La méthode plus complète pour les percussions de clavier jamais écrite. Un cours complet de 50 leçons, y compris le ragtime, improviser, blues et exercices pour le développement de chaque main. / Xylophone

La référence AL24960 de l'éditeur Leduc dont l'auteur célèbre est Delecluse Jacques, qui a pour titre 200 Exercices Journaliers Volume 2 Xylophone, a été écrite et composée pour Percussions et plus particulièrement pour Xylophone. Cette partition musicale appartient à la catégorie Pédagogie. / Xylophone / Partition

Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition, vous pourrez découvrir une des oeuvres de Drouet Jean-Pierre en l'occurence 18 ETUDES PROGRESSIVES -XYLOPHONE ET/OU VIBRAPHONE ET/OU MARIMBA qui a été éditée par la maison d'édition Billaudot. / Etudes / Partition

A must-have collection of well-known songs, from pop hits and movie themes to jazz tunes and classical melodies, all expertly arranged for early-level xylophone players and presented in progressive order, from simple to more challenging! / Pop and rock / Date parution : 2020-04-11/ Recueil / Xylophone

A travers cette méthode d'apprentissage Percussions vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage Methode Rapide Pour Xylophone Volume 1 a été écrit par Dupin F. et éditée par les éditions Leduc sous la référence AL25681. / Xylophone (Méthode) / niveau : Débutant

La clé des claviers volume 2 est une méthode destinée à accompagner l'apprentissage des claviers (xylophone, vibraphone et marimba) pour des élèves ayant déjà quelques années de pratique.
Cette méthode, très complète, contient des exercices, des études ainsi que des morceaux en duo de différents styles. Elle permet de continuer à acquérir et approfondir les fondamentaux des claviers.
Toutes les pièces en duo sont accompagnées, au choix, par un marimba ou un vibraphone ; elles pourront être jouées par le professeur ou un autre élève. N'hésitez pas à les jouer sur différents instruments (vibraphone, marimba ou xylophone). Les accompagnements peuvent être octaviés selon les tessitures possibles.
Il y a quelques indications de doigtés sur les exercices et études, mais pas sur les morceaux ; ils seront spécifiés par le professeur ou l'élève en fonction des besoins et objectifs recherchés. / Méthodes et pédagogie / Percussions / Percussion / BILLAUDOT

This book is designed to be used by beginner Xylophone and Vibraphone players. All the pieces have a limited range of note durations from eighth note to whole note together with their respective rests and they are in major and minor keys with a maximum of one accidental. This ensures a gradual introduction to the world of tuned percussion. All melodies are either classical themes or else are taken from American popular music. For all duets (Xylophone/Vibraphone) the Xylophone part is also transposed for both B Flat and E Flat instruments to enable music-making with other instrumentalists. Trios and Quartets facilitate the formation of firstpercussion ensembles.

A friendly and inventive guide to the weird and wonderful instruments that you find in the music cupboard. Maggie Cotton along with some wonderful diagrams and illustrations by Alison Dexter helps to demystify the strange and exciting world of percussion. Each common classroom instrument from bells to blocks and whistles are fully explained with their secret playing techniques revealed for the class to learn. Not only will you discover how to hold Claves correctly or how to perform a Tambourine Thumb-Trill you will also receive advice on safety and care and even how to restore broken instruments.With advice and guidance on instruments for those with specialneeds this is an invaluable resource for every school to take advantage of their long-forgotten Percussion collections.

Percussionist François Dupin (1931-1994) studied at the Paris Conservatoire where he won many prizes including first prize for composition. His professional work as a performer composer and teacher combined produced many well-informed study books for Percussion including Seventeen Studies for Xylophone. Following his graduation from the Paris Conservatoire Dupin worked with the Orchestre Philharmonique de Radio-France and the Orchestre de Paris when it was first founded. He then went on to establish the first Percussion class at the Lyon Conservatoire where he taught until his death. It was during this time thatDupin produced Seventeen Studies for Xylophone. These studies address the difficulties which students are likely to have to overcome in their future professional lives. Fingerings are helpfully suggested and clear instruction in French English German and Spanish creates a highly versatile study book. François Dupin's Seventeen Studies for Xylophone is imperative to the technical progression of all advanced Xylophone players.

Percussionist Marcel Jorand (b. 1937) studied at the Paris Conservatoire where he won many prizes including first prize for his instrument. His professional work as a performer and teacher combined produced many well-informed study books for Percussion including Fifteen Studies for Xylophone. Following his graduation from the Paris Conservatoire Jorand worked with the Orchestre Philharmonique de Radio-France as a soloist. In 1978 he went on to teach at the Regional Conservatory of Montpellier and direct the Ecole municipale de Juvignac. Four years before his move to the South of France Jorand producedFifteen Studies for Xylophone. These studies address a wide range of aspects of technique on the instrument. Marcel Jorand's Fifteen Studies for Xylophone is imperative to the technical progression of all aspiring Xylophone players.

Vol. 1 Xylophone-Deux-Cents Exercices Journaliers - Vol. 1 is the first volume of a set of books for Xylophone players by Jacques Delécluse. This first book uses a rhythm table to help the upper beginners to organise themselves while studying the book. It is a must-have method for those want to master the technique of the Xylophone. The author Jacques Delécluse is a soloist at the Paris Orchestra and a professor at the Conservatoire National de Musique de Paris. He has conceived keyboard-percussion instruments that hold his name and is also the author of a series of seven books “À LaManière De” for Drums and Piano.