Harp Solo. By Nino Rota. (Harp). Harp Solo. Book only. 8 pages. Published by Ricordi.

Composed by Tiet Ton That (1933-). Classical: 20th Century (Contemporary). Score. 5 pages. Editions Jobert #JJ17189. Published by Editions Jobert (LM.JJ17189).

From Trilogy. By Elliott Carter. (Harp). Boosey and Hawkes Chamber Music. Size 9x12 inches. 10 pages. Published by Boosey & Hawkes.

Harp. By Paul Hindemith. Schott. Size 9x12 inches. 16 pages. Published by Schott.

Harp Solo. By Alberto Ginastera. (Harp). Boosey and Hawkes Chamber Music. Book only. 28 pages. Published by Boosey and Hawkes.

Composed by Benjamin Britten (1913-1976). Performance part for Harp (or piano). 24 pages. Published by Boosey and Hawkes.

(For Solo Harp). By Gary Schocker. For harp. Contemporary. Solo part. Standard notation. Composed July 07 2012. 16 pages. Duration 16 minutes. Published by Theodore Presser Company

By Henri Busser (1872-1973). For harp. Classical. Score. 12 pages. Published by Editions Henry Lemoine

By Arnold Schoenberg. For high soprano, celeste, harmonium, and harp. This edition: SCORE. 20th Century. For high soprano, celesta, harmonium and harp. Score. Published by Belmont-Universal Edition.

(For Solo Harp). By Gary Schocker. For Harp. Contemporary. Solo part. Standard notation. 8 pages. Duration 6 minutes. Published by Theodore Presser Company

By Geoffrey Burgon (1941-). For Harp. Strings. Published by Stainer and Bell Ltd.

Harp, db, tam-tam. By Giacinto Scelsi. Misc. Size 8.25x11.75 inches. 16 pages. Published by Salabert.

(Harp Solo). By Lucile Lawrence and Carlos Salzedo (1885-1961). For Harp. Peermusic Classical. 40 pages. Peermusic #60898-907. Published by Peermusic

(Harp). Composed by Sylvia Woods. For Harp. Harp. Softcover. Published by Hal Leonard

Arranged by Sylvia Woods. For Harp. Harp. Softcover. 6 pages. Published by Hal Leonard

(For Harp). By Gary Schocker. For harp. Contemporary. Solo part. Composed November 02 2011. 4 pages. Duration 4 minutes. Published by Theodore Presser Company

(For Harp). By Gary Schocker. For harp. Contemporary. Solo part. Standard notation. Composed June 19 2011. 12 pages. Duration 13 minutes. Published by Theodore Presser Company

By Alberto Ginastera. (Score). Boosey and Hawkes Scores and Books. Softcover. Size 5.25x7.5 inches. 112 pages. Published by Boosey & Hawkes.

(For Solo Harp). By George Rochberg. For Harp Solo. Classical. Solo part. Standard notation. Composed 1973. 14 pages. Duration 12:00

For Solo Harp. By Vincent Persichetti. For harp. Classical. Solo Part. Opus 119. 23 pages. Duration 17:00. Published by Theodore Presser Company.

For Harp. Composed by Dai Fujikura. Book Only. Composed 2022. Ricordi #SY 5868. Published by Ricordi

Harp

SKU: HL.48022763

Solo Harp. Composed by Paul Patterson. Boosey and Hawkes Chamber Music. Classical, Contemporary. Softcover. 12 pages. Hal Leonard #M570056910. Published by Hal Leonard (HL.48022763).

9.0x12.0x0.06 inches.

Harp

SKU: FG.55011-912-3

Composed by Tauno Marttinen. Classical, contemporary. Score. Fennica Gehrman #55011-912-3. Published by Fennica Gehrman (FG.55011-912-3).

ISBN 9790550119123.

Luon nonjumala (God of Nature) is Tauno Marttinen’s adaption for harp of his piano suite Taara op. 34. The manuscript for harp was found in January 2024 by Rauno Marttinen, composer’s son.

Duration: c. 15’
Movements:
1. Virran ääniä | The Voices of the Stream
2. Luonnonjumalan lähde | The Spring of God of Nature
3. Metsässä tuulee |The Wind Blows through the Forest

Tauno Marttinen (1912–2008) studied in Viipuri and later in Helsinki at the Helsinki Conservatoire. His piano teachers were Ilmari Hannikainen and Selim Palmgren, but he soon became increasingly interested in composing. Marttinen was also the conductor of the Hämeenlinna City Orchestra in 1949−1958 and the founder and principal of the Hämeenlinna Music Institute.

Marttin en started his composing career in late Romantic vein. However, his first concerts in the 1940s met with criticism since the winds of Modernism had already landed in Finland. He then became interested in Dodecaphony and studied under Vladimir Vogel in Ascona but later abandoned strict dodecaphony and found his own, personal style incorporating elements from Neo-classicism and free-tonality with a hint of mysticism – he was called the Shaman of Hämeenlinna (his hometown).

Tauno Marttinen was an incredibly productive composer; he wrote around four hundred works with opus numbers as well as a wealth of other pieces. His oeuvre includes 10 symphonies, concertos for various solo instruments, operas as well as vocal, chamber and instrumental works. Many of Marttinen’s pieces have become popular standard repertoire, such as the piano piece Kimalluksia (Gleams).

Flute and Harp

SKU: HL.50495068

Per Flauto E Harp. Composed by Francesco Pennisi. MGB. Contemporary Music. Score Only. Composed 1988. Ricordi #NR133727. Published by Ricordi (HL.50495068).

PER FLAUTO E ARPA.

Harp

SKU: HL.50495500

Per Harp. Composed by Sylvano Bussotti. MGB. Contemporary Music. Score Only. Composed 2002. Ricordi #NR136021. Published by Ricordi (HL.50495500).

PER ARPA.

Harp

SKU: HL.50495026

Per Harp (1982). Composed by Francesco Pennisi. MGB. Contemporary Music. Score Only. Composed 1987. Ricordi #NR133577. Published by Ricordi (HL.50495026).

PER ARPA (1982).

Harp (Harp)

SKU: HL.50511754

Solo. Composed by Laszlo Tihanyi. Contemporary Music. EMB. Contemporary Hungarian Works. Book Only. Editio Musica Budapest #Z14358. Published by Editio Musica Budapest (HL.50511754).

ISBN 9790080143582. B/4 quer inches. Hungarian, English. Laszlo Tihanyi.

Greek mythology seems spontaneously to have offered the figure of linos as the central character in a work for solo harp. (Linos was a poet, believed to be the brother of Orpheus, and according to Greek tradition no greater musician ever appeared among mankind.) The musical material, conforming to the characteristics of the harp, consits of two interesting seven-degree note rows incorporating all the possible pedal combinations, their mirror inversions and the five-degree noterows that fit between them. The nine-section composition is made up of scenes from the imagined life of Linos, an imagined 'Linos's hymn', and laments played in his honour.