Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé. Par PERGOLESI GIOVANNI BATTISTA. Some few months after returning to Naples from Rome, where he had gone to follow the premiere of L'Olimpiade at the Teatro Tordinona during the 1735 carnival season, Giovanni Battista Pergolesi -- notwithstanding the quickened pace of the disease that would soon bring his brief life to a close - presented the public with a new work, Il Flaminio, a 'commedeja pe' mmuseca” set to a libretto by Gennarantonio Federico. The opera was staged as the second of season that fall at the Teatro Nuovo sopra Toledo (one of three traditional venues, together with the Teatro dei Fiorentini and the Teatro della Pace, dedicated to the production of opere bu?e), where it met with a generally favorable reception. The edition includes a historical Introduction, a description of all the sources considered and a Commentary with critical notes and information related to specific problems of performance practice. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Réduction Piano

Ed. critica di C. Toscani - Riduzione per canto e pianoforte-Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705) Il prigionier superbo by Giovanni Battista Pergolesi was first performed on 5 September 1733 at the Teatro di San Bartolomeoin Naples. With this opera ? his second dramma serio for San Bartolomeo in less than two years ? the young composer (who had already acquired considerable professional stature in the city?s theatres churches and aristocratic circles) reprised aperennially popular subject centered around the dramatic conflict between filial piety and devotion to one?s betrothed. Inserted between the opera?s three acts were the intermezzi of La serva padrona which would soon go on to take all of Europe bystorm.The primary source for this edition is a manuscript copy of the score currently housed in the Conservatorio di Musica ?San Pietro a Majella? in Naples and prepared by Giuseppe Sigismondo who was quite probably working from the now-lost autograph.Two other significant manuscript copies of the score also housed in Naples (respectively in the Biblioteca Oratoriana dei Girolamini and the aforementioned conservatory) were consulted along with a number of manuscript copies of individual arias.

Pergolesi’s famous Stabat mater a work for two soloists strings and continuo quickly became a success throughout Europe. However there are numerous indications that it was also performed by choirs from very early on. Particular movements were very probably sung by a two-part choir whilst the arias were kept for the soloists. In this edition the outer movements and no. 8 are now scored for three-part choir (Sop MezSop Alto) in contrast to the solo aria movements. Three further movements are set as trios for three solo voices. The added parts are derived from the existing musical material. These lend this well-known work a completely new charmand provide a welcome addition to the repertoire for choral concerts. For performance material use original edition BA7679. Arrangement for female choir (Sop MezSop Alto) based on the Bärenreiter Urtext edition of the original work Clear straightforward piano reduction The arranger Malcolm Bruno is the editor of the Urtext edition of the Stabat Mater (BA 7679) and a renowned expert in 18th century Italian music.

Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frig'-Some few months after returning to Naples from Rome where he had gone to follow the premiere of L'Olimpiade at the Teatro Tordinona during the 1735 carnival season Giovanni Battista Pergolesi '' notwithstanding the quickened pace of the disease that would soon bring his brief life to a close ' presented the public with a new work Il Flaminio a 'commedeja pe' mmuseca' set to a libretto by Gennarantonio Federico. The opera was staged as the second of season that fall at the Teatro Nuovo sopra Toledo (one of three traditional venues together with the Teatro dei Fiorentini and the Teatro della Pace dedicated to the production of opere bu e) where it met with a generally favorable reception. The edition includes a historical Introduction a description of all the sources considered and a Commentary with critical notes and information related to specific problems of performance practice.

Ovvero La Morte Di San Giuseppe-The oratorio La Fenice sul rogo ovvero la morte di San Giuseppe can rightly be considered the debut of Pergolesi’s career as a composer: composed in the early months of 1731 the oratorio was commissioned by the Congregazione di SanGiuseppe located by the Oratorio dei Filippini in Naples.Edition realized with criteria of philological rigor based as the main source on the autograph score and on the manuscript copies still preserved.The volume includes: historical introduction; detailed description of all the sources considered; commentary with critical notes and information related to specific problems of performance practice.

Par HE XUNTIAN. In seinen Kompositionen möchte sich Xuntian He von keiner kulturellen oder akademischen Tradition Fesseln anlegen lassen. Nur seinem Individualstil verpflichtet, lotet er in Priceless Wealth Is in Thee aus, welche überraschenden melodischen und rhythmischen Strukturen auf dem Klavier möglich sind, wenn sich das Spiel allein auf die Benutzung der weißen Tasten reduziert. / Niveau : 4 / Répertoire / Piano

The Cantilène is based on a melody of the 18th century, probably by Giovanni Battista Pergolesi (1710-1736), popular in several countries with different texts: 'Que ne suis-je la fougère', 'Bonne nuit les petits', 'Adieu, pauvre carnaval', 'San Pantzar', 'Wa habibi', among others.The Humoresque is a varied rondo using the characteristic tonalities of the txistu (a basque flute with three holes) : F major, D minor, C major, A minor, B flat major, G minor, Eb major, C minor, Ab major and F minor. / Flûte Et Piano

Nineteen pieces for Piano Solo from the Baroque to the late Romantic period edited by Howard Ferguson. Includes works by Telemann Pergolesi Gounod and Grieg. Grieg's Waltz in E Minor is included on ABRSM Piano Grade 5 Syllabus 2017-2018

The Library Of Baroque Music is an enormously expansive collection of the greatest works produced during that prolific period that flourished between the Renaissance and Classical eras. All arranged for soloPiano this volume features works drawn from all the major Baroque composers including some of the greatest pieces of music ever composed.  The progression and development of music during the Baroqueperiod can be heard in these pieces providing you not only with a window into musical history but also many exciting additions to your repertoire. The retrospective 'Baroque' label was applied to a diverse rangeof European compositions—often combining a spirit of experimentation with elaborate new musical structures. Dominated primarily by the Harpsichord and Organ this period also saw the rise and development of larger-scale forms suchas the concerto and oratorio.  This superb volume is comprised of Keyboard and ensemble works from all the major Baroque composers arranged for Piano. Featuring Arne Boyce Buxtehude Corelli Couperin Gibbons Lully Pachelbel Purcell Rameau and Vivaldi the composers here include some of the most respected and revered figures in musical history. The Library Of Baroque Music spans compositionsof many of these masters ranging from Frescobaldi in the early 1600s to Pergolesi a century later and the famous three - J.S. Bach Handel and Domenico Scarlatti. Baroque music socalled for its ornateness was characterised by a bold exploration of counterpoint and new harmonic possibilities. This was variously expressed through the work of perhaps fifty or so major European composers. By the timeBaroque began to segue into a new Classical period around 1750 it had already irrevocably changed and expanded the possibilities of music. The works that precipitated this change are available to play in this

A selection of original Piano music by the master composers of the past four centuries the New Classics To Moderns series provides the pianist with a repertoire which is enjoyable for the player and listener alike.Inspired by the popular series by Denes Agay each of the six books in the New Classics To Moderns collection contains pieces by a wide range of composers from the old masters to contemporary writers with works from recent decades.Students teachers indeed all pianists will find the pieces in New Classics To Moderns a priceless source of study material recital pieces sight reading exercises — orjust relaxing musical entertainment.This volume includes works by Seixas Bach Lutoslawski Tchaikovsky and Mussorgsky amongst others.In the European Piano Teachers Association Journal Nadia Lasserson writes that this series is '[e]xcellent value for money the books offer students of ever level a well-balanced musical diet covering over four hundred years of wonderful music as well as offering a wide range of sight-reading material to advanced students.'

Leaf's piece for intermediate students is named for one of the treasure houses of England - home to priceless works of art and stunning tapestries. Played in the key of A minor this piece features long lyrical phrases and a lively middle section in the sub-dominant. A great piece for teaching rubato.

A selection of original Piano music by the master composers of the past four centuries the New Classics To Moderns series provides the pianist with a repertoire which is enjoyable for the player and listener alike.Inspired by the popular series by Denes Agay each of the six books in the New Classics To Moderns collection contains pieces by a wide range of composers from the old masters to contemporary writers with works from recent decades.Students teachers indeed all pianists will find the pieces in New Classics To Moderns a priceless source of study material recital pieces sight reading exercises — orjust relaxing musical entertainment.This volume includes works by Abel Berkeley Poulenc Chopin and Rameau amongst others.In the European Piano Teachers Association Journal Nadia Lasserson writes that this series is '[e]xcellent value for money the books offer students of ever level a well-balanced musical diet covering over four hundred years of wonderful music as well as offering a wide range of sight-reading material to advanced students.'

A selection of original Piano music by the master composers of the past four centuries the New Classics To Moderns series provides the pianist with a repertoire which is enjoyable for the player and listener alike.Inspired by the popular series by Denes Agay each of the six books in the New Classics To Moderns collection contains pieces by a wide range of composers from the old masters to contemporary writers with works from recent decades.Students teachers indeed all pianists will find the pieces in New Classics To Moderns a priceless source of study material recital pieces sight reading exercises — orjust relaxing musical entertainment.This volume includes works by Bach Hook Schumann Reinecke and Leighton amongst others.In the European Piano Teachers Association Journal Nadia Lasserson writes that this series is '[e]xcellent value for money the books offer students of ever level a well-balanced musical diet covering over four hundred years of wonderful music as well as offering a wide range of sight-reading material to advanced students.'