für Klavier und Streicherensemble. Par PAGH-PAAN YOUNGHI. / Date parution : 2023-06-01/ Répertoire / Ensemble de Cordes et Piano

Par TURNAGE MARK-ANTHONY. This work was commissioned by the Rotterdam Philharmonic Orchestra in honour of Silvia Tóth and dedicated to Hans Werner Henze. It was composed in 2012?13 and first performed on 10 October 2013 at De Doelen, Rotterdam, Netherlands, by Marc-André Hamelin (piano) with the Rotterdam Philharmonic Orchestra, conducted by Yannick Nézet-Séguin. This 20 minute work is formed of three movements and explores a wide range of moods and textures. Suitable for advanced standard performers. / Date parution : 2022-10-12/ Répertoire / Orchestre et Piano

Concert célèbre du Szpilman travail ' Concertino ' pour piano et orchestre tours au large de l'édition des oeuvres de concert et des chansons choisies par le compositeur polonais. Terminé dans le Ghetto de Varsovie en 1940, le travail est caractérisé par une humeur inopinément gai, presque battante. Il est légèrement réminiscence de Gershwin et les grands gestes de la musique de film à l'époque, et pourtant c'est un ' Szpilman real ' dans son instrumentation supérieure et fiable sens du style concernant le goût dominant. En plus de la musique, un score de piano est publié à des fins d'étude, avec une préface de Krystian Zimerman. / Piano Et Orchestre

Nations - Concerto For Piano And Orchestra was composed by Asbjørn Schaathun in 2015-16. Premiered by Ingfrid Breie Nyhus and Oslo Philharmonic conducted by Christian Eggen on Mar 31 2016.

Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general