Par LANGER MICHAEL. Après la réussite d'une école de guitare de base, donc à partir du point où deux parties à jouer et les premiers arpèges simples ne constituent plus des obstacles à ce livre est un compagnon inspirant le 'immersion' dans la littérature de la guitare. En plus de chefs-d'oeuvre de la Renaissance, baroque, classique et romantique trouver des articles préférés de la guitare populaire littérature par Jürg Kindle, Gerard Montreuil, Horst Grande Nick, Klaus Schindler, Cees Hartog, Jorge Cardoso, Germano Ca vazolli, Maria Linnemann et Fabian payr considération./ Recueil / Guitare

Une collection de 32 pièces pour guitare classique solo qui capture l'esprit majestueux et l'élégance de la Renaissance. La musique a été soigneusement sélectionnée des sources authentiques, et le livre comprend beaucoup de notes historiques de détail et de la performance. Pièces comprennent plusieurs mélodies antiques de l'Irlande et l'Ecosse, idéal pour le répertoire du guitariste intermédiaire avec leurs rythmes simples et les tonalités modales. Un CD de manifestations est inclus, interprétée par Allan Alexander, pour vous aider à atteindre et de rendement précis et authentique. / Guitare / 72 pages / Partition Cd

Idéale pour les musiciens pratiquant Guitare et ayant un niveau proche de Cycle 1, cette pièce se classe dans la catégorie Classique sous la référence PENT02475.Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Classiques de la Renaissance (les), 2 Gu de Pentasuglia. / Guitare / niveau : Cycle 1 / Partition

Quezada, Ernesto. Par PICCININI / ZAMBONI. / Niveau : Intermédiaire / Recueil / Guitare Seule

The first in this book-and-CD anthology of solos, duets and songs covering four centuries of composers for the Guitar and Lute family. Taken from original sources, and carefully fingered for the modern player, the transcriptions are as faithful as possible to the original while at the same time offering a practical performing score. / Niveau : Intermédiaire / Rép International / Recueil / Guitare

A collection of 32 pieces for the solo classical Guitar that capture the stately spirit and elegance of the Renaissance. The music has been carefully selected from authentic sources and the book includes plenty of historical detail and performance notes.Pieces include many ancient melodies from Ireland and Scotland ideal for the repertoire of the intermediate guitarist with their simple rhythms and modal tonalities. A CD of demonstrations is included performed by Allan Alexander to help you achieve and accurate and authentic performance.

A very representative collection of music from the Renaissance and Baroque periods skillfully adapted for solo guitar from lute and piano works. This book contains well-recognized pieces by master composers many of which havealready become essential repertoire for the classical guitar. Compiled with the performance skills of the beginner guitarist in mind this collection also fulfills repertoire requirements of the student guitarist as well asproviding valuable exercises in sight-reading in standard notation for the more intermediate and advanced performers.

Taken from original sources and carefully fingered for the modern player this guitar anthology is as faithful as possible to the original while offering a practical performing score. All the pieces are graded in difficulty andsome are appropriate for beginners. Includes works by Sor Giuliani and other guitar masters from the early 19th Century. See also The Baroque Guitar The Renaissance Guitar and The Romantic Guitar.

Description The Renaissance Guitar The first in this book-and-CD anthology of solos, duets and songs covering four centuries of composers for the Guitar and Lute family. Songlist Air(John Dowland) Almain [Cutting, Francis] Alman [Johnson, Robert] As I Went To Walsingham (Anon) Ballet (Elias Mertel) Branle De Bourgogne (Adrien Le Roy) Branle Gay (Jean Baptiste Besard) Come Heavy Sleep (John Dowland) Drewrie's Accordes (Anon) Entree De Luth (Robert Ballad) Fantasia (Alonso De Mudarra) Fantasia (Miguel De Fuenllana) Fantasia [Dowland, John] Fantasia(Anon) Galliard (Alfonso De Mudarra) Galliard (Philop Rosseter) Galliard To The Flatt Pavin (John Johnson) Galliard( Anthony Holborne) Go From My Window (Anon) Greensleeves (Francis Cutting) Guardame Las Vacas (Luis De Narvaez) La Rossignol (Anon) Lady Hammond's Alman (John Dowland) Lady Hunsdon's Alman (John Dowland) Lesson For Two Lutes [Anon] Melancholy Galliard [Dowland, John] Morenica Da Me Un Beso (Juan Vasquez) Mr. Southcote's Pavan (Thomas Ford) Mrs. Anne Harecourt's Galliard (Francis Pilkington) Mrs. Taylor's Galliard (Philip Rosseter) My Love Hath Vowed (Thomas Campion) Never Weather-beaten Sail [Campion, Thomas] Of My Complaints Could Passions Move (John Dowland) Pavan (Luis Milan) Queen Elizabeth Galliard [Dowland, John] Recercate Concertante (Francesco Da Milano & Joanne Matelart) Rest Sweet Nymphs [Pilkington, Francis] Shall I Come Sweet Love To Thee (Thomas Campion) Sonnet(Enriquez De Valderrabano) Spagnoletta (Anon) Tanz (Georg Fuhrmann) Tarleton's Resurrection [Dowland, John] The Cobbler (Anon) The Flatt Pavin (John Johnson) The King Of Denmark's Galliard (John Dowland) The Night Watch (Anthony Holborne) The Parlement (Anon) The Round Battle Galliard [Dowland, John] Toda Mi Bida Os Ame (Luis Milan) Toy (Francis Cutting) Toy For Two Lutes (Thomas Robinson) Volt (Anon) When From My Love (John Bartlet) When To Her Lute Corinna Sings (Thomas Campion) Wilson's Wilde (Anon)

The first complete anthology of lute music contained within Thomas Mace’s historic treatise Musick’s Monument (1676) transcribed and edited for classical guitar by Andrew Shepard-Smith. An exquisite and intriguing collection ofearly English Baroque lute music containing twelve preludes eight complete lute suites transcription notes and a detailed table of ornaments (as outlined in Musick’s Monument). Originally written as a pedagogical text for luteand theorbo Mace’s lute music contains wonderful insights into the performance practice of the time. A very valuable addition both the performance repertoire and to the guitar reference literature. Staff notation; moderate toadvanced.

Edited and arranged by Gilbert Biberian. For the young beginner or the slightly more advanced adult player. Easy pieces from the Renaissance providing a basis for musical and technical development.