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English Medievl And Renaissance (GREENBERG STEVE)
17.50
English Medievl And Renaissance (GREENBERG STEVE)
Piano, Voix
[Partition]
Dover Publications
Par GREENBERG STEVE. This treasury of part songs and sacred music for one to six...
(+)
Par GREENBERG STEVE. This treasury of part songs and sacred music for one to six voices will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods. Approximately half the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs. Some of the music contained is printed for the first time. Edited by Noah Greenberg / Musique religieuse / Recueil / Chant et Piano
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John McCabe: Woefully Arrayed for Twelve Voices: SATB: Vocal Score
6.50
John McCabe: Woefully Arrayed for Twelve Voices: SATB: Vocal Score
Chorale SATB
SATB
[Vocal Score]
Novello & Co Ltd.
Arranged for SSSAAATTTBBB the lyrics are from an anonymous writer of the fourte...
(+)
Arranged for SSSAAATTTBBB the lyrics are from an anonymous writer of the fourteenth century and have been adapted by the composer.The composer says: 'Woefully arrayed is a supreme choral setting by William Cornysh Junior who died in 1523 of a text usually regarded as of anonymous composition though there have been some attributions to John Skelton. It is a thoughtful powerful meditation on Christ on the Cross and though Cornysh’s setting has remarkable intensity and contrapuntal artistry I felt a strong wish to add my own response to this fine text. The different versions of it have different verses that used by Cornysh has three verses (plus therefrain) while there are others with four or even five (one attributed to Skelton has five). I have chosen to restrict myself to the three used by Cornysh using my own adaptation of the modernised words which yet incorporates some archaisms a deliberate choice for reasons of rhythm and verbal sound. This setting was commissioned by the Three Choirs Festival 2009 for Stile Antico to whom it is dedicated.''Difficult to perform but not difficult to listen to this 2009 Three Choirs Festival commission was first performed by Stile Antico who have since toured it. It is a heartfelt response to the fourteenth-century text passionate and anguished Christ is on the cross ‘woefully arrayed’. Although written for a secular choir it is a piece that could be sung by many cathedral and collegiate choirs: there is considerable doubling between the sixteen lines and a keyboard reduction to help the initial sorting out. Above all it is dramatic and would communicate directly to audiences if given a chance to hear it.' - James L Montgomer RSCM review
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James MacMillan: Lassie Wad Ye Loe Me?: Mixed Choir: Vocal Score
3.25
James MacMillan: Lassie Wad Ye Loe Me?: Mixed Choir: Vocal Score
Chorale SATB
SATB
[Choral Score]
Boosey and Hawkes
A touching setting of an anonymous love poem in broad Scots this part-song was ...
(+)
A touching setting of an anonymous love poem in broad Scots this part-song was composed for the wedding of some friends of the composer.A welcome addition to the canon of MacMillan's secular choral works the piece displays scoring similar to that in his Burns arrangement 'So Deep': the attractive folk-like melody is clearly stated sometimes with full harmony and in other places picked out by supporting drones. Multiple divisi are scored in all voices and also an optional soprano solo. Suitable for intermediate standard choirs.
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Riu Riu Chiu: 3-Part Choir: Vocal Score
11.25
Riu Riu Chiu: 3-Part Choir: Vocal Score
Chorale 3 parties
[Vocal Score]
Hal Leonard
Here is a setting of the anonymous 16th-century Spanish carol with a secular Eng...
(+)
Here is a setting of the anonymous 16th-century Spanish carol with a secular English text. Available: 2-Part 3-Part Mixed. Performance Time: Approx. 2:00.
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There Is No Rose Of Such Virtue
5.30
There Is No Rose Of Such Virtue
Chorale SATB
Novello & Co Ltd.
There is no rose of such virtue is an anonymous mediaeval text, already well kno...
(+)
There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)
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Jerry Ulrich: I Did Not Die: SSA: Vocal Score
17.50
Jerry Ulrich: I Did Not Die: SSA: Vocal Score
Chorale 3 parties
SSA
[Vocal Score]
Hinshaw Music Inc.
This is a memorial work for treble voices with piano and C instrument. From an a...
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This is a memorial work for treble voices with piano and C instrument. From an anonymous text the work is a moving crossover between the secular and sacred.
17.50 GBP - vendu par Musicroom GB
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150 Rounds For Singing And Teaching
27.30
150 Rounds For Singing And Teaching
Voix moyenne, Piano
Boosey and Hawkes
This flexible collection offers a wealth of excellent material for singing in ro...
(+)
This flexible collection offers a wealth of excellent material for singing in rounds. All of the standard rounds are represented, including many by master composers as well as anonymous ones. The book is divided into three main sections: rounds with texts, rounds without texts and selected rounds in score format. In addition to a complete alphabetical index, there are separate listings of rounds with sacred texts, rounds with secular texts, rounds about animals, rounds about bells, Christmas rounds, rounds in foreign languages, lullabies, rounds about music, rounds about nature, rounds about singing and street cries. There's even an additional listing of rounds in two parts, three parts, four, five and six parts. This is one collection no music library should be without! From the Kodály Choral Concept. Includes index based on song content and teaching concepts. / Choeur Mixte
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Bob Chilcott: Swansongs: SSAA: Vocal Score
Chorale SSAA
[Vocal Score]
Oxford University Press
A pair of beautifully soft tranquil and serene songs for unaccompanied upper vo...
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A pair of beautifully soft tranquil and serene songs for unaccompanied upper voices. The text is from an anonymous collection A Book Of Merrie Riddles of 1631 and the settings are part of the Oxford Bob Chilcott Secular series (BC37) specifically for upper voices.
2.50 GBP - vendu par Musicroom GB
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Riu Riu Chiu: 2-Part Choir: Vocal Score
Chorale 2 parties
[Vocal Score]
Hal Leonard
Here is a setting of the anonymous 16th-century Spanish carol with a secular Eng...
(+)
Here is a setting of the anonymous 16th-century Spanish carol with a secular English text. Available: 2-Part 3-Part Mixed. Performance Time: Approx. 2:00.
12.50 GBP - vendu par Musicroom GB
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