10 Selections from Sonatas Sonatinas Variations and more-10 pieces at the early advanced level including: Andante in F Major 'Andante Favori ' WoO 57 ' Bagatelle in C Major Op. 33 No. 5 ' Bagatelle in B minor Op. 126 No. 4 ' Fantasie in G minor Op. 77 ' Polonaise in C Major Op. 89 ' Rondo a Capriccio in Hungarian Style 'Rage Over a Lost Penny ' Op. 129 ' Sonata No. 14 in C-sharp minor 'Moonlight ' Op. 27 No. 2 ' Sonatina in F minor WoO 47 No. 2 ' 6 Variations on an Original Theme Op. 34 ' 9 Variations on a March by Dressler WoO 63.

Frédéric Chopin composa son trio de piano quand il avait 18 ans, étudiant. À propos de la performance du trio le 31 Août 1830, il écrit: 'Le dimanche, nous avons répété le trio. Peut-être parce que je n'ai pas entendu parler pendant un moment, j'étais très heureux avec moi-même (l'homme chanceux!) 'Par ailleurs, Robert Schumann a également partagé cette opinion, écrivant dans une revue: '. N'est-ce pas aussi noble que possible, plus plein d'enthousiasme que n'importe quelle chanson jamais écrite par un poète, original dans les moindres détails comme dans l'ensemble, chaque note de musique et de la vie? 'Nous sommes d'accord avec ce verdict et recommandent ce trio dans notre nouvelle édition Urtext à tous les amateurs de musique de chambre très romantique. / Trio De Pianos

Essential short pieces for the cello selected and edited by Julian Lloyd Webber in one attractive volume.

The Coronation Of Poppea. An opera in a prologue and three acts. Text by G.F. Busenello music attributed to Claudio Monteverdi and Francesco Sacrati. Edited by Alan Curtis and English singing version by Arthur Jacobs.

Description The entire corpus of Beethoven's piano sonatas is contained in this two-volume work - 32 sonatas in all. Volume 2 contains the seventeen sonatas from Beethoven's second and third periods, including the popular Waldstein, Appassionata, and Hammerklavier. Nos. 16-32. Schenker edition. Songlist Sonata No. 16 In G Major, Op. 31, No. 1 Sonata No. 17 In D Minor, Op. 31 No. 2 Sonata No. 18 In E-flat Major, Op. 31, No. 3 Sonata No. 19 In G Minor, Op. 49, No. 1 Sonata No. 20, In G Major, Op. 49, No. 2 Sonata No. 21 In C Major, Op. 53 Sonata No. 22 In F Major, Op. 54 Sonata No. 23 In A-flat Major, Op. 57 Sonata No. 24 In F-sharp Major, Op. 78 Sonata No. 25 In G Major, Op. 79 Sonata No. 26 In E-flat Major, Op. 81 Sonata No. 28 In A Major, Op. 101 Sonata No. 29 In B-flat Major, Op. 106 Sonata No. 30 In E Major, Op. 109 Sonata No. 31 In A-flat Major, Op. 110 Sonata No.27 In E Minor Op.90 Sonata No.32 In C Minor Op.111

Description The Virtuoso Violist (Great Performer's Edition) Six works for viola and piano edited by William Primrose. Includes 'Caprice' (Myronoff), 'Caprice' (Wieniawski), 'Italian Serenade' (Wolf) and Nocturne' (Chopin). Songlist Caprice [Myronoff, Boris] Caprice [Wienawski, Henryk] Italian Serenade [Wolf, Hugo] Nocturne [Chopin, Frederic] Sarasateana [Zimbalist, Efrem] Slumber Song [Bach, Johann Sebastian]

Kristina. Par ROSENBLATT ALEXANDER. Alexander Rosenblatt wrote the Sonata No. 4 'Kristina' for the Russian-German pianist Kristina Miller, who, like him, has a passion for classical music and jazz. / Niveau : Difficile / Date parution : 2023-10-31/ Répertoire / Piano

Examination Pieces. Par . The Edition Peters Grade 8 Piano Anthology has long been a popular resource for anyone approaching this important milestone examination. In September 2022 Edition Peters will release a new Grade 8 Anthology to support the new (2023/2024) Syllabus and, for the first time, will issue new anthologies to support pianists studying at or preparing for Grades 5, 6 and 7. Also new for this year: a selection of lesser-known additional repertoire suitable for the own-choice piece in the new Performance Exams. The four new Piano Anthologies for Grades 5, 6, 7 and 8 2023/2024 comprise a broad selection of examination pieces from lists A, B and C of the Associated Board syllabus. The anthologies support students preparing for the Practical Exam or for the new Performance Exam. Those preparing for the Performance Exams are aided by Performance Notes by Norman Beedie (Lecturer in Classical Improvisation, Piano and Conducting at the Royal Conservatoire of Scotland), which give advice on technique and interpretation for each piece, and guidance on preparing an effective programme. The pieces in this volume are drawn from the extensive range of piano music in the Edition Peters catalogue ? one of the widest available. With candidates able to offer a free choice work in the Performance Exam, each Anthology contains additional lesser-known repertoire suitable for the exam. / Date parution : 2022-09-27/ Recueil / Piano

Par FALLA MANUEL DE. Homenaje a Debussy de Manuel de Falla est, d\'une part, un hommage à son ami décédé Claude Debussy, et d\'autre part, nous devons la seule ?uvre pour guitare du compositeur à son amitié avec le guitariste Miguel Llobet. C\'est la version de Llobet qui est devenue célèbre dans le monde de la guitare. L\'autographe de Manuel de Falla, longtemps perdu mais redécouvert ces dernières années, constitue la base de cette nouvelle édition de la version originale. L\'éditeur Johannes Klier propose à ce sujet une préface détaillée sur l\'histoire de la genèse. / Niveau : Difficile / Date parution : 2022-09-15/ Répertoire / Guitare Classique

édition critique et notes pour l'interprétation de Frédéric Zigante. Mauro Giuliani?s Rossiniane, published between 1821 and 1828, are a series of six musical potpourris entirely based on the music of Gioachino Rossini. The potpourri was one of the most popular instrumental genres of the early 1800s, an assembly of musical themes with different origins combined into a single composition. In the absence of the modern means of reproducing music, they had a very important function: of bringing music, most often created for the theatre, into the home. Some important points can be deduced from Giuliani?s epistolary exchanges: the first is that the Rossiniane were part of his own concert repertoire: the second is that Rossini was not only aware of the project which would bear his name, but also collaborated with Giuliani in some ways, providing him with some themes expressly composed for his works. The third is that Giuliani was well aware that these pieces represented a new development for his own compositions and for the musical panorama of the time, ?a hitherto-unknown style?. This edition of the Rossiniane is based on the contemporary musical sources that have come down to us. It is enhanced by some remarks on interpretation that should help towards making an accurate and coherent reading of this distinctive and original musical text.