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| Robert H. Young Thomas
Campion: Rose-Cheeked
Laura: SATB: Vocal Score
Chorale SATB [Vocal Score]
Fred Bock Music Company
A Thomas Campion text from the 1600s Robert Young sets this love song with the ...(+)
A Thomas Campion text from the 1600s Robert Young sets this love song with the same sweetness and purity as must be embodied in the titled “Laura”. Love and musical harmony are contrasted with loneliness and discord.“But still moves delight like clear springs renewed by flowing ever perfect in themselves” – like Laura. Available: SATB divisi a cappella.
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| The Renaissance Guitar +
Cd - Guitar
Guitare
Guitare classique [Partition + CD] - Intermédiaire/avancé
Amsco Wise Publications
Description The Renaissance Guitar The first in this book-and-CD anthology of...(+)
Description The Renaissance Guitar The first in this book-and-CD anthology of solos, duets and songs covering four centuries of composers for the Guitar and Lute family. Songlist Air(John Dowland) Almain [Cutting, Francis] Alman [Johnson, Robert] As I Went To Walsingham (Anon) Ballet (Elias Mertel) Branle De Bourgogne (Adrien Le Roy) Branle Gay (Jean Baptiste Besard) Come Heavy Sleep (John Dowland) Drewrie's Accordes (Anon) Entree De Luth (Robert Ballad) Fantasia (Alonso De Mudarra) Fantasia (Miguel De Fuenllana) Fantasia [Dowland, John] Fantasia(Anon) Galliard (Alfonso De Mudarra) Galliard (Philop Rosseter) Galliard To The Flatt Pavin (John Johnson) Galliard( Anthony Holborne) Go From My Window (Anon) Greensleeves (Francis Cutting) Guardame Las Vacas (Luis De Narvaez) La Rossignol (Anon) Lady Hammond's Alman (John Dowland) Lady Hunsdon's Alman (John Dowland) Lesson For Two Lutes [Anon] Melancholy Galliard [Dowland, John] Morenica Da Me Un Beso (Juan Vasquez) Mr. Southcote's Pavan (Thomas Ford) Mrs. Anne Harecourt's Galliard (Francis Pilkington) Mrs. Taylor's Galliard (Philip Rosseter) My Love Hath Vowed (Thomas Campion) Never Weather-beaten Sail [Campion, Thomas] Of My Complaints Could Passions Move (John Dowland) Pavan (Luis Milan) Queen Elizabeth Galliard [Dowland, John] Recercate Concertante (Francesco Da Milano & Joanne Matelart) Rest Sweet Nymphs [Pilkington, Francis] Shall I Come Sweet Love To Thee (Thomas Campion) Sonnet(Enriquez De Valderrabano) Spagnoletta (Anon) Tanz (Georg Fuhrmann) Tarleton's Resurrection [Dowland, John] The Cobbler (Anon) The Flatt Pavin (John Johnson) The King Of Denmark's Galliard (John Dowland) The Night Watch (Anthony Holborne) The Parlement (Anon) The Round Battle Galliard [Dowland, John] Toda Mi Bida Os Ame (Luis Milan) Toy (Francis Cutting) Toy For Two Lutes (Thomas Robinson) Volt (Anon) When From My Love (John Bartlet) When To Her Lute Corinna Sings (Thomas Campion) Wilson's Wilde (Anon)
Délais: Sur commande |
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| Alan Bullard: Four Sacred
Songs: Mixed Choir: Vocal
Score [Vocal Score]
Spartan Press
A Suite of songs for unaccompanied choir poems by Thomas Campion. Four Sacred...(+)
A Suite of songs for unaccompanied choir poems by Thomas Campion. Four Sacred Songs was commissioned by the Essex Baroque Choir conductor Simon Thompson and was given its first London performance at St James Piccadilly in September 1990. It is a setting of poems from Thomas Campion's First Book Of Ayres: Intended chiefly for concert performance it gives choirs the chance to present these beautiful seventeenth-century poems in a new light.
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| Ronald Corp: Never
Weather-Beaten Sail:
SATB: Vocal Score
Chorale SATB [Vocal Score]
Stainer and Bell
Among the UK's most noted choral composers and conductors Ronald Corp does not ...(+)
Among the UK's most noted choral composers and conductors Ronald Corp does not hesitate to bring his own musical vision to a much-loved poem by the sixteenth-century lutenist songwriter and 'Doctor of Physick' Thomas Campion following the example not only of Campion himself but also of Charles Wood and Hubert Parry. Eschewing the manner of Parry's resonant polyphony for a simple harmonised setting in a flexible verbal rhythm reflecting the measure of the words this is a heartfelt plea for spiritual release uttered in a quietly elegiac tone in which the serenity of the entreaty rather than its pathos is to the fore.
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| English Songs of the 17th
and 18th Centuries
(Medium/Low Voice)
Voix Moyenne ou Basse et Piano [Partition]
Peters
English Songs of the 17th and 18th Centuries contains a selection of some of the...(+)
English Songs of the 17th and 18th Centuries contains a selection of some of the greatest British songs of the baroque and classical era. From some of the most popular songs by Henry Purcell (including Didos Lament and Fairest Isle), through perfect examples of the lyricist/composers art by Thomas Campion, to classic Shakespeare settings by Thomas Arne, this collection provides an ideal collection of essential songs for the student singer./ Recueil / Voix Moyenne ou Basse et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Collected English
Lutenist Partsongs II:
Lute
Stainer and Bell
Edited by David Greer77 partsongs by John Danyel Thomas Ford Robert Jones Tho...(+)
Edited by David Greer77 partsongs by John Danyel Thomas Ford Robert Jones Thomas Campion and John Attey are presented in four-part score with lute tablature and transcription.First published in 1989.
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| English Songs Of The 17Th
And 18Th Centuries (M-H
Voice)
Voix seule
Peters
Chansons en anglais des 17e et 18e siècles contient une sélection de quelques-...(+)
Chansons en anglais des 17e et 18e siècles contient une sélection de quelques-unes des plus grandes chansons britanniques de l'époque baroque et classique. De quelques-unes des chansons les plus populaires de Henry Purcell (y compris la Lamentation de Didon et Fairest Isle), à travers des exemples parfaits de l'art parolier / s du compositeur par Thomas Campion, les paramètres classiques de Shakespeare par Thomas Arne, cette collection fournit une collection idéale de chansons essentielles pour le chanteur d'étudiant / Voix
Délais: 2-5 jours - En Stock Fournisseur |
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| George Dyson: To Music
Bent: Unison Voices:
Vocal Score
Chorale Unison [Vocal Score]
Novello & Co Ltd.
To Music Bent is an anthem for Solo or Unison Voice composed by George Dyson wi...(+)
To Music Bent is an anthem for Solo or Unison Voice composed by George Dyson with words drawn from a number of poets including Sir Walter Raleigh Thomas Campion Thomas Heywood and the Sarum Psalter.
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| John Dowland Thomas
Campion: English Solo
Song Volume 1: Reference
Thames Publishing
Campion Dowland And The Lutenist Songwriters-This series which aims to cover t...(+)
Campion Dowland And The Lutenist Songwriters-This series which aims to cover the whole repertoire of English song is designed not merely as a practical guide for singers and teachers but also to be of use to the ever-increasing number of students wishing to study particular areas of the subject - the music the poetry or both.Each piece features a full description and commentary providing detailed information of the song's origin and nature. This is an invaluable anthology presenting the enormous repertoire available but unfortunately little known to those who should be most concerned - English singers themselves.This edition is a comprehensive guide to the songs of Campion Dowland and theLutenist composers.The description of each song includes its tonality range meter and duration.
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| Alan Smith: View me
Lord: Mixed Choir: Vocal
Score [Vocal Score]
Oxford University Press
For SSAATTBB unaccompanied.This beautiful anthem was a winner of the London A Ca...(+)
For SSAATTBB unaccompanied.This beautiful anthem was a winner of the London A Cappella Festival Composition Competition 2012. A sensitive setting of a text by Thomas Campion it features word-painting a rich use of harmony fluid melodic lines and expansive textures. Combining the old and the new View me Lord is suitable for services throughout the church year.
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| Richard H. Lloyd: View Me
Lord: SATB: Vocal Score
Chorale SATB
SATB [Vocal Score]
Novello & Co Ltd.
Richard H. Lloyd's View Me Lord is a beautiful setting of the text by Thomas Cam...(+)
Richard H. Lloyd's View Me Lord is a beautiful setting of the text by Thomas Campion and scored for SATB Choir a cappella. A piano accompaniment part is scored for rehearsal use.
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| Virgil Thomson: Follow
Your Saint: Mixed Choir a
Cappella: Vocal Score [Vocal Score]
Peermusic Classical
From 'Four Songs to the Poems of Thomas Campion'
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| Roderick Williams: Now
winter nights: Mixed
Choir: Vocal Score
Chorale SSAATTBB
SSAATTBB A Cappella
Peters
VOCES8 Singles Series. Now winter nights by British composer and baritone Roderi...(+)
VOCES8 Singles Series. Now winter nights by British composer and baritone Roderick Williams uses an evocative poem by Thomas Campion as its text, helping him to pinpoint the excitement of Christmas he felt as a child, and still holds on to. Written for SSAATTBB unaccompanied choir, Now winter nights is suitable for choirs wanting a Christmas/Holiday treat but which requires a medium to higher level of skill. Commissioned by VOCES8 for their LIVE From London festival in 2020.
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| Alan Bullard: Never
weather-beaten sail:
SATB: Vocal Album
Chorale SATB
Spartan Press
SATB (Unaccompanied). A peaceful and meditative setting of the text by Thomas Ca...(+)
SATB (Unaccompanied). A peaceful and meditative setting of the text by Thomas Campion - suitable for church and concert performance
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| Gareth Treseder: Never
weather-beaten sail:
SATB: Vocal Score
Chorale SATB
SATB A Cappella
Boosey and Hawkes
Thomas Campion?s Never weather-beaten sail is a sprightly text that powerfully e...(+)
Thomas Campion?s Never weather-beaten sail is a sprightly text that powerfully evokes the sailor?s plea for God?s calming presence upon the sea?s unrelenting rushing waves. At the opening of this work for unaccompanied mixed voices the jaunty alto/tenor movement in thirds symbolises the curling waves of the undulating sea the mellifluous soprano melody represents the boat?s sails and the bass section?s never-changing ?A? provides the anchor. All four voices then come together in homophony urging God to ?come quickly...and take my soul to rest?. Rather than a simple repetition of thematic material in the manner of a standard hymn the texture alters through the rest ofthe work until the very end where all voices gradually fade away into the distance leaving what seems like a lone voice in the wilderness to cry ?to Thee?. Contrasting to other well-known setting of this text this new work provides a fresh interpretation suitable for intermediate choirs.
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| Virgil Thomson: Follow
Thy Fair Sun: Mixed Choir
a Cappella: Vocal Score [Vocal Score]
Peermusic Classical
From 'Four Songs to the Poems of Thomas Campion'
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| George Dyson: Variations
On Old Psalm Tunes for
Organ Book 1: Organ:
Orgue [Partition]
Novello & Co Ltd.
In the Variations on Old Psalm-Tunes for Organ Dyson fully explores the compose...(+)
In the Variations on Old Psalm-Tunes for Organ Dyson fully explores the composerâs chosen sources: Orlando Gibbonsâs âForth in Thy name O Lord I goâ Pryâs Psalter (1621) âO Lord turn not away Thy faceâ Thomas Campionâs âBy the waters of Babylonâ and âGod moves in a mysterious wayâ from the Scottish Psalter (1635). These works are popular for service voluntaries.Twentieth century composer and educator George Dyson was a writer of ambitious and critically well-received works that due to their unfashionably accessible late Romantic style were allowed to languish and are now in the process of reassessment and renewed performance. However Dysonâs works for unison Voiceand church music in particular his two settings of the Magnificat and Nunc Dimittis have remained active in the Anglican repertoire.
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| Virgil Thomson: There Is
A Garden In Her Face:
Mixed Choir a Cappella:
Vocal [Vocal Score]
Peermusic Classical
From 'Four Songs to the Poems of Thomas Campion'
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| Alan Rawsthorne: Kubla
Khan: SATB: Vocal Score
Chorale SATB [Vocal Score]
Oxford University Press
Rebecca Clarke's Come oh come my life's delight for SATB.for unaccompanied SAT...(+)
Rebecca Clarke's Come oh come my life's delight for SATB.for unaccompanied SATB to words by Thomas Campion.This is a lilting take on the Elizabethan lute-song full of smooth Stanford-like nineteenth-century harmonies exquisitely tempered with modal effects.Rebecca Clarke was born in Harrow in 1886 and died in New York City in 1979. She was one of the finest Viola players of her day and a skilful composer who studied with Stanford at the Royal College of Music in London. Her output as a composer was small comprising about 90 works but all these pieces are brilliant and powerful. Her Piano Trio and Viola Sonata are often playedand recorded and are now widely regarded as masterpieces. However her songs are perhaps her finest body of works and embrace a variety of styles from Blakean simplicity to brutal tragedy and outright farce. Rebecca Clarke's choral music was virtually unknown until Oxford University Press began to publish these works for the first time. She wrote for chorus and other vocal ensembles throughout virtually her whole career from her earliest attempts at composition around 1906 to her final flowering in the 1940s revising and recomposing until as late as 1976.
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| Eric Thiman: 4 Quiet
Voluntaries for Organ -
Set 2: Organ:
Instrumental Album
Orgue [Partition]
Novello & Co Ltd.
The Four Quiet Voluntaries include an aubade in waltz time a ¾ Chorale a ca...(+)
The Four Quiet Voluntaries include an aubade in waltz time a ¾ Chorale a cavatina and a piece on a poem by Thomas Campion âNever weather-beaten sailâ. They fall within the abilities of moderately accomplished musicians.Eric Thiman was a 20th century composer teacher and Organist who was also an advocate of amateur music-making. He was a prolific composer of church music and Piano and Organ works and his craftsmanship and gift for melody were much admired. He was director of music at the City Temple in London. As an educator he was a professor at the Royal Academy of Music and he wrote many books on harmony counterpoint and musical form.
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| An Elizabethan Sextet
A Cappella
Peters
Textes : Elizabeth I, Barnabe Googe, Sir Walter Raleigh, John Danyel, Thomas Cam...(+)
Textes : Elizabeth I, Barnabe Googe, Sir Walter Raleigh, John Danyel, Thomas Campion, Micheal East / A Cappella
Délais: 2-5 jours - En Stock Fournisseur |
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| Virgil Thomson: Rose
Cheek'D Laura Come: Mixed
Choir a Cappella: Vocal
Score [Vocal Score]
Peermusic Classical
From 'Four Songs to the Poems of Thomas Campion'
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| Songs Of Farewell: SATB:
Vocal Score
Chorale SATB [Vocal Score]
Cramer Music
The full vocal score for SATB and double mixed choir for C.Hubert H. Parry's Son...(+)
The full vocal score for SATB and double mixed choir for C.Hubert H. Parry's Songs of Farewell. These six pastoral motets include settings of texts by John Donne Henry Vaughan and Thomas Campion. A Piano accompaniment is included as a reference for rehearsal purposes.
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| Never Weather-Beaten Sail
(CAMPION THOMAS)
Chorale SATB [Partition]
Stainer and Bell
Par CAMPION THOMAS. / Feuillet / SATB
Délais: 2-5 jours - En Stock Fournisseur |
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| The First Book Of Ayres
(C.1613) (CAMPION THOMAS)
Piano, Voix [Partition]
Stainer and Bell
Par CAMPION THOMAS. With lute tablature and keyboard transcription/ Recueil / Ch...(+)
Par CAMPION THOMAS. With lute tablature and keyboard transcription/ Recueil / Chant et Piano
Délais: En Stock |
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| Méthodes Et
Traités - 6
Volumes - France 1600 -
1800 [Script]
Anne Fuzeau Productions
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, trait...(+)
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la basse continue.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - six volumes.Volume 1 : Anonyme - BARTOLOTTI - A.M. - BOYVIN J. - BUTERNE J-B. - CARRE - A.Sieur de La Grange - CHARPENTIER M-A.- CHAUMONT L. - D'ANGLEBERT J-H. - DE LA BARRE M. - DELAIR D. - FLEURY - N. - MARAIS M. - NIVERS G.G. - PERRINE - SAINT-LAMBERT M. de.Volume 2 : CAMPION F.- - CAMPION T. - CHERON A. - - CLERAMBAULT N. - COUPERIN F. - DANDRIEU J-F. - DELAIR D. - LECLAIR J.-M.- RAMEAU J.-P.Volume 3 : - Anonyme - CAMPION F. - - DORNEL A. - - FORQUERAY A. - GERVAIS L. - GOUDAT - GUILLEMAIN L.-G. - MONNIER Le Cadet - - MONTECLAIR M.P.de - PINGRE A-G. - RAMEAU J.-P.- SERRE DE RIEUX J. - TELEMANN G.P. - - TRAVENOL - L.A.Volume 4 : ALEMBERT J. Le Rond d' - BLAINVILLE C.H.de - CORRETTE M. - DUBUGRARRE - GEMINIANI F S. - LAPORTE C. de Volume 5 : BETHISY J-L. de - BIFERI F. (fils) - CLEMENT C-F. - - DUBREUIL J-J. - GARNIER H. - - GIANOTTI P.- GOUGELET Madame - LABBET A. J. - LE BOEUF - - - RAMEAU J.-P. - ROUSSIER P-J. - SIMON S. - TAPRAY J.Volume 6 : Anonyme - BEMETZRIEDER A. - CORRETTE M. - FROESTLER B. - GOURNAY B.C. - LANGLE H-F-M. - RODOLPHE J-J. - ROUSSIER P-J.Table des matières : Volume 1 : Fleury Nicolas : Methode pour apprendre facilement - 1660Bartolotti Angelo Michèle : Table pour apprendre facilement - 1669Carre Antoine : Livre de Guitarre Contenant Plusieurs pièces - 1671Perrine : Livre de Musique pour le Lut - 1680Anonyme : Petites Reigles Generalles qui peuvent servir de methode - 1680Nivers Guillaume Gabriel : Motets a voix seule - 1689D'Anglebert Jean Henry : Pièces de clavecin - 1689Marais Marin : Basse-continuës des pieçes a une et a deux Violes - 1689Anonyme : (traité abrégé d'accompagnement) - c. 1690Anonyme : Règles pour l'Accompagnement - 1690Delair Denis : Traité d'accompagnement pour le theorbe - 1690Charpentier Marc Antoine : Abrégé des règles de l'accompagnement - c. 1692Chaumont Lambert : Pieçes D'orgue sur les 8 tons - 1695Buterne Jean-Baptiste : Petites Reigles pour l'accompagnement - 1700Boyvin Jacques : Second livre d'orgue - 1700Anonyme : Traité d'accompagnement du Clavecin - c. 1700De La Barre Michel : Premier livre de pièces pour la flûte - 1702Saint-Lambert Michel de : Nouveau Traité de l'accompagnement - 1707Volume - 2 : Couperin François : Règles pour l'accompagnement - s.d.Campion Thomas : Traité d'accompagnement et de composition - 1716Clerambault Nicolas : Règles d'accompagnement - 1716Clerambault Nicolas : Principes d'accompagnement - 1716Dandrieu Jean François : Principes de l'accompagnement - 1719Rameau Jean-Philippe : Traité de l'harmonie - 1722Delair Denis : Nouveau traité d'accompagnement - 1724Leclair Jean-Marie : Premier livre de sonates - 1723Rameau Jean-Philippe : Nouveau système de musique théorique - 1726Cheron André : Sonates en trio - 1727Campion François : Lettre du sieur Campion a un philosophe - 1729Campion Thomas : Addition au traité d'accompagnement - 1730Volume - 3 : Pingre Alexandre Gui : Traité de l'harmonie - s.d.Rameau Jean-Philippe : Observations sur la Méthode d'Accompagnement - 1730Rameau Jean-Philippe : Plan abrégé d'une Méthode nouvelle - 1730Monteclair Michel Pignolet de : Réponse du second Musicien au premier - 1729Rameau Jean-Philippe : Réplique du premier Musicien à la réponse du second - 1730Monteclair Michel Pignolet de : Réponse du second Musicien au premier Musicien - 1730Rameau Jean-Philippe : Réplique du premier Musicien à l'écrit du second - 1730Rameau Jean-Philippe : Dissertation sur les différentes métodes - 1732Gervais Laurent : Méthode pour l'accompagnement - 1733Campion François : Second recueil d'airs - 1734Serre de Rieux Jean : Les dons des Enfans de Latone - 1734Telemann Georg Philipp : Nouveaux Quatuors en six Suites - 1738Goudat : Principes de Laccompagnement - 1738Travenol Louis Antoine : Premier livre de Sonates a violon seul - 1739Guillemain Louis Gabriel : Six sonates en quatuors - 1743Monnier le Cadet : L'art de Toucher le Clavecin dans son propre caractêre - c.1745Dornel Antoine : le Tour du Clavier - 1745Forqueray Antoine : Pièces de Viole avec la Basse Continüe - 1747Anonyme : (Méthode d'accompagnement) - s.d.Volume - 4 :Alembert Jean Le Rond d' : Elemens de musique - 1752Blainville Charles Henri de : Essay sur un troisième mode - 1751Corrette Michel : Le maître de Clavecin - 1753Laporte Claude de : Traité théorique et pratique - 1753Geminiani Francesco Saverio : L'art de bien accompagner - 1754Dubugrarre : Méthode plus courte et plus facile - 1754 - Volume - 5 :Tapray Jean : Abrège de l'accompagnement - 1755Labbet Antoine Joseph et Leris Antoine de : Sentiment d'un Harmoniphile - 1756Clement Charles François : Essai sur l'accompagnement - 1758Gianotti Pietro : Le guide du compositeur - 1759Rameau Jean-Philippe : Code de musique pratique - 1760Bethisy Jean-Laurent de : Exposition de la théorie et de la pratique - 1764Roussier Pierre-Joseph : Traité des accords et de leur succession - 1764Le Boeuf : Traité d'harmonie et règles d'accompagnement - 1766Garnier Honoré : Nouvelle méthode pour l'accompagnement - 1767Dubreuil Jean-Jacques : Manuel harmonique - 1767Biferi Francesco Fils : Traité de musique abrégé, divisé en trois parties - 1770Simon Simon : Théorie pratique d'accompagnement - s.d.Gougelet Madame : Méthode ou abrégé des règles - 1771Volume - 6 :Roussier Pierre-Joseph : L'harmonie pratique - 1775Corrette Michel : Prototipes contenant des leçons d'accompagnement - 1775Anonyme : Abrégé des règles de composition - 1777Bemetzrieder Antoine : Nouvelles leçons de clavecin ou instructions générales - 1782Rodolphe Jean-Joseph : Théorie d'accompagnement - c.1785Gournay B.C. : Lettre à M. l'abbé Roussier - 1785Langle Honoré-François-Marie : Traité de la basse sous le chant - 1797Froestler B. : Traité d'harmonie et de modulation - 1800Anonyme : Principes de l'accompagnement - s.d.Anonyme : Règles d'accompagnement - s.d.Téléchargez le catalogue Anne Fuzeau Classique / Basse Continue / 1696 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
Délais: Sur commande |
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| Méthodes Et
Traités - Vol.2 -
France 1600 - 1800
Piano seul
Edition Boileau
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, trait...(+)
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la basse continue.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - six volumes.CAMPION François - - CAMPION Thomas - CHERON André - - CLERAMBAULT Nicolas - COUPERIN François - DANDRIEU Jean-François - DELAIR Denis - LECLAIR Jean-Marie - RAMEAU Jean-PhilippeTable des matières : - - Couperin François : Règles pour l'accompagnement - s.d.Campion Thomas : Traité d'accompagnement et de composition - 1716Clerambault Nicolas : Règles d'accompagnement - 1716Clerambault Nicolas : Principes d'accompagnement - 1716Dandrieu Jean François : Principes de l'accompagnement - 1719Rameau Jean-Philippe : Traité de l'harmonie - 1722Delair Denis : Nouveau traité d'accompagnement - 1724Leclair Jean-Marie : Premier livre de sonates - 1723Rameau Jean-Philippe : Nouveau système de musique théorique - 1726Cheron André : Sonates en trio - 1727Campion François : Lettre du sieur Campion a un philosophe - 1729Campion Thomas : Addition au traité d'accompagnement - 1730Téléchargez le catalogue Anne Fuzeau Classique / Basse Continue / 272 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
Délais: Sur commande |
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| Renaissance and
Elizabethan Music for
Banjo (DATESMAN KYLE)
Banjo [Partition + Accès audio]
Mel Bay
Par DATESMAN KYLE. Perhaps the first 5-string banjo book of its kind, Renaissanc...(+)
Par DATESMAN KYLE. Perhaps the first 5-string banjo book of its kind, Renaissance and Elizabethan Music for Banjo consists entirely of music from these early periods and provides banjo players with \'growing material\''that is, the opportunity to play in a number of different keys besides G major. This detail alone will expand your banjo horizon by requiring the use of unusual chord shapes. Written for classical banjo enthusiasts who want to further enhance their musicianship, some selections reveal one of the earliest aspects of music theory, that of modal scales. Various compositional forms and unfamiliar tempos are also introduced in arrangements that will help you become less dependent on the open fifth string. This type of music would be extremely difficult to learn by ear, so a book of tablatures should prove to be invaluable. Every piece is presented first in a vertical chord arrangement, which was the way it was originally intended' and then arranged in a linear horizontal style more familiar to modern players. Every tune is accompanied by performance notes supported by a helpful glossary. Written in tablature only with access to online audio, these pieces also make great finger-limbering exercises! Includes access to online audio. / Date parution : 2022-01-18/ Recueil / Banjo
Délais: 2-5 jours - En Stock Fournisseur |
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| Renaissance Guitar Cd
Guitare [Partition + Accès audio] - Intermédiaire
Music Sales
The first in this book-and-CD anthology of solos, duets and songs covering four ...(+)
The first in this book-and-CD anthology of solos, duets and songs covering four centuries of composers for the Guitar and Lute family. Taken from original sources, and carefully fingered for the modern player, the transcriptions are as faithful as possible to the original while at the same time offering a practical performing score. / Niveau : Intermédiaire / Rép International / Recueil / Guitare
Délais: 2-5 jours - En Stock Fournisseur |
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