Ten toe-tapping new pieces that will expand your repertoire They are written in a variety of styles and are for students to perform or just to improve technique or widen musical vocabulary. Razzamajazz Repertoire is rhythmicallyand melodically exciting and was written specifically to inspire and encourage. The accompanying CD contains complete performance tracks as well as backing tracks of all the pieces.

Arrangement: Rosenhaus. Par ROSENHAUS. / Répertoire / Flûte Traversière et Piano

Arrangeur: Konrad Ragossnig. Par ROMAN JOHAN HELMICH. / Répertoire / Flûte Traversière et Guitare

The colourful and richly diverse music of the Balkans became popular in Western Europe during the 1990s resulting in what can only be described as a 'Balkan boom' which still endures today. This selection of arrangements provides the opportunity for flutists to become acquainted with well-known traditional songs and dances from Greece, Hungary, Macedonia, Bulgaria, Turkey, Bosnia-Herzegovina and Dalmatia. Memoires is composed by Hidan Mamudov himself. Presented in an order that reflects their increasing level of difficulty, these pieces provide new experiences for intermediate to advanced players. A variety of lively pieces from Macedonia, Greece, Croatia, Hungary, Bosnia-Herzegovina, Bulgaria and Turkey arranged for two flutes 10 easy to moderate arrangements for flute introducing typical regional Introductory background information for each piece is provided For modern flute lessons that convey the fascination and fun of Balkan music/ Recueil / 2 Flûtes Traversières

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière