Classic hymns have been arranged for the flexible “Sounds of” series. For solos and ensembles this collection brings together great hymns of the faith. Whether it's a soloist using a book (accompanied by piano orfully-orchestrated accompaniment track) or two three four players...or a full orchestra Sounds of Worship is a uniquely flexible idea for church instrumentalists! Each book includes a solo line and an ensemble line. Mixand match lines with different instruments and combinations of players. Available: Conductor's Score (with Acc. CD) Flute Oboe Trumpet Clarinet Trombone Horn Alto Saxophone Tenor Saxophone Violin Cello Bass/Tuba Percussion Piano/Rhythm Accompaniment CD.

Following the composition of Harold En Italie for Viola and orchestra in 1834, Berlioz began work on the opera Benvenuto Cellini , which subsequently failed on its first performances at the Paris Opera in 1838. Berlioz withdrew the opera for substantial revision, and from some of the discharged material he later fashioned this Reverie Et Caprice (in versions both for Violin and orchestra and Violin and Piano). Dedicated to Berlioz's violinist friend Alexandre-Joseph Artot, the piece was quickly taken up by several celebrated violinists of the time, including David, Joachim and Wieniawski, and was played all over Europe. This new edition for Violin and Piano, by the musicologist and performer Neil Heyde, is based on the first edition of the score.

Trio in d minor op. 3-Alexander Zemlinsky is mainly known for his operas and orchestral songs with their opulent late Romantic orchestration. His earlier inspired hit the Trio For Clarinet Op. 3 written in 1896 owes agreat deal to Zemlinsky’s first important role model Johannes Brahms as far as inflection and instrumentation are concerned. It was also Brahms who following its first performance in Vienna enthusiastically recommendedthe trio to his publisher Simrock.As the autograph has disappeared Henle’s edition follows the musical text in the first edition. It underwent careful examination and was cleared of numerous partly blatant engraver’serrors. Alongside the Piano score Henle’s edition comprises a part for Clarinet in Bb/A and an authentic alternative part for Violin as well as a Cello part.

Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano

John Luther Adams' Among Red Mountains for solo Piano. 'I've always been intimidated by the Piano. As a performer I never played it very well. And as a composer I've never felt as if Icould make the instrument my won.On a recent trip to New York I heard the premiere performance of a lovely chamber work by Kyle Gann that embraces multiple tempos without sustaining them all at the same time.On the way home to Alaska I passed through Seattle. In the Seattle airport there's a large painting by Frank Stella It's one of his protractor works in which arcs of bright colours weave in and out of one another in a dizzyingcounterpoint of imaginary planes. Studying this painting (after hearing Gann's music) it occurred to me that I might be able to do something similar with the Piano. Virtually all my recent music has been composedof four five or six simultaneous tempo layers. If those ensemble and orchestral pieces are multi-dimensional sculptures then Among Red Mountains is more like a drawing. In this piece the challenge I set for myself was tosuggest five independent tempo planes within the limitations of two hands and what Vicki Ray calls 'the Big Black Box'. For three decades I've admired the Piano music of Peter Garland. At last I have a piece thatI hope is worthy of this dedication. The title Among Red Mountains is the translation of the Gwitch'in Athabascan name for a place in the Brooks Range north of Arctic Village.' - John LutherAdams

Description Here, for the first time in a popularly accessible edition, are 35 of his finest keyboard works for solo instruments, reproduced from the monumental Deutsche Handelgesellschaft edition, including eight 'Great Suites' and 'Fugue In A Minor'. For this new edition, the pieces have been rearranged and retitled according to the latest scholarly sequences found in The New Grove Dictionary of Music and Musicians. Students and scholars will find many of the ideas Handel sketched here expanded and reworked in later chamber and orchestral works and in the opera dance movements; musicians and every Baroque music lover will see in these neglected pieces a Protean Fluidity (New Grove) worthy of the great composer, and more than worthy of any musical library.

from Beauty and the Beast-This sheet music features an arrangement for piano and voice with guitar chord frames with the melody presented in the right hand of the piano part as well as in the vocal line. It also includes access to an online professional recording of the backing tracks to the song so you can sing along with an orchestra and sound like a pro! The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+ a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.

Original Piano Melodies for the Eclectic Romantic is the melding of the influences of three generations. 'I've long been impressed by the melodic and harmonic styles of jazz icons Marian McPartland and Dave Brubeck and always believed that a well constructed harmony complements a unique melody.'  - Dennis Leogrande Reeling in the horror of September 11 Dennis   like all Americans sought a way to respond to the unthinkable. Words obviously fail; so did anger. Acting on the belief that the creative spirit transcends both he slowly began to record on manuscript paper theconflicting emotions he was experiencing. Two weeks later this collection was under way. Dennis Leogrande was a music educator and supervisor of music in New Jersey (USA) public schools where he has taught band and string instruments to students ages four through eighteen as well as directed bands jazz ensembles and orchestras. He holds a Masters degree in music education from New York University and a Supervisor of Music degree. In addition to his teaching Mr. Leogrande has published numerous educationall works composed music for animated films and operates a digital recording studio.

This volume collects four of the most important keyboard masterpieces by Johann Sebastian Bach?the 'Goldberg' Variations Chromatic Fantasy and Fugue Fantasia Contrappuntistica and Concerto for Piano andOrchestra in D Minor?in arrangements by celebrated pianist and composer Ferruccio Busoni for his 1919 Breitkopf & Härtel edition. Additional features include Busoni's original systemof keyboard notation demonstrated vis- -vis the Chromatic Fantasy. An important composer in his own right Busoni ranks among history's most celebrated pianists. His controversial 25-volume edition oftranscriptions of Bach's keyboard music includes side-by-side discussions of Bach's music with arrangements by Busoni and his pupil Egon Petri. Adapted for the modern resources of the grand piano thetranscriptions include plentiful doublings of voices for higher and lower ranges of the keyboard that did not exist on Bach's clavier in addition to analytical re-shapings of the music itself. This volume marks asignificant collection of rarities that merit greater attention among performers and listeners. Dover Original.

This superb 2CD collection of 40 masterpieces by 10 great composers features performances by the world's leading soloists and orchestras including The Royal Philharmonic Orchestra and the National Philharmonic Orchestra. Theaudio CDs are accompanied by a specially produced book containing the same pieces for solo piano. Here is an opportunity to enjoy some of the world's most beautiful classical music and to then sit down at the Piano and play themyourself using the accompanying folio. So if you're one of those people who feel like playing as well as listening this is the collection for you!

Original Piano Melodies for the Eclectic Romantic is the melding of the influences of three generations.'I've long been impressed by the melodic and harmonic styles of jazz icons Marian McPartland and Dave Brubeck and always believed that a well constructed harmony complements a unique melody.'  - Dennis LeograndeReeling in the horror of September 11 Dennis   like all Americans sought a way to respond to the unthinkable. Words obviously fail; so did anger. Acting on the belief that the creative spirit transcends both he slowly began to record on manuscript paper the conflicting emotions he wasexperiencing. Two weeks later this collection was under way.Dennis Leogrande was a music educator and supervisor of music in New Jersey (USA) public schools where he has taught band and string instruments to students ages four through eighteen as well as directed bands jazz ensembles and orchestras. He holds a Masters degree in music education from New York University and a Supervisor of Music degree. In addition to his teaching Mr. Leogrande has published numerous educationall works composed music for animated films and operates a digital recording studio.

Premiere Etude De Concert in B minor was the first of three works for solo Piano published in 1920 as the composer’s Opus 65. The suite was dedicated to the Ukrainian pianist Alexander Brailowsky who is best remembered for his virtuosic interpretation of Chopin’s complete works. Joseph Jongen (1873-1953) was a Belgian organist and composer. A precocious talent he was admitted to the Liege Conservatory at the age of 7 studying Fugue Piano Composition and Organ. He began writing music at the age of 13 and eventually composed over 200 works though some were later destroyed. His Symphonie Concertante is considered by many to be amongthe greatest works ever written for Organ and Orchestra.

Les deux concertos pour piano de Glazounov appartiennent au genre du concerto symphonique, qui rend néanmoins très grandes exigences sur le soliste. Avec ses harmonies modernes intéressants, le Piano Concerto #2 opus 100 (1917) est sur le même niveau que le populaire Concerto pour violon opus 82. ' Dans ce concerto Glazounov a fourni un exemple brillant de sa compréhension de la variation thématique. Il nous dit qu'il se classe parmi les plus grands. ' (Alex van Amerongen) / Piano Et Orchestre

Liste des titres : The March From '1941' ? Theme From 'schindler's List' ? Born On The Fourth Of July ? Seven Years In Tibet ? Theme From 'superman' ? The Duel ? Hymn To The Fallen ? Duel Of The Fates ? Theme From Angela's Ashes ? Scherzo For Motorcycle And Orchestra ? Harry's Wondrous World ? Nimbus 2000 ? Hedwig's Theme ? Across The Stars (Love Theme From Star Wars: Attack Of The Clones) ? Catch Me If You Can ? Luke And Leia ? Flight To Neverland ? Sayuri's Theme And End Credits ? A Prayer For Peace ? Wide Receiver ? The Cowboys ? Cantina Band ? With Malice Toward None ? Far And Away (Main Theme) ? The Book Thief ? The Jedi Steps And Finale ? March Of The Resistance ? Rey's Theme ? Sophie's Theme ? The Imperial March (Darth Vader's Theme) ? Theme From 'Jaws' ? Theme From J.F.K. ? Theme From 'Jurassic Park' ? May The Force Be With You ? The Mission Theme ? Olympic Fanfare And Theme ? Somewhere In My Memory ? Star Wars (Main Theme) ? Theme From E.T. (The Extra-Terrestrial) ? Throne Room And Finale ? Raiders March / Partitions variété - pop - rock / Musique films - comédies musicales / / HAL LEONARD