conducteur (vocal and full score)
Compositeur : Purcell Henry
Instrumentation : Soli, Choeur, Cordes, Bc

Easy Operatic Arias and Operetta Excerpts for Male Voice. Par . A Panorama of Arias contains a selection of arias from operas, operettas, and oratorical works of the 17th to 19th centuries in original language for those studying singing at beginner and intermediate levels. All arias have new, easy-to-play piano reductions, and some of them even include excerpts from recitatives. The sheet music comes with: - professional audio recordings of the piano accompaniments and the orchestral accompaniments on authentic instruments - audio recordings of native speakers reading the words of the arias - literal translations of the words in English and Hungarian - information on the works A Panorama of Arias consists of four books: 1. Opera and Operatta for Female Voice (print edition: Z. 20109, digital: 20109DK) 2. Opera and Operatta for Male Voice (Z. 20110, 20110DK) 3. Oratorical Works for Female Voice (Z. 20114, 20114DK, in preparation) 4. Oratorical Works for Male Voice (Z. 20115, 20115DK, in preparation) Each book is available both in printed and digital version. Audio recordings and information on the works are included in the digital edition only, freely accessible with the unique code to be found in the print edition, but also available separately. Dr. Katalin Hegedüs-Gönczy is repetiteur at the Pál Járdányi School of Music in Budapest and editor of the sheet music series A Panorama of Songs. / Date parution : 2025-01-21/ Recueil / Voix d'Homme et Piano

Opera in three acts. Par HAENDEL GEORG FRIEDRICH. George Frideric Handel's 'Siroe, Re di Persia', HWV 24, was premiered on February 17, 1728 at the King's Theatre in London's Haymarket. With Francesca Cuzzoni, Faustina Bordoni and Francesco Bernardi, known as Senesino, the composer had top-class vocal soloists famous throughout Europe at his disposal for no fewer than 17 consecutive performances. However, Handel's opera was not an outstanding success due to the strong competition from the 'Beggar's Opera' presented in London at the same time. The libretto for 'Siroe' goes back to Pietro Metastasio and was very well-known and popular at the time, so that various settings of the subject matter, among others by Leonardo Vinci, Nicola Porpora and Johann Adolph Hasse, have been handed down. The historical background against which the plot of the opera unfolds is the forced handover of the reign of the Persian king Chosrau II (Cosroe) to his son Siroe, the later Kavadh II, in the 7th century AD. With its abundance of love affairs, intrigues and misunderstandings, the libretto offers a proverbially magnificent 'stage' for Handel's singing stars, to whom he entrusted rousing arias and ensemble pieces. Taking into account numerous manuscript and printed sources, this scholarly-critical edition offers a reconstruction of an abridged version by Handel in the first appendix, in addition to the premiere version. Apparently, Handel made preparations here for a revival of the work which, however, never materialized. This version is interesting both from a documentary and dramaturgical point of view, because it was Handel himself who significantly shortened his opera – incidentally the one from his oeuvre with the longest share of recitatives. The second appendix contains an abridged version of the aria 'D'ogni amator la fede', an early version of the famous aria 'Sgombra dall'anima', as well as an ornamented version of the aria 'Non vi piacque, ingiusti dei'. These ornaments in the vocal part, which rarely survive in Handel's operatic oeuvre, are contemporary and provide valuable evidence of the apparently highly differentiated performance of the opera arias by Handel's singers. / Date parution : 2025-01-21/ Répertoire / Opéra

Par VERDI GIUSEPPE. Opera Completa Per Canto E Pianoforte In Brochure/ Répertoire / Chant et Piano

Par GOUNOD CHARLES. A lifelong resident of Paris, Gounod can hold a claim to being the most important figure in late 19th century French music on account of his influence on later composers. Studying at the Paris Conservatoire, Gounod left in 1839to travel through Europe, initially to Rome but then on through Austria and Germany. He was profoundly struck by the music he heard at the Sistine Chapel and by the German musical tradition, and upon his return was uniquelycosmopolitan in his influences among Parisian musical society. His early works consisted largely of liturgical settings that earned him some praise, but his work in the area in which he is most remembered, namely opera,tooktime to be recognised. His first two operas, Sapho (1851) and La Nonne sanglante (1854), drawing heavily on Gluck and Meyerbeer respectively, did not attract great attention. However, his subsequent works, including seven stagedoperas between 1855 and 1865, were increasingly well-received, none more so than his masterpiece Faust (1859). Two further successes, Mireille (1864) and Roméo et Juliette (1867) were premiered at the ThéâtreLyrique and inspired by the voice of Marie Miolan-Carvalho, the singer who had created Marguerite in Faust. Roméo et Juliette, with a libretto faithful to Shakespeare, by Barbier and Carré, who had providedtexts for some of Gounod’s earlier works, is inescapably full of love music, but is by turns as wistful and cheerful as any in Gounod’s operatic output. Based upon the 1876 published version of the opera, theedition includes: • Original version of N° 1 Introduction, including Si mon coeur encore sommeille • Ariette N° 3 (Je veux vivre) in both F and G majors. • Three possible endings for Act1, including Il nous échappe! • Cavatine N° 7 (L’amour! Oui! Son ardeur a troublé) in both B and B flat majors. • Original version of N° 11 Trio et quatuor (Dieu, qui fisl’homme à ton image!) • Choeur et danse N° 19 (Frappez l’air) / Opéra-opérette / Date parution : 2010-05-01/ Répertoire / Choeur

Recueil d'airs d'opéra pour chant et piano Anthologie avec 12 airs d'opéra Arrangements pour (mezzo) soprano et piano Edition Urtext Allant du Baroque au Romantisme Niveau de difficulté moyennement élevé à élevé ISMN: 9790006564033 N° d'édition: BA 8828 Format DIN A4 62 pages / Bärenreiter

Partitions classiques pour chant 26 airs d'opéra Pour ténor et piano Avec des informations historiques, une brève description de l'intrigue et des traductions pour la pratique Textes en italien, français et allemand ISMN 979004141010708, éditeur n° NR 14107000 Format : DIN A4 288 pages / Ricordi

Recueil de partitions Wolfgang Amadeus Mozart La Flûte enchantée KV 620 Réduction de piano incluant les voix et les paroles Opéra en deux parties Textes d'Emanuel Schikaneder / Edition Peters

?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view / Soprano - piano / Edition Breitkopf

?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling and Marina Sandel, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of vie and featuring a CD ?phonetic assistant? - aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) / Soprano - piano / Edition Breitkopf

?Una voce poco profonda?: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) / Soprano - piano / Edition Breitkopf