A Century of English Song - Volume II is a superb anthology that comprises ten 20th-century choral pieces for voice and Piano accompaniment. It is an authoratative edition that has been published in collaboration with The Association of English Singers and Speakers. The series includes songs by talented and distinctive composers who may be little known outside specialist circles not just popular and well known writers. The pieces are enjoyable and expressive and will help increase appreciation for the English Song genre. This is the second volume in the A Century of English Song series and contains ten songs for Baritone voice and Piano edited byMichael Pilkington.

A Century Of English Song is an anthology for singers of 20th Century songs with ten songs for Baritione and Piano.

An anthology of 20th century songs published in collaboration with The Association of English Singers and Speakers.

British Songs-Volume Four of A Heritage Of 20th Century British Songs provides a wealth of wonderfully British tunes that also happen to be some of the best ever composed. The books aim to provide a diversity of songs for different types and ranges of voice although high voice tends to dominate with some top Gs.

Cowe, Matt (Arranger) - Hopkins, Adrian (Editor). A Pocket sized collection of 21st century hits presented in chord songbook format, with Guitar chord boxes and complete lyrics... The little book with all the big songs! / Niveau : Assez Facile / Pop & rock / Recueil / Piano, Chant et Guitare

German Lieder of the 19th Century (Medium - Low Voice) contains a selection of the most popular Lieder by Schubert, Schumann, Mendelssohn, Brahms and Wolf. Ranging from the most famous (Schubert’s The Trout and Mendelssohn’s On wings of song) through to some of the greatest settings of Shakespeare and Heine, this collection provides an ideal collection of essential Lieder for the student singer./ Recueil / Voix Moyenne ou Basse et Piano

British Songs-The third volume in this wonderful collection of 20th century British songs. Arranged for Voice with Piano Accompaniment.

This show creates a musical journey through the last ten centuries featuring tales of what really happend to characters of the Bayeux Tapestry at night; 11 century Britain with the 'Domesday Crew'; Thomas a Becket in Canterbury Cathedral; King John and the Magna Carta; The Black Death rocking Europe; the elusive Robin Hood in Sherwood Forest; Geoffrey Chaucer researching his next book; Joan of Arc on trial for witchcraft; the six queens of Henry VIII; Guy Fawkes the not-so-successful espionage agent; Captain Cook's around the world voyages; the Industrial Revolution and Victorian Age; the evacuees of World War II; and the technological developments of the 20thCentury.Suitable for Key Stages 2 and 3.Suitable for non-specialist teachers.Includes a compendium of ideas for staging (including costumes props and casting) fundraising advertising and general behind-the-scenes duties.

A colorful mixture of traditional English folk songs and ballads as well as the history of many of the songs. Many English folk songs are quite familiar in America. Hundreds of them came along with the earliest settlers in the17th century; others with the Redocoats in the 18th century; still others with the sailors and fisherman of the 19th century; and finally the doughboys and G.I.'s of two world wars have brought over the 20th century'scontribution. The book includes melody line lyrics historical information and guitar chords.

Six Motets Op.169 for Mixed Chorus Based on texts by Franz Kafka and scored for mixed chorus (SATB). Ernst Krenek (1900-1991) “One need have no hesitation about designating my writing of the past ten years as dodecaphonic since the twelve tones are always in close proximity. It is atonal since it rejects tonal centers. I only occasionally employ the stricter disciplines of the dodecaphonic and serial techniques since I am more interested in a suppler writing style. I have nothing to do with new tendencies like ‘New Simplicity’ ‘Neoromanticism’ ‘Minimalism’ and so forth.” (Ernst Krenek 1989) Evenduring his lifetime Ernst Krenek who left behind an oeuvre of more than 240 works when he died at the age of 91 held quite an extreme position in music history. Because of his great versatility critics in Europe often spoke of him as constantly changing his “style of composing ” tacitly implying that a creative life must be stylistically uniform. In the United States however he was deemed the “one-man history of twentieth-century music ” a unique and nearly unbelievable fact Krenek lived up to through his creation of work that spans more than seven decades of the twentieth century from the end of the 1910s until the end of the 1980s. When taken seriously this bon mot does not refer to the temporal concordance of his works or his participation in the latest developments in music throughout his life; it rather points to his role as a twentieth-century contemporary.

Plain Song Thirteenth Century-Ever thought of introducing your choir and congregation to plainsong? Here Robert Powell takes a 13th century chant and weaves it into a wonderful anthem accompanied by organ and oboe.

Par FARKAS FERENC. The musical material for these pieces was taken from the 17th century Kulcsar Melodiarium (Sarospatak, 1770), Novak Melodiarium (Sarospatak) and Patak Melodiarium (1798). Both the Latin and the Hungarian versions of these short character pieces were set to music. The cycle provides a good picture of the lives of the maturing students.The tunes reflect the many bonds that tied 18th century Hungarian music to the European musical culture of the time, while they also show signs of typical Hungarian character./ Feuillet / Choeur Mixte