the cello part into the piano score of the original edition. For this purpose the piano score had received a new cover and the publisher had expanded the title of the composition to 'Sonate pour piano et violon ou violoncelle?. This version by the cellist Jules Delsart for piano and violoncello is the only arrangement of the work authorized by the composer and its first edition represents the main source for Bärenreiter's new scholarly-critical publication.Bärenreiter's new edition also includes a separate movement, 'Mélancolie?, first published after Franck's death in 1911, again for the same instrumentation, piano and violin or violoncello. This short piece is based on a solfège exercise and was written at the height of the composer's creative powers, at about the same time as his famous violin sonata.The edition is rounded off by an informative text on the genesis and reception history of the two compositions (Ger/Fr/Eng), a complete list of sources, editorial notes and a Critical Commentary (Eng).- Pioneering new Urtext edition- Informative text on the genesis and reception history of the two compositions (Ger/Fr/Eng)- Detailed Critical Commentary (Eng) / Violoncelle Et Piano
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Butt-Chen: Cellowise: Cello: Instrumental Album
11.99
Butt-Chen: Cellowise: Cello: Instrumental Album
Violoncelle, Piano
[Conducteur et Parties séparées + CD]
Spartan Press
CELLOWISE is an exciting new collection of arrangements from the popular classic...
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CELLOWISE is an exciting new collection of arrangements from the popular classics. The standard is from Grade 3 upwards and included are Bach Badinerie Handel Sarabande Haydn Gipsy Rondo Gossec Gavotte and Tambourin Brahms Hungarian Dance and other favourites with attached CD of top quality performances making a pleasant and varied recital programme both to listen to and of course to play. Cellowise is featured on the 2014 Bauhinia Cup String Competition in Hong Kong and is on the current syllabuses of Trinity College London the Musik-PrüfungsKommission in Vienna and the Royal Irish Academy of Music in Dublin 2015-2018.FOOTNOTE TO CONTENTSOriginally a folk-dance from Medieval Spain the Sarabande became the spiritual centre-point of the 18th. Century dance suite and well-known to cellists through the Bach Suites.The Badinerie is a musical haiku stunning in its precision and economy of means and like a poem condenses much meaning and expression into few words.Sir Yehudi Menuhin once called the 'Erbarme Dich' solo the most beautiful piece of music ever written for the violin. This poignant duet for voice and obligato is about remorse betrayal and the universal theme of suffering. It is one of the centre-pieces of the St. Matthew Passion and is sung after Peter has denied Christ betraying him to the authorities and to his Crucifixion.Gavotte and Tambourin. These two Dances reflect the political opposites of the French Revolution - one a popular dance for partying and celebration the other more courtly and considered a favourite of Marie Antoinette.Rondo all'Ongarese and Hungarian Dance.Hungarian Folk music is fiery and impassioned with virtuoso techniques of embellishment and improvisation. Haydn and Brahms incorporated these elements into Classical forms.Like other Romantic and early-Romantic composers (Mendelssohn and Schubert) Brahms was attracted to Scotland as a wild and beautiful country of myth and
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Margaret Edmondson: Classic Hits for 2 Cellos: Cello Duet: Parts
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Margaret Edmondson: Classic Hits for 2 Cellos: Cello Duet: Parts
2 Violoncelles (duo)
[Partition]
-
Facile
Barenreiter
Popular themes from works by Classical and Romantic composers have been arranged...
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Popular themes from works by Classical and Romantic composers have been arranged for two violoncellos with added bowing and fingering. The pedagogic value of these easy arrangements lies primarily in the equal treatment of both parts.ContentsCarl Maria von Weber ?Jägerchor? (from ?Der Freischütz?) / Wolfgang Amadeus Mozart ?Das klinget so herrlich? (from ?The Magic Flute?) / Franz Schubert ?Wiegenlied? (?Cradle Song?) / Ludwig van Beethoven ?Ode to Joy? and many more
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Concert Pieces For Cello And Piano
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Concert Pieces For Cello And Piano
Violoncelle, Piano
[Partition]
Barenreiter
Edition no.:BA9695 ISMN:9790006536580 Volume / Series:Bärenreiters Cello Collec...
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Edition no.:BA9695 ISMN:9790006536580 Volume / Series:Bärenreiters Cello Collection Editor:Sassmannshaus, Christoph Instrumentation of the work:Violoncello, Piano Product format:Piano reduction, Part(s), Teaching material Includes the following individual parts:Violoncello, Piano Binding:Stapled Pages / Format:32/64 S. - 30,0 x 23,0 cm In the line with the series Bärenreiter's Concert Pieces which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák?s Humoresque , Mendelssohn Bartholdy?s Song without Words , Fauré?s Berceuse and The Swan by Camille Saint-Saëns. The editor is Christoph Sassmannshaus, the grandson of the founder of The Sassmannshaus tradition , Egon Sassmannshaus. - Pieces for solo cello with piano accompaniment - Easy to medium difficulty - Ideal repertoire for cellists who have completed Early Start on the Cello, volumes 3 and 4 (BA 8998, BA 8999) A selection: Simonetti, Madrigal / Beethoven, Minuet / Dvorák, Humoresque / Wolf, Wiegenlied / Goltermann, Notturno / Klengel, Sarabande / Mendelssohn Bartholdy, Song without Words / Fauré, Sicilienne / Saint-Saëns, The Swan
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Tchaikovsky P.i. - Nocturne Op. 19 N. 4 - Violoncelle Et Piano
9.50
Tchaikovsky P.i. - Nocturne Op. 19 N. 4 - Violoncelle Et Piano
Violoncelle, Piano
EMB (Editio Musica Budapest)
Publié par Pejtsik ÁrpádInstrument: Violoncello and PianoSérie: Moments Musi...
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Publié par Pejtsik ÁrpádInstrument: Violoncello and PianoSérie: Moments Musicaux for VioloncelloGenre: RomanticPages: 8 ppDate du parution: 1988
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Luigi Boccherini Bruch: Violoncello Concerto No. 9 in B-flat Major G482: Cello
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Luigi Boccherini Bruch: Violoncello Concerto No. 9 in B-flat Major G482: Cello
Violoncelle
[Partition + CD]
Music Minus One
Music Minus One Cello Deluxe 2-CD Set-We bring you on this MMO album two pieces ...
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Music Minus One Cello Deluxe 2-CD Set-We bring you on this MMO album two pieces from diverse ends of the repertoire: Boccherini's beautiful D-major concerto for violoncello with its Baroque themes and Bruch's famous 'Kol Nidrei' with its melding of late Romantic and traditional Hebrew melodies. A great album filled with music to test your abilities in technique and in interpretation. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the orchestral accompaniment minus you the soloist. Performed by Marcy Chanteaux violoncello Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn
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Gounod - Ave Maria - Violoncelle Et Piano
9.50
Gounod - Ave Maria - Violoncelle Et Piano
Violoncelle, Piano
EMB (Editio Musica Budapest)
Publié par Pejtsik ÁrpádInstrument: Violoncello and PianoSérie: Moments Musi...
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Publié par Pejtsik ÁrpádInstrument: Violoncello and PianoSérie: Moments Musicaux for VioloncelloGenre: RomanticPages: 6 ppDate du parution: 1991
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Johann Nepomuk Hummel: Sonata op. 104: Cello: Instrumental Work
16.50
Johann Nepomuk Hummel: Sonata op. 104: Cello: Instrumental Work
Violoncelle, Piano
-
Intermédiaire
Barenreiter
for Pianoforte and Violoncello-Famous in his day the Austrian composer and pian...
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for Pianoforte and Violoncello-Famous in his day the Austrian composer and pianist Johann Nepomuk Hummel (1778 1837) studied with Mozart and befriended Beethoven. Among his many works is a relatively late sonata for Violoncello and Piano composed in 1824 and published in 1826 a delightful early Romantic piece in three movements supported by a capricious Piano part. The expressive Cello cantilena in the Romance will capture the heart of every cellist.Our edition edited by Mark Kroll is the first scholarly-critical publication of this sonata. It is based on the first edition of 1826 and the autograph manuscript which served as a master copy for the engraving. A comparison of the sourcesbrought to light a number of details overlooked in the first edition especially with regard to dynamics.A must for all cellists and lovers of chamber musicNotes on performance practice in the Foreword (Ger/Eng)Detailed Critical Commentary (Eng)
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Mein Erstes Konzert: Cello: Instrumental Album
14.99
Mein Erstes Konzert: Cello: Instrumental Album
Violoncelle, Piano
[Partition + CD]
-
Facile
Schott
The present volume contains a selection of very easy recital pieces for Violonce...
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The present volume contains a selection of very easy recital pieces for Violoncello and Piano which can be played in the first position after 1-2 years of Cello lessons. The selected pieces are original works from the Renaissance period to the present day: from the Baroque minuet the classical sonatina or the Romantic character piece to contemporary music and tango blues or pop. The pieces are suitable for individual group and chamber music lessons for practising on one's own and especially for the first auditions concerts or competitions. The accompanying CD contains a full version of each piece as well as the piano accompaniment for playing along. The recordingsare intended for orientation and for making it easier to learn to play the pieces – for what is already going around in one's head will also be 'in the fingers' much faster. The CD also contains separately the piano part of each piece for playing along. A musical journey through 500 years of Cello music!
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Sonata in E minor for Violoncello and Piano op. 38: Cello: Instrumental Work
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Sonata in E minor for Violoncello and Piano op. 38: Cello: Instrumental Work
Violoncelle, Piano
Barenreiter
The first three movements of Johannes Brahms? E Minor Cello Sonata were composed...
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The first three movements of Johannes Brahms? E Minor Cello Sonata were composed in 1862 the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms? life however it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann?s advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata Op.38 by Cornelius van Vliet andEdwin Hughes Hugo Becker and Carl Friedberg as well as Julius Klengel. The cellists? van Vliet Becker and Klengel?s fingering and bowing allows for a better understanding of their performance practice. As such the Bärenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms? contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works? origins early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With an extensive Performance Practice Commentary.-
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Gabriel Fauré: Sicilienne Op.78: Cello: Instrumental Work
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Gabriel Fauré: Sicilienne Op.78: Cello: Instrumental Work
Violoncelle
Schott
Fauré initially wrote the Sicilienne as indicental music to Molière's 'Bourgeo...
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Fauré initially wrote the Sicilienne as indicental music to Molière's 'Bourgeois gentilhomme' for small-scale string orchestra. In 1898 he wrote an arrangement for violoncello and piano which enjoys great popularity and belongs to the standard Romantic cello repertoire. Our new edition contains fingerings and bowing marks by Maria Kliegel.
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Felix Mendelssohn Bartholdy: Sonata For Piano And Violoncello In D Op. 58:
22.99
Felix Mendelssohn Bartholdy: Sonata For Piano And Violoncello In D Op. 58:
Violoncelle, Piano
G. Henle
The Romantic composer Felix Mendelssohn-Bartholdy (1809-1847) has been highly re...
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The Romantic composer Felix Mendelssohn-Bartholdy (1809-1847) has been highly regarded in Britain from the time of his first visit in 1829. He was a favourite of Queen Victoria and also made several trips to Scotland inspiring some of his best-known and most evocative works. Mendelssohn’s Cello Sonata No.2 in D Major (Op. 58) was composed in 1843 for Cello and Piano. It is scored in four movements: AllegroAssai Vivace - Allegretto Scherzando - Adagio - Molto Allegro E Vivace. It is heavily influenced by Bach borrowing elements of both structure and melody from some of Bach’s works. This Urtext edition ispublished by Henle Verlag.
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Fantasy Pieces For Violoncello And Piano Op. 73
14.40
Fantasy Pieces For Violoncello And Piano Op. 73
Violoncelle, Piano
Wiener Urtext
Written in just two days in February 1849, Robert Schumann's Fantasy Pieces Op. ...
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Written in just two days in February 1849, Robert Schumann's Fantasy Pieces Op. 73 were first performed by his wife Clara and the clarinettist Johann Gottlieb Kotte. Initially entitled Soirée Pieces, the composer later had the works published under the name of Fantasy Pieces, thus establishing a connection with poetical aspects. The first edition published in July 1849 contained not only a clarinet part but also a violin and cello part. Since then, they have become an integral part of the Romantic repertoire for cello and piano. This edition is based on the text of the first edition as well as on subsequent corrections from Schumann's personal copy, with the extant composition manuscript serving as an important corrective. / Violoncelle Et Piano
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Pyotr Ilyich Tchaikovsky: Tchaikovsky: Cello Solo: Instrumental Album
19.99
Pyotr Ilyich Tchaikovsky: Tchaikovsky: Cello Solo: Instrumental Album
Violoncelle
[Partition + CD]
Music Minus One
For Violoncello and Orchestra Op. 33-The theme that forms the basis for this mu...
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For Violoncello and Orchestra Op. 33-The theme that forms the basis for this much-loved concert work is an original Tchaikovsky theme written in a classical rococo style. In a nod to the classical era Tchaikovsky wrote the piece for a smaller orchestra than wastypical in his High Romantic era. Each of the eight variations are run together with only a fermata to separate them. It is pure magic minus you! Performed by Dominique de Williencourt on violoncello accompanied by Les OrpheistesChamber Orchestra of Vienna.
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Carl Reinecke: Sämtliche Sonaten: Cello: Instrumental Work
32.50
Carl Reinecke: Sämtliche Sonaten: Cello: Instrumental Work
Violoncelle
Wiener Urtext
Having been the conductor of the Leipzig Gewandhaus Orchestra for many years Ca...
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Having been the conductor of the Leipzig Gewandhaus Orchestra for many years Carl Reinecke was one of the most important figures among musicians in the second half of the 19th century. His three sonatas for Violoncello and Piano are of amazing musical quality which puts them right up with sonatas of Johannes Brahms. It is all the more surprising however that a noteworthy Urtext edition of these works did not exist up until now; cellists often had to fall back on copies of the first editions only a few of which were extant. This gap is now closed by the Wiener Urtext Edition - right in time for the 100th anniversary of the composer's death. Itencompasses all three sonatas in one volume thus adding three masterpieces of Romantic chamber music to the less than comprehensive repertoire of the 19th century for Violoncello and Piano.
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X'Three for violoncello (KOSKELIN OLLI) (KOSKELIN OLLI)
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X'Three for violoncello (KOSKELIN OLLI) (KOSKELIN OLLI)
Violoncelle
[Partition]
Fennica Gehrman
Par KOSKELIN OLLI. X'Three (2003/2021) by Olli Koskelin is the third piece of a ...
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Par KOSKELIN OLLI. X'Three (2003/2021) by Olli Koskelin is the third piece of a solo cello suite consisting of seven compositions. Each of the seven pieces can be performed individually or detached with other X'-compositions. Different works are yet to be performed chronologically. The X'-works are composed by using the same material viewed from many different angles. Their structure can be seen as a film starting several times from the beginning and from the same settings always looked from a new perspective. In some compositions of the X'-suite seemingly random fragments are joined together organically in other works of the suite. The story, tale, or plot of the music and the gestures and figures of it trans-form in a new context but remain identifiable. Olli Koskelin's (born 16 April 1955) compositional output reflects a wide range of interests. The vast area covered by his style encompasses the neo-impressionism of the piano work Courbures (1989) to the post-expressionist echoes of his Music for String Quartet (1981) as well as the breakneck virtuosity of his clarinet piece Exalte (1985/1991) and the rich romantic textures of his orchestral piece ... like a planet silently breathing... (1993). He often uses the overtone series like the French spectral composers and avoids dramatic culmination. Soft harmonics, tranquil arching melodies, a leisurely rhythmical pulse and a coherence of mood are in evidence in his later works as in Uurre (1997) for chamber ensemble, Miniatures (1997) for string quartet and Circles within for 19 solo strings. / Date parution : 2023-01-24/ Recueil / Violoncelle
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Watson Forbes: Classical & Romantic Pieces 1: Cello: Instrumental Album
15.75
Watson Forbes: Classical & Romantic Pieces 1: Cello: Instrumental Album
Violoncelle
Oxford University Press
A wonderful collection of Classical and Romantic pieces arranged for Cello and P...
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A wonderful collection of Classical and Romantic pieces arranged for Cello and Piano by Watson Forbes. Suitable for Grades 5-6
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Mark Tanner: French Baguettelles: Cello: Instrumental Album
12.95
Mark Tanner: French Baguettelles: Cello: Instrumental Album
Violoncelle
-
Facile
Spartan Press
Favourtie French Melodies-In creating these dozen arrangements I am unashamedly ...
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Favourtie French Melodies-In creating these dozen arrangements I am unashamedly cherry-picking from a long and rich seam of French music. I feel confident that younger players and those relatively new to the cello will enjoy my selection. Forgive my tongue-in-cheek title for the book French Baguettelles (I'm half French so I don't feel too guilty!) for the music herein has more than a hint of garlic about it. Although there are certainly serious overtones to one or two pieces there is a healthy dollop of silliness to lighten the mood. Apart from Sur la Pont d'Avignon which was reportedly written in the 15th century Frère Jacques which was a popular 18th century song and Tambourin which wasin all probability also written in the 18th century (Gossec did however live well into the 19th century) all of the pieces come from composers who lived in the Romantic period. Ravel and Debussy were of course known for their impressionistic colours though for the most part it is the accompaniments which reveal this characteristic most fully. I have endeavoured to keep the piano parts playable by mere mortals conscious of the fact that cello teachers may not possess a virtuosic piano facility but may nevertheless wish to turn their hand to accompanying pupils for concerts festivals exams etc. Many of the pieces were originally written for the piano either in its solo capacity (Ravel's Pavane Pour une Infante Défunte Chabrier's Idylle Satie's Gymnopedie 1 Debussy's La Fille aux Cheveux de Lin) or in duet form (Fauré's Berceuse from 'Dolly Suite'). Three orchestral pieces Bizet's L'Arlésienne Offenbach's Can-Can and Saint-Saëns's Danse Macabre lend a welcome dramatic overtone to the book while Franck's exquisite Panis Angelicus originally conceived as a choral piece rounds off the selection admirably. In the main it is the cello's capacity for lyricism that has steered my choice of music so really open up your sound and enjoy yourself with these ageless melodies.I wish you bonne chance!Baguette: a thin loaf of
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Appassionato: Cello: Score
22.50
Appassionato: Cello: Score
Violoncelle
Schott
25 Originale Vortragsstücke-Volume 2 of the Cellissimo series contains 25 popul...
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25 Originale Vortragsstücke-Volume 2 of the Cellissimo series contains 25 popular original pieces for cello and piano from the Baroque Classical and Romantic eras and is a real treasure trove for advanced pupils students teachers and cello lovers. The cello literature comprises a lot of major standard works for lessons concerts and competitions. Apart from classics by Vivaldi Br?val Beethoven Mendelssohn Schumann Faur? or Saint-Sa?ns the volume also contains several lesser known pieces e.g. by August N?lck (1862?1928) and Georg Goltermann (1824?1898). The pieces are of medium technical difficulty which corresponds to grade 3-4 or grade 5-8 of theinternational examination system. Some pieces can be played in the 2nd to 7th position while several works require putting the thumb under. All selected works are particularly suitable for the development of sound vibrato differentiated bowing technique as well as the performer's personal interpretation and musical presentation.
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David Geringas Norbert Salter: 6 Songs: Cello: Instrumental Album
15.50
David Geringas Norbert Salter: 6 Songs: Cello: Instrumental Album
Violoncelle
Simrock
A collection of six fabulous songs for Cello and Piano by Romantic composer Joh...
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A collection of six fabulous songs for Cello and Piano by Romantic composer Johannes Brahms. Although these are arrangements they were first published in 1896 by Simrock Brahm's publisher while the composer was still alive and so Brahms must have known of and accepted the arrangements. The notation of the old Simrock edition has been assimilated with that of the original vocal version especially with regard to the dynamics. Some of the cello's closing passages have been rendered more effective and fingering and phrasing have been modernised both technically and stylistically.
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Sonata for Cello and Piano (DYSON GEORGE)
21.22
Sonata for Cello and Piano (DYSON GEORGE)
Violoncelle, Piano
[Partition]
Stainer and Bell
Par DYSON GEORGE. The Cello Sonata by Sir George Dyson (1883?1964) is the most s...
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Par DYSON GEORGE. The Cello Sonata by Sir George Dyson (1883?1964) is the most substantial of the composer?s earliest surviving works and is a welcome addition to the repertoire of romantic British cello music. Within Dyson?s small yet distinguished output, it merits recognition both as a significant instrumental score in its own right, and as a precursor of a corpus of scores expertly written for solo or ensemble strings. Evident throughout this work is Dyson?s appealing and characteristic strain of melody and harmony, both recognisably English and distinctly personal. / Date parution : 2021-11-03/ Répertoire / Violoncelle et Piano
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Romantic Trio Music For Beginners - Ensemble Cordes
24.30
Romantic Trio Music For Beginners - Ensemble Cordes
Trio à Cordes: 2 violons, violoncelle
EMB (Editio Musica Budapest)
Transcrit et édité par Pejtsik Árpád, Vigh LajosInstrument: TriosSérie: Mus...
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Transcrit et édité par Pejtsik Árpád, Vigh LajosInstrument: TriosSérie: Music for BeginnersGenre: RomanticLangue: Hungarian, English, German, FrenchPages: 100 ppDate du parution: Février 2007
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Granville Bantock: Solo Cello Sonata In G Minor: Cello: Instrumental Work
7.99
Granville Bantock: Solo Cello Sonata In G Minor: Cello: Instrumental Work
Violoncelle
[Partition]
Chester
Sonata in G Minor for Solo Cello was written in 1924 and scored in four movemen...
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Sonata in G Minor for Solo Cello was written in 1924 and scored in four movements: Quasi a Piacere Cantabile Sostenuto Recitativo Liberamente Allegro Con Moto Perpetuo. Apparently inspired bythe seminal Kodaly Sonata for the same instrument it is a challenging piece suitable for any aspiring virtuoso performer. Sir Granville Bantock (1868-1946) was a British composer conductor and educator. Hechannelled his energetic and creative personality into many musical projects championing the works of Jean Sibelius founding the City of Birmingham Symphony Orchestra and composing many splendid classical pieces. Viewed by hiscontemporaries as out-of-date his music is now being appreciated as one of the last great contributions from the English Romantic movement.
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