Easy Organ Adventure #10 12 titles: Chopin's Nocturne £ Emperor Waltz £ Jesu Joy Of Man's Desiring £ Ode To Joy (From The Ninth Symphony) £ Vienna Life £ others.

/ S, A, 3 Parties Mixtes, 2 Trompettes Solo, 2 Trompettes, 2 Trombones Et Organiste

Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue

The series ?organ plus brass? presents original works and arrangements for organ and brass ensemble. The wind parts are written to meet the needs of amateur ensembles and the organ parts are ideal for non-professional church musicians playing on smaller organs.The full score comes with an inserted wind score in C which is also available separately. Wind parts in C and B-flat can also be purchased enabling the performance by brass ensembles of varying instrumentation.Volume II comprises five chorale preludes from the 19th century. The chorales on which they are based are well known internationally and can be used throughout the church year.Literaturefor brass ensemble and organSuitable for amateur brass ensembles and non-professional organistsTransposed parts allow for flexible instrumentationContentsChristian Fink (1831 1911): ?Wie schön leuchtet der Morgenstern? Emil Dercks (1849 1911): ?Jesus lebt mit ihm auch ich?Theophil Forchhammer (1847 1923): ?Sollt ich meinem Gott nicht singen?Max Gulbins (1862 1932): ?Nun danket alle Gott?Otto Scherzer (1821 1886): ?Christus der ist mein Leben?

Includes parts for Trumpet I and II in B-flat; Trombones I & II in C; Horn in F; TimpaniRepertoire for Brass Ensemble and Organ.Suitable for amateur Brass ensembles and non-professional organists.Offers various Brass parts enabling performances with flexible instrumentation.The alternation of Organ and Brass ensemble is in many parts of the world a standard practice in church services and concerts. It is much rarer however to hear the joint performance during entrance and exit processionals as well as chorale preludes. This is due not least to the lack of literature for the combination.This new series ?Organ Plus Brass? presentsoriginal works and more importantly new arrangements which are geared towards amateur wind players. The Organ part is manageable for the non-professional organist and can be played on a small or medium-sized instrument.The full score comes with an inserted wind score in C which is also available separately. Wind parts in C and B-flat can also be purchased. The edition enables the performance by Brass Ensembles of varying instrumentation.Volume 1 includes the arrangement of ?Marche Triomphale? by Théodore Dubois. This composition was originally written for solo Organ and is a part of the popular ?Douze pièces nouvelles? which is available under the order number BA 8471.

Includes parts for Trumpet I and II in B-flat; Trombones I & II in C; Horn in F; TimpaniRepertoire for Brass Ensemble and Organ.Suitable for amateur Brass ensembles and non-professional organists.Offers various Brass parts enabling performances with flexible instrumentation.The alternation of Organ and Brass ensemble is in many parts of the world a standard practice in church services and concerts. It is much rarer however to hear the joint performance during entrance and exit processionals as well as chorale preludes. This is due not least to the lack of literature for the combination.This new series ?Organ Plus Brass? presentsoriginal works and more importantly new arrangements which are geared towards amateur wind players. The Organ part is manageable for the non-professional organist and can be played on a small or medium-sized instrument.The full score comes with an inserted wind score in C which is also available separately. Wind parts in C and B-flat can also be purchased. The edition enables the performance by Brass Ensembles of varying instrumentation.Volume 1 includes the arrangement of ?Marche Triomphale? by Théodore Dubois. This composition was originally written for solo Organ and is a part of the popular ?Douze pièces nouvelles? which is available under the order number BA 8471.

Includes parts for Trumpet I and II in B-flat; Trombones I & II in C; Horn in F; TimpaniRepertoire for Brass Ensemble and Organ.Suitable for amateur Brass ensembles and non-professional organists.Offers various Brass parts enabling performances with flexible instrumentation.The alternation of Organ and Brass ensemble is in many parts of the world a standard practice in church services and concerts. It is much rarer however to hear the joint performance during entrance and exit processionals as well as chorale preludes. This is due not least to the lack of literature for the combination.This new series ?Organ Plus Brass? presentsoriginal works and more importantly new arrangements which are geared towards amateur wind players. The Organ part is manageable for the non-professional organist and can be played on a small or medium-sized instrument.The full score comes with an inserted wind score in C which is also available separately. Wind parts in C and B-flat can also be purchased. The edition enables the performance by Brass Ensembles of varying instrumentation.Volume 1 includes the arrangement of ?Marche Triomphale? by Théodore Dubois. This composition was originally written for solo Organ and is a part of the popular ?Douze pièces nouvelles? which is available under the order number BA 8471.

Includes parts for Trumpet I and II in B-flat; Trombones I & II in C; Horn in F; TimpaniRepertoire for Brass Ensemble and Organ.Suitable for amateur Brass ensembles and non-professional organists.Offers various Brass parts enabling performances with flexible instrumentation.The alternation of Organ and Brass ensemble is in many parts of the world a standard practice in church services and concerts. It is much rarer however to hear the joint performance during entrance and exit processionals as well as chorale preludes. This is due not least to the lack of literature for the combination.This new series ?Organ Plus Brass? presentsoriginal works and more importantly new arrangements which are geared towards amateur wind players. The Organ part is manageable for the non-professional organist and can be played on a small or medium-sized instrument.The full score comes with an inserted wind score in C which is also available separately. Wind parts in C and B-flat can also be purchased. The edition enables the performance by Brass Ensembles of varying instrumentation.Volume 1 includes the arrangement of ?Marche Triomphale? by Théodore Dubois. This composition was originally written for solo Organ and is a part of the popular ?Douze pièces nouvelles? which is available under the order number BA 8471.

Par REGER MAX. The seven chorale fantasias by Max Reger are among the most important of organ repertoire ? masterpieces blending chorale melody and programmatic music based on the text of the chorales. Published on the occasion of the composer's 150th birthday, this fundamentally revised Urtext edition, in two volumes, is edited by the internationally renowned organist and Leipzig professor of organ Martin Schmeding. As one of the most influential Reger interpreters, Schmeding not only includes the latest research, but also addresses the need for a contemporary interpretation of the chorale fantasias on modern organs. The edition includes all the original dynamic and agogic indications (including continuation lines to cresc., etc., which are missing in many modern editions), as well as all the original registration and manual indications. Martin Schmeding's new edition provides for the first time an original musical text that combines the requirements of a modern Urtext edition with the demands of a practical edition. / Date parution : 2023-08-12/ Recueil / Orgue

Par REGER MAX. The seven chorale fantasias by Max Reger are among the most important of organ repertoire ? masterpieces blending chorale melody and programmatic music based on the text of the chorales. Published on the occasion of the composer's 150th birthday, this fundamentally revised Urtext edition, in two volumes, is edited by the internationally renowned organist and Leipzig professor of organ Martin Schmeding. As one of the most influential Reger interpreters, Schmeding not only includes the latest research, but also addresses the need for a contemporary interpretation of the chorale fantasias on modern organs. The edition includes all the original dynamic and agogic indications (including continuation lines to cresc., etc., which are missing in many modern editions), as well as all the original registration and manual indications. Martin Schmeding's new edition provides for the first time an original musical text that combines the requirements of a modern Urtext edition with the demands of a practical edition. / Date parution : 2023-08-12/ Recueil / Orgue

20 original pieces on hymns for Epiphany the Baptism of Christ and The Transfiguration-Themed by season the books in the Oxford Hymn Settings For Organists series provide a wealth of new chorale preludes and hymn settings suitable for all church organists. With a host of accessible pieces these volumes are a must for every church organist's library.This volume contains new settings of 20 hymns that celebrate Epiphany the Baptism of Christ and the Transfiguration written by a range of experienced Organ composers based in the US and the UK. The collection is varied with pieces in a wide range of styles. Practical concise settings for all parts of the church service - preludes postludes fanfares and communion settings - areincluded.The pieces in Oxford Hymn Settings For Organists: Epiphany are suitable for busy church musicians at intermediate level working in all major denominations. Some pieces also suitable for recital use and all feature registration suggestions that can readily be adapted to suit most instruments with pedals.

Ian Venables' Requiem Aeternam for SATB and Organ. Comissioned by Bryce and Cyntha Somerville. In memory of Thomas Bryce Somerville. Duration: Approximately 5 minutes   Ian Venables's Requiem Aeternam is the composer tells us his first foray into choral music 'for many years'. It is a five-minute setting of words from the Latin Mass for the Dead for SATB choir (with divisions) and organ. The piece is broken into contrasting sections - a reflective canonic opening recalled at the end interspersed with sections built from repeated chords the second of which provides the climax of the piece. I'm notsure the whole holds together but it is dramatic - and not too demanding and on the right occasion might be an effective funeral or memorial service piece. - Organists' Review

Par ROBERDAY FRANCOIS / FERRARD. French Baroque organist and composer, François Roberday (1624-1680) is best known today for his Fugues And Caprices collected and published in a superb volume by Le Pupitre. Roberday 's Fugues And Caprices are four-part contrapuntal Organ pieces. Each Fugue is paired with a Caprice on the same subject, and with an exciting 12 Fugues and Caprices included in the collection, Roberday 's compositions cannot be missed. Moreover, with a preface in English, French and German, Fugues And Caprices are essential to the repertoire of all Baroque organists./ Répertoire / Orgue

Elève de Louis Vierne, Alexandre Guilmant et Charles-Marie Widor, ami de Marcel Dupré, Emile Bourdon fut un musicien complet, dès son plus jeune âge. Composées entre 1926 et 1971 alors qu'il était organiste de la cathédrale de Monaco, ces Six Pièces proviennent de sources différentes et ont été réunies ici après un long travail collectif effectué par l'Association Emile Bourdon. Peu connues du public et des organistes, ces oeuvres sont pourtant remarquables par leur qualité, leur langage très personnel et leur sens aigu de la registration et de la façon de bien faire ' sonner ' l'instrument. Les Six Pièces d'Emile Bourdon sont un vrai trésor musical à redécouvrir et il ne fait aucun doute qu'elles sauront conquérir le coeur des organistes et du public. / Orgue