Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (Grade 2) and piano accompaniment from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years tocome. Each carol is given a fresh creative treatment yet is expertly arranged with younger players in mind. Songs include: Away in a Manger ? We Wish You a Merry Christmas ? Deck the Halls ? Ding Dong Merrily onHigh ? God Rest Ye Merry Gentlemen ? Greensleeves ? O Come All Ye Faithful ? Chanukah Oy Chanukah ? O Holy Night ? Pat-A-Pan ? Silent Night ? Three Holiday Songs (Medley including TheDreydl Song Jingle Bells and Joy to the World).Also available for:00841986 Solo Violin and Piano 00842194 Solo Viola and Piano 04490404 String Quartet String Orchestra:? 04490308 Conductor Score ? 04490309 Violin 1 part ? 04490310 Violin 2 part ? 04490311 Violin 3 part (Viola T.C.) ? 04490312 Viola part ? 04490313Cello part ? 04490314 String Bass part ? 04490315 Piano ? 04490316 Opt. Harp ? 04490317 Opt. Percussion

20 Christmas carols for one or two cellos. This book contains a selection of 20 Christmas carols in easy arrangements for one or two cellos with optional second part. The accompanying audio files for download contain all the carols arranged for two cellos with piano accompaniment. The piano accompaniments are also given as play-along tracks. Suitable for children as well as adults.

Bill Bay: Fun With The Cello is a collection of 47 big-note easy level one solos on folk favourites designed to build technique range and endurance while maintaining student interest.Fun to play andserves ideally as a supplement to any method. All of the solos in this text may be played together in ensemble with the Fun with Violin Fun with Viola and Fun with Bass books.Bill Bay: Fun With The Celloincludes many favourite tunes Battle Hymn of the Republic Bill Bailey Won't You Please Come Home Blue Bells of Scotland Cockles and Mussels Down by the Riverside Erie Canal and many more.

Par LEE SEBASTIAN. First Steps For Cello Op. 101 is a fantastic collection of fifty studies for Cello, with second cello ad lib. , composed by Sebastian Lee. This is an excellent resource for cellists of elemenatry to intermediate level who wish to further develop stylistic awareness and technical control./ Etude / 1 ou 2 Violoncelles

Eine Violoncelloschule für Kinder ab 4 Jahren. Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT / CORSSEN . Bärenreiters Saßmannshaus - Das Standardwerk Für Junge Streicher. Früher Anfang Auf Dem Cello (Neugestaltung 2008)/ Méthode / Violoncelle

A work for four cellos based on J. S. Bach's Suite n.5 for solo cello. It is part of the 'Transformation' series that attempts to transport Bach's oeuvre into the modern era to convert Bach's writing into that of today. The work is composed of four successively played parts. Though the sonority is completely different each part is closely related to Suite n.5.Part 1 Densité (density): each semiquaver from the beginning of the prelude is extended to form dense chords.Part 2 Chant (song): a new melodic line emerges from different transpositions of the Sarabande's melodic lines.Part 3 Tempus fugit: fragments from the Courante pass quickly while the Gigue's basic rhythmis repeated relentlessly.Part 4 Dans le temps qui s'étire (as time stretches): the Fugue subject from the second half of the Prelude appears about ten times bringing various developments.

Ready to take your cello playing to the next level? This book presents valuable how-to insight that cellists of all levels can benefit from, spanning classical to rock music, and everything in between. The text, photos, music, diagrams, and accompanying demo audio tracks provide a terrific, easy-to-use resource for a variety of topics, including: bowing techniques, non-classical playing, electric cellos, accessories, gig tips, practicing, recording and much more! / Violoncelle

for violoncello and orchestra-Krzysztof Penderecki‘s fondness for the cello becomes apparent. The solo part is juxtaposed by four other cellos. The resulting sound blocks interplay with each other which is in turn repeatedly interrupted by the orchestra.

Through Windows of Thine Age was written in gratitude and deep admiration for the Swedish Prime Minister Olof Palme one of Sweden's most creative politicians. It swings between romanticism and the wild with the Swedish national anthem present in almost every bar.As an international soloist and chamber musician Mats Lidström has gained a reputation for performances of great insight and virtuosity. He has been a member of the Cello faculty at the Royal Academy of Music since 1993. Other works include Suite Tintin for Cello and Piano and Rigoletto Fantasy for Cello and Orchestra. His children's story The Stamp King also comes in the form of amelodrama with the narration accompanied by Cello and Piano. His transcriptions for Cello are numerous. They include music from Bach to Cole Porter. Mats Lidström has recorded for Hyperion BIS EMI and Deutsche Grammophon.

Composer's Note When I considered the ensemble of eight cellos I first thought of matt and dark textures. I also wanted to go back to some ideas on symmetry. While I was pondering all that I saw snow flakes fallingfrom the dark sky of the Finnish autumn. Focusing on the snow the idea of writing variations on it and its various forms became clearer in my mind.Nuages de neige is a uniform and linear texture in which I realise my firstimpressions of that ensemble. The two Etoiles de neige are based on the idea of symmetry and repetition: the first one develops up to a certain point where it doubles back as in a mirror image the second one consists of eightsections in which the harmonic structure is repeated as well as a linear gesture that becomes ever more present. Aguilles de glace focuses on different pizzicati and superimposed ostinati. With Fleurs de neige I sought to recallthe texture of those harmonic trills at the end of the first section although more airy and diversified here. Kaija Saariaho

10 Popular Songs for Two. Mr. Massimiliano Martinelli and Mrs. Fulvia Mancini (Mr. & Mrs. Cello) are professional Italian cellists, bringing forward their love and veneration for the cello and classical performance into the modern music industry. Students and professionals alike can play their original arrangements presented in full score, and as separate Cello 1 and Cello 2 pull-out parts. This songbook also includes access audio recordings performed by Mr. & Mrs. Cello online for download or streaming. Songs include: Bailando (Enrique Iglesias) · City of Stars (from La La Land) · Love Is a Losing Game (Amy Winehouse) · Nuvole Bianche (Ludovico Einaudi) · Shallow (from A Star Is Born) · Someone You Loved (Lewis Capaldi) · The Sound of Silence (Simon & Garfunkel) · Tu Sei (Ludovico Einaudi) · and more./ Recueil / 2 Violoncelles

If Bach Was A Cellist-The purpose of the series if Bach was a cellist is to live the fantasy that everything Bach wrote he wrote for the cello.The concerto in D minor (BWV 1043) for two violins string orchestra and continuo by Johann Sebastian Bach (1685-1750) is one of his most loved works. Indeed the slow movement may be one of the most popular and loved pieces in the instrumental literature. Traditionally it is believed to have been written in Köthen where he held the position of 'fürstlischer Kapellmeister' from 1717-1723 a town that saw the birth of the Brandenburg concertos and the solo works for violin and cello. The Dorian church mode (the absent Bflat in the key of Dminor) would also speak for the younger Bach. Recent research however has shown that the orchestral parts carefully written out by Bach himself and found among the papers of his son Carl Philip Emanuel date from around 1730. The sophistication of the composition also speaks for a later date than Köthen. The original score has been lost.Always in need of concert material for his 'Collegium Musicus' in Leipzig Bach made a version of the present concerto for two harpsichords (BWV 1062). The original key was transposed to C minor so that the top note would not exceed a D but remain within the range of a standard harpsichord. Another C minor concerto (BWV 1060) for two harpsi-chords often heard in an arrangement from the 1920's for violin and oboe by Max Schneider and Max Seiffert speaks for two concertos in D minor for two violins by Bach.When arranging an orchestral score for the pianoforte one has to remember that a double-bass sounds an octave lower than notated. This is a welcomed fact when dealing with two instruments that play the original solo parts an octave down. At the same time for a transcription of this kind the ambition must be to avoid the cello soloists playing in octaves with the violin tutti parts - which is what would happen were they to share the same material. This ambition made a piano reduction

Category: String - Cello Studies or CollectionFormat: BookInstrument: CelloInstrumentation: Cello & Piano Acc.