SKU: FZ.1992

ISBN 9790230619929. 22.00 x 31.00 cm inches.

This facsimile of an original by Joseph Valette de Montigny is part of our French classical music collection. Edition : Paris, C. Ballard, 1711. Little known today, these very fine motets had a great reputation in the 18th century. The motet super flumina is a masterpiece. Preface by: Philippe Lescat: biography of Valette de Montigny,Jean Saint-Arroman: differences between the two editions - Avis of the publisher.

Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Municipal Library of Toulouse (France). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: BA.BA08870-90

ISBN 9790006567553. 27 x 19 cm inches. Text Language: French. Text: Duplat de Monticourt, Pierre-Jacques.

This edition presents a further dramatic jewel for the stage by Jean-Philippe Rameau. It comes with a vocal score for study and rehearsals as well as with a compilation of the purely instrumental parts for performance as a suite in the concert hall.

In view of the wealth of the work's musical treasures and the stylistic innovations - similar to theBoreades- the rather frosty reception of the premiere series in the spring of 1760 seems completely incomprehensible to us today. It led to this Comedie ballet not being performed until well into the 20th century. The story that the ballet tells is based on a fable by La Fontaine,Le Petit chien qui secoue de l'argent et des pierreries(i.e.The little dog who shakes silver and stones). In medieval Veneto, the guardian Anselme undermines the love affairs of his ward Argies. Scenes of tragic expression are contrasted with folk-comic ones; and last but not least, the sexually ambiguous fairy Manto may have caused difficulties for the bold work at the Paris Opera.

The critical new edition published as part of theOpera omnia Rameauseries offers the final version, supplemented in the appendix by the variants of the original version. SinceLes Paladinsremained unpublished during Rameau's lifetime and was also not included in theOEuvres completes, this is the first edition of the work. It satisfies both scholarly demand and the practical needs of musicians.