Description The Beatles For Folk Harp 22 classics from the Fab Four arranged especially for folk harp. Songlist Across The Universe Act Naturally All Together Now And I Love Her Don't Let Me Down Eight Days A Week Golden Slumbers Good Night Help! I'm A Loser I've Just Seen A Face Let It Be Ob-la-di, Ob-la-da Octopus's Garden Paperback Writer Please Mr. Postman Please Please Me Rain Rocky Raccoon Tell Me What You See Twist And Shout Yellow Submarine

50 MÉLODIES IRLANDAISES ARRANGÉES POUR HARPE. TITRES : AVENGING AND BRIGHT BELIEVE ME, IF ALL THOSE ENDEARING YOUNG CHARMS BENDEMEER'S STREAM CASTLE OF DROMORE DANNY BOY DEAR LITTLE SHAMROCK DOWN BY THE SALLY GARDENS / HUGHES FAREWELL TO LIVERPOOL GENTLE MAIDEN WALTZ GIRL I LEFT BEHIND ME GOOD NIGHT HAS SORROW THY YOUNG DAYS SHADED' I KNOW MY LOVE KATHLEEN MAVOUREEN KILLARNEY LARK IN THE MORNING LIMERICK IS BEAUTIFUL MAIRI'S WEDDING MOLLY MALONE / COCKLES AND MUSSELS MY LAGAN LOVE MY WILD IRISH ROSE MY YELLOW-HAIRED LAD / MO BOUCHALEEN BWEE O'DONNELL ABOO OVER THE HILLS AND FAR AWAY RAKES OF MALLOW ROSIN THE BOW SAINT(ST.) PATRICK'S DAY SHE MOVED THRO' THE FAIR / SHE MOVED THROUGH THE FAIR SHULE AROON SWEET CARNLOCH BAY SWEET ROSIE O'GRADY THE CRUISKEEN LAWN / THE LITTLE FULL JUG THE FAMINE SONG THE FANAID GROVE THE FLIGHT OF THE EARLS THE FOGGY DEW THE KERRY DANCE THE LARK IN THE CLEAR AIR THE LEPRECHAUN THE OULD PLAID SHAWL THE ROSE OF TRALEE THE SNOWY-BREASTED PEARL THE SPANISH LADY THE SPINNING WHEEL SONG THE WEARING OF THE GREEN 'TIS THE LAST ROSE OF SUMMER TOO-RA-LOO-RA-LOO-RAL / THAT'S AN IRISH LULLABY WHEN IRISH EYES ARE SMILING

15 Solos for Harp Volume 1 encompasses diverse songs and tunes from the British Isles commonly described as 'Celtic Music'. This type of music is often associated with the English publisher JohnPlayford. In the 17th century he published The English Dancing Master which contains traditional music as well as tunes of his day (up to the Renaissance).Author Monika Mandelartz a specialist in historicalperformance practice follows Playford's tradition by arranging parts of the collection for Celtic harp. Thereby Mandelartz points out that her arrangements constitute a 'snapshot in time'. Her work emphasizes the ideathat lively music always allows for change and variation - it must in order to survive. The book includes tunes such as The Duke of Lorraine's March Nonesuch Black and Grey Virgin Queen I Will Give My Love an Apple The Scots Rant Duke of Grafton's March Kettle Drum Nobody's Jig Spanish Jig Sidh Beag Agus Sidh Mor She Rose and Let Me In and Oranges and Lemons.

This popular piece is in great demand and is now available for folk harp. This book includes several arrangements: an easy solo version an advanced solo version in the keys of G and D and a duet version for harp and flute or violin.

versione originale per arpa. Milan, 1990 I was writing a series of piano pieces. I had a goal: to remove, and leave space. The title refers to the poetic stanzas but also to invisible spaces to be inhabited with the mind. One day my friend Cecilia Chailly calls me and asks me if I have a harp piece for her to play. I give her Vega to try. Two days later I go to her house to listen and, with mutual enthusiasm, I give her all the pieces that we will soon be recording. Cecilia will perform them in concert on various and memorable occasions. Here, I would like to express my profound thanks for her heartfelt help in correcting this new harp edition. (L. Einaudi)

Description Six Studies is a set of six studies for Pedal Harps by Eric Schmidt. Reviewed and edited by Pierre Jamet, a French Professor at the Paris Conservatoire, this set would be ideal for an upper intermediate level and above. Most studies are two pages long and enable the player to work on different technical aspects: I. Allegro (3/4, tempo 120) II. Vivace (4/4, tempo 132) ' It focuses finger flexibility with a set: 4-1-3-1-2-1-3-1-4 for the right hand III. Lento (3/4, tempo 48) ' It focuses on arpeggios IV. Andante con moto (3/4, tempo 92) - It has the same aim as the second study but includes chords to play on '1' V. Con Bravura (6/8) ' This is a work on chords which has few pedal changes VI. Leggiero Volante (4/4) ' Longer than the other studies, it also focuses on developing fingers flexibility, and features some glissando and some pedal changes