Player's Score-Pergolesis Hjemmeservice / Pergolesi's Home Service (1998/2003) - a Chamber Opera by Bent Lorentzen based on Pergolesi's La Serva Padrona by Claudio Monteverdi. German version. Libretto by Michael Leinert and Bent Lorentzen. Danish version: KP01936 English version: KP0193601 For permission to perform this opera please apply for grand rights: http://digital.schirmer.com/ewh http://digital.schirmer.com/ewh/index_da.html

Ovvero La Morte Di San Giuseppe. Par PERGOLESI GIOVANNI BATTISTA. The oratorio LA FENICE SUL ROGO OVVERO LA MORTE DI SAN GIUSEPPE can rightly be considered the debut of Pergolesi’s career as a composer: composed in the early months of 1731 the oratorio was commissioned by the Congregazione di San Giuseppe locatedby the Oratorio dei Filippini in Naples. The critical edition was realized with criteria of philological rigor, based as the main source on the autograph score and on the manuscript copies still preserved. The volume includes: historical introduction; detailed description of all the sources considered; commentary with critical notes and information related to specific problems of performance practice; the facsimile reproduction of the printed librettoand some pages of the autograph score. The clothbound volume comes in a cardboard case. / Opéra-opérette / Date parution : 1905-06-11/ Répertoire / Choeur

In 1732 Giovanni Battista Pergolesi composed a setting of the Vespers in honor of St. Emidius Naples’s patron saint and protector against earthquakes. All that has survived are the introit Domine ad adjuvandum and three psalm settings: Dixit Dominus Laudate and Confitebor.Malcolm Bruno’s reconstruction consists of Pergolesi’s Hymnus Magnificat several short instrumental interpolations and the contrafactum of a secular cantata for the Salve Regina thereby presenting a full cross-section of Pergolesi’s artistic evolution. The reconstructed Vespers ranges from the early Confitebor with its allusions to Vivaldi to the late Salve Regina with its reminiscences of thefamous Stabat Mater; from contrapuntal choral writing to operatic arias; and from the magnificently scored Dixit to the almost intimate Laudate.The present edition follows the original sources as closely as possible and contains an appendix with detailed notes on performance practice.Performance material available for hireEffective reconstruction of a full-length workCross-section of Pergolesi’s sacred musicClear and easy-to-play piano reduction

Organ Coro II-The Missa in F of 1734 for two or four choirs is probably Pergolesi’s most important work for choir and orchestra. The nickname 'Missa Romana' was added later in reference to a performance given in Rome during Pergolesi’s lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound. This allows the work to be performed not only with two choirs but also in the delightful enlarged version for fourchoirs. Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).First publication with choirs III and IV.Can be performed with both two or four choirs.Idiomatic well-presented Piano reduction.Full score performance material (BA8958) and vocal score (BA8958-90) available for sale.

Edizione critica a cura di Claudio Toscani-EDIZIONE NAZIONALE DELLE OPERE DI GIOVANNI BATTISTA PERGOLESI (Casa Ricordi in collaborazione con la Fondazione Pergolesi Spontini di Jesi) Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705) Il prigionier superbo by Giovanni Battista Pergolesi was first performed on 5 September 1733 at the Teatro di San Bartolomeo in Naples. With this opera ? his second dramma serio for San Bartolomeo in less than two years ? the young composer (who had already acquired considerable professional stature in the city?s theatres churches and aristocratic circles) reprised a perennially popular subject centered aroundthe dramatic conflict between filial piety and devotion to one?s betrothed. Inserted between the opera?s three acts were the intermezzi of La serva padrona which would soon go on to take all of Europe by storm. The primary source for this edition is a manuscript copy of the score currently housed in the Conservatorio di Musica ?San Pietro a Majella? in Naples and prepared by Giuseppe Sigismondo who was quite probably working from the now-lost autograph. Two other significant manuscript copies of the score also housed in Naples (respectively in the Biblioteca Oratoriana dei Girolamini and the aforementioned conservatory) were consulted along with a number of manuscript copies of individual arias. The edition is furnished with a historical introduction which traces the libretto?s complicated literary lineage and illustrates the circumstances of the opera?s commission genesis premiere and subsequent history: and a critical apparatus containing detailed source descriptions and critical notes for both the text and the music. An earlier version of the last movement of the Sinfonia and an aria for the third act whose text does not appear in the original printed libretto are provided as appendices.

Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI GIOVANNI BATTISTA. After the Stabat Mater by Giovanni Battista Pergolesi (1710–1736), BWV 1083 / Musique religieuse / Répertoire / Solistes SA, 2 Violons, Alto et Basse Continue, (C

The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Basse

Viola Coro I-The Missa in F of 1734 for two or four choirs is probably Pergolesi’s most important work for choir and orchestra. The nickname 'Missa Romana' was added later in reference to a performance given in Rome during Pergolesi’s lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound. This allows the work to be performed not only with two choirs but also in the delightful enlarged version for fourchoirs. Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).First publication with choirs III and IV.Can be performed with both two or four choirs.Idiomatic well-presented Piano reduction.Full score performance material (BA8958) and vocal score (BA8958-90) available for sale.

Violin 2 Coro I-The Missa in F of 1734 for two or four choirs is probably Pergolesi’s most important work for choir and orchestra. The nickname 'Missa Romana' was added later in reference to a performance given in Rome during Pergolesi’s lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound. This allows the work to be performed not only with two choirs but also in the delightful enlarged version for fourchoirs. Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).First publication with choirs III and IV.Can be performed with both two or four choirs.Idiomatic well-presented Piano reduction.Full score performance material (BA8958) and vocal score (BA8958-90) available for sale.

The Missa in F of 1734 for two or four choirs is probably Pergolesi’s most important work for choir and orchestra. The nickname 'Missa Romana' was added later in reference to a performance given in Rome during Pergolesi’s lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound. This allows the work to be performed not only with two choirs but also in the delightful enlarged version for fourchoirs. Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).First publication with choirs III and IV.Can be performed with both two or four choirs.Idiomatic well-presented Piano reduction.Full score performance material (BA8958) and vocal score (BA8958-90) available for sale.

Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI GIOVANNI BATTISTA. After the Stabat Mater by Giovanni Battista Pergolesi [1710–1736], BWV 1083 / Psaumes / Répertoire / Solistes SA, 2 Violons, Alto et Basse Continue, (C

Viola Coro II-The Missa in F of 1734 for two or four choirs is probably Pergolesi’s most important work for choir and orchestra. The nickname 'Missa Romana' was added later in reference to a performance given in Rome during Pergolesi’s lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound. This allows the work to be performed not only with two choirs but also in the delightful enlarged version for fourchoirs. Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).First publication with choirs III and IV.Can be performed with both two or four choirs.Idiomatic well-presented Piano reduction.Full score performance material (BA8958) and vocal score (BA8958-90) available for sale.

Ed. critica di C. Bacciagaluppi - Riduzione per canto e pianoforte-Pergolesi wrote his Mass in D major for an unknown occasion. The composition however is similar in quality and commitment to his other Mass in F major. Numerous manuscript copies all over Europe testify to the fortunate reception of the work in the eighteenth century. As was traditional in Naples Pergolesi limited his composition to the ?Kyrie? and ?Gloria?. The festive character of the work is emphasized by the rich scoring for vocal soloists five-part choir and a full orchestra of strings and winds. This edition made with strict philological criteria is based as its main source on a set of parts preserved partly in Naples partly in Montecassino. These parts were made for aperformance conducted by the composer who added various autograph annotations. Among the secondary sources are two period Neapolitan scores today in Bologna and Dresden. The book includes a historical introduction (which traces the history of the genre in Naples and the relationship between the two Masses by Pergolesi) and the critical notes.