Par GRIGGS JOHN. Un ensemble complet de douze espagnol danses transcrit et arrangés pour guitare. Les transcriptions restent fidèles à la partition originale de piano, mais ont été prises dans un style idiomatique pour la guitare. Le style romantique espagnol de la composition d'Enrique Granados vient de ces danses élégant. La nature intime et simpliste des mélodies rendre très accessibles pour guitare. Ces arrangements sont une nouvelle approche pour les danses familiers et une incitation à jouer certains du moins connu. Une addition précieuse à n'importe quelle bibliothèque de guitare. L'édition inclut un notes de compositeur de programme et bio sur chacun des danses. Ecrit en notation standard. / Niveau : Intermédiaire / Classic - Solos / Recueil / Guitare

Par BARREIRO ELIAS. Elias Barreiro a compilé et arrangé 15 oeuvres select d'Enrique Granados pour guitare classique. Sélections de six de ses pièces pour piano sont inclus. Tous en notation standard, avec doigtés suggérées l'auteur et de tablature. / Niveau : Intermédiaire / Classic - Solos / Tablatures / Guitare Tablatures Classique

I. Rêverie / II. Capriccio. Par CASABLANCAS BENET. Work commissioned by the pianists Iván Martín and Alba Ventura, on the occasion of the commemoration of the Centenary of Enric Granados (2016), and lasts approximately 10 minutes. It comprises two pieces of very contrasting character. The first, Rêverie, is a nocturne with broad resonances that unfolds in a recollected and expectant atmosphere, presided over by a lyrical expression and contemplative sign, scarcely disturbed by more passionate outbursts. Its cantabile course and precious writing conceal veiled references to the poetic and pianistic universe of Granados, including a hidden allusion to the musical acrostic of his name (made up of the notes Do-Mi [EnriC] and Sol-La-Re-Mib [GrAnaDoS]), which confers a special luminosity to its harmonic material. The Capriccio that follows lives up to its name with a more virtuosic and vigorous writing, with playful and colourful rhythmic accents, which drifts in its central part towards the dreamlike and ecstatic register that presided over some sections of the Rêverie, to conclude with a brilliant stretta. The premieres of the two pieces that make up the present work took place on 20 January 2016 at the Palau de la Música Catalana in Barcelona (Capriccio) and on 14 April 2016 at the Auditori de Barcelona (Rêverie), starring Iván Martín and Alba Ventura, respectively. Both pieces are contemporaries of the 'Romanza sin palabras', for chamber ensemble, commissioned by The City University of New York on the occasion of the celebration of the Granados Year in New York, and premiered on 10 March 2016 at the Elebash Recital Hall of the CUNY by the Perspectives Ensemble (art. dir. Sato Moughalian), conducted by Ángel Gil-Ordóñez. The work is dedicated to Maneleta Domingo, María Lourdes Antràs and Virginia Casablancas. / Date parution : 2022-04-01/ Répertoire / Piano

Piano quintet for two Violins Viola Violoncello and Piano. This edition of Enrique Granados’ Quinteto En Sol Menor includes score and parts. Language: Spanish.Enrique Granados was a Spanish pianist and composer of classical music. His music is in a uniquely Spanish style and as such is representative of musical nationalism. Granados wrote Piano music chamber music songs zarzuelas and an orchestral tone poem based on Dante's Divine Comedy. Many of his Piano compositions have been transcribed for the classical Guitar: examples include Dedicatoria Danza No. 5 Goyescas.

This mini-cycle of three songs for Voice and in this instance Guitar are ranked among the greatest of Granados’s musical achievements. The blend of beautiful melody formal integrity and control in the accompaniment creates a remarkable work. The songs set the poetry of Fernando Periquet a contemporary Spanish writer and generally concern the theme of romantic love. The texts are in Spanish untranslated.Spanish composer and pianist Enrique Granados was active in the decades around the turn of the last century. Granados’s life and work were cut tragically short when the passenger ship on which he was sailing was bombed by a German U-boat in the English Channel. Heis best known for his suite for Piano Goyescas which has been arranged for other instruments written in 1911 around the time that these songs were written.

Enrique Granados - Valses Poeticos-Classical masterpieces arranged for Classical Guitar and edited by Thomas Königs. This volume contains Valses Poeticos by Enrique Granados (1867-1916) for two Guitars.

Enrique Granados Quejas o la maja y el ruiseñor, N° 4 de Goyescas Editeur: Ullrich Scheideler Les «Complaintes ou la Jeune fille et le Rossignol» sont en quatrième position dans le cycle pour piano en six parties des «Goyescas» (1909?11). Son titre fait allusion au peintre espagnol Francisco de Goya dont les ?uvres ont inspiré Granados. Les «Goyescas» évoquent l?Espagne du temps de Goya, de la fin du XVIIIe siècle, galante et sensuelle mais aussi mélancolique et sombre. Le thème est celui de la vie de jeunes amants. Les «Quejas» en sont un moment clé, où la jalousie naissante porte à des plaintes auxquelles participe le rossignol. La Maison Henle offre désormais, en tant qu?édition Urtext séparée, cette page qui, par son intensité expressive, constitue le point culminant du cycle.

No. 4 from Goyescas-This ?Lament or the maiden and the nightingale? is the fourth movement of Granados? six-part piano cycle Goyescas (1909?11).The cycle?s title is derived from the name of the Spanish painterFrancisco de Goya whose paintings inspired Granados. The Goyescas conjure up Goya?s Spain of the late 18th century ? chivalrous and sensual but also melancholic and sombre. The overall theme is the life of two younglovers.The ?Quejas? are a turning point in the cycle because here jealousy leads to a lament that is joined by the song of the nightingale. The expressive intensity makes the movement the highpoint of the cyclefor many and G. Henle Verlag is now offering it as an individual Urtext edition.

(Included with the score are the organ and the piano part (there's available a pack with 20 copies of the parts for the chorus). In case the work is to be performed by more than 20 singers it will be necessary to purchase additional copies of the chorus parts, wich are available in packs of 20 copies).On 11th March 1911, the great pianist and composer Enric Granados performed this piece as an absolute premiere at Barcelona's modernista concert hall Palau de la Música Catalana.In spite of the great success achieved on the day of the premiere by this ambitious work for piano, organ and three choirs whose words in Catalan were provided by an unknown writer, the piece was never again performed or published. Its manuscript was assumed to be lost for decades and it was even thought that it might have been burnt in a fire. Finally, the pianist and Granados specialist Douglas Riva recovered it and offered it to Boileau Editorial de Música for publication.El Cant de les estrelles was performed once again on 22nd March 2007, 96 years after its first performance, in New York's Ascension Church, with Douglas Riva himself at the piano and Dennis Keene conducting. / Choeur Et Piano

Los Majos Enamorados-The Spanish composer Enrique Granados left a varied and wide-ranging oeuvre but it is above all his Piano music that is still very much alive today. This Urtext edition of the dazzlingly virtuosoGoyescas no doubt his best-known Piano composition now brings a prestigious new work to the Henle catalogue. The suite was written between 1909 and 1911. Its unusual title goes back to the Spanish artistFrancisco de Goya whose paintings inspired Granados. The Goyescas conjure up Spanish life in Goya?s time at the end of the 18th century gallant and sensual but also melancholic and dark. Thesubtitle ?Los majos enamorados? (the young lovers) provides a thematic link among the six scenes which depict the joys and sufferings of budding love.

Danza Espanola No.4 'Villanesca' composed by Granados transcribed for the guitar by Jose de Azpiazu.

Enrique Granados composed his Valses Poeticos for solo Piano around 1886-1887 after he moved from Barcelona to Paris to study with Charles-Wilfrid de Beriot and Felip Pedrell.This bookpresents the seven beautiful waltzes in the Valses Poeticos for Guitar preceded by an un-waltz-like introduction (Vivace molto) and ending with a colorful clever coda (Presto). Lily Afshar'sGuitar arrangement is very faithful to the original Piano version and contains fingerings that are idiomatic and musical. The total performance length is sixteen minutes in duration in eight movements: 1. Vivace moltoand Melodico 2. Tempo de Vals noble 3. Tempo de Vals lento 4. Allegro humoristico 5. Allegretto (elegante) 6. Quasi ad libitum (sentimental) 7. Vivo 8. Presto