| Moïra (CANAT DE
CHIZY EDITH) En Français Violoncelle, Orchestre [Partition] Lemoine, Henry
Par CANAT DE CHIZY EDITH. / contemporain / Répertoire / Violoncelle et Orches...(+)
Par CANAT DE CHIZY EDITH. / contemporain / Répertoire / Violoncelle et Orchestre
50.30 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Per Nørgård: Cantica
Concertante: Orchestra:
Score Violoncelle, Orchestre Wilhelm Hansen
Per Nørgård's Cantica Concertante for Violoncello Solo and Chamber Orchestra (...(+)
Per Nørgård's Cantica Concertante for Violoncello Solo and Chamber Orchestra (2012). Based on CANTICA for cello and piano (1977). The present orchestral version was edited by Steve Ferrein in collaboration with the composer. Parts are available on hire: hire@ewh.dk
42.50 GBP - vendu par Musicroom GB |
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| Englische Liebeslieder
(HENZE HANS WERNER) Violoncelle, Orchestre [Conducteur d'étude / Miniature] Schott
Canzoni d'amore inglese. Par HENZE HANS WERNER. / Répertoire / Violoncelle et O...(+)
Canzoni d'amore inglese. Par HENZE HANS WERNER. / Répertoire / Violoncelle et Orchestre
55.70 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Cello Concerto (BRYARS
GAVIN) Violoncelle, Orchestre [Conducteur d'étude / Miniature] Schott
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower ...(+)
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character.
One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate...
The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him.
The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London.
Gavin Bryars/ Répertoire / Violoncelle et Orchestre
38.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Sadie Harrison:
Architechtonia: Cello:
Score Violoncelle, Orchestre [Partition] University Of York Music Press
Architechtonia was expertly composed in 1986 by Sadie Harrison. Architechtonia...(+)
Architechtonia was expertly composed in 1986 by Sadie Harrison. Architechtonia received its first performance by Projects/London conducted by Richard Bernasat St. John's Smith Square November 1987.Australian born freelance composer and performer Sadie Harrison’s unique fusion of elements from indigenous Lithuanian music and poetry with her own modernist often abrasive style have led her to be compared with Bartok but with her own warmth and grandeur. Since 2012 Harrison has been working along side a long list of well accomplished musicians; PaulCarey Peter Sheppard Skaerved Sergej Okrushko Alex South Duncan Honeybourne are among many who have had the privilege work with Harrison so far. Performances of Harrison's works have beengiven across the world by Lontano London Chamber Symphony Music Projects/ London Ixion Okeanos Bournemouth Sinfonietta Kokoro and the St. Christopherus Chamber Orchestra and many others.
12.95 GBP - vendu par Musicroom GB |
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| Arne Nordheim: Tenebrae:
Cello: Score Violoncelle, Orchestre [Partition] Wilhelm Hansen
Tenebrae (1982) a single-movement cello concerto commissioned and premiered by...(+)
Tenebrae (1982) a single-movement cello concerto commissioned and premiered by Rostropovich who praised the composer for his fine understanding and command of the rich timbre of the instrument. It is a convincing and almost nightmarish work containing music which leaves a tremendous impact on the listener. Not least in the central section where ghastly and terrifying apparitions are invoked out of the darkness. The final poetical section of the work is directly inspired by the description of the closing movement of Leverkühn?s Cantata in Thomas Mann?s Doktor Faustus.
28.99 GBP - vendu par Musicroom GB |
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| Cello Concerto Violoncelle, Orchestre Schott
/ Violoncelle Et Orchestre
49.70 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Canto Di Giorno Violoncelle, Orchestre Bote and Bock
/ Violoncelle Et Orchestre
49.10 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Cello Concerto #1 Op. 29 Violoncelle, Orchestre Bote and Bock
/ Violoncelle Et Orchestre
17.00 EUR - vendu par LMI-partitions Délais: Sur commande |
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