SKU: BR.OB-5148-30

ISBN 9790004329719. 9 x 12 inches.

In 1785, Mozart repeatedly visited the Viennese Freemasons Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik (Master Music) for mens chorus and orchestra. The score does not contain the choral parts, perhaps because they were doubled by the oboe I and clarinet parts, a pecularity undoubtedly suited to the singing capacity of the Lodge members. From a detailed analyses of the work and of the Freemasons practices, on can infer that the text was drawn from the third Lamentation of Jeremiah. Mozart at least entered the correct date of composition of the Master Music in his own work catalogue, namely Jully (1785).For a performance without chorus which most probably took place on 9 December 1785, Mozart added three new, low wind parts which emphasize the gloomy mood of the work. It is with these added parts that the work has come down to us as the Maurerische Trauermusik (Masonic Funeral Music).

In 1785, Mozart repeatedly visited the Viennese Freemasons' Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik.

SKU: BR.OB-5148-19

ISBN 9790004329696. 9 x 12 inches.

In 1785, Mozart repeatedly visited the Viennese Freemasons Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik (Master Music) for mens chorus and orchestra. The score does not contain the choral parts, perhaps because they were doubled by the oboe I and clarinet parts, a pecularity undoubtedly suited to the singing capacity of the Lodge members. From a detailed analyses of the work and of the Freemasons practices, on can infer that the text was drawn from the third Lamentation of Jeremiah. Mozart at least entered the correct date of composition of the Master Music in his own work catalogue, namely Jully (1785).For a performance without chorus which most probably took place on 9 December 1785, Mozart added three new, low wind parts which emphasize the gloomy mood of the work. It is with these added parts that the work has come down to us as the Maurerische Trauermusik (Masonic Funeral Music).

In 1785, Mozart repeatedly visited the Viennese Freemasons' Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik.

SKU: BR.OB-5148-16

ISBN 9790004329689. 9 x 12 inches.

In 1785, Mozart repeatedly visited the Viennese Freemasons Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik (Master Music) for mens chorus and orchestra. The score does not contain the choral parts, perhaps because they were doubled by the oboe I and clarinet parts, a pecularity undoubtedly suited to the singing capacity of the Lodge members. From a detailed analyses of the work and of the Freemasons practices, on can infer that the text was drawn from the third Lamentation of Jeremiah. Mozart at least entered the correct date of composition of the Master Music in his own work catalogue, namely Jully (1785).For a performance without chorus which most probably took place on 9 December 1785, Mozart added three new, low wind parts which emphasize the gloomy mood of the work. It is with these added parts that the work has come down to us as the Maurerische Trauermusik (Masonic Funeral Music).

In 1785, Mozart repeatedly visited the Viennese Freemasons' Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik.

SKU: GI.G-9436

English.

Founded in 1927, the Royal School of Church Music spent much of its working life at Addington Palace in Croydon, an era which saw a massive expansion of its work and influence in parish church music, both at home and abroad. This is the first published comprehensive history of those years - stretching from the post-WWII years based at Canterbury, through four decades at Addington Palace, up to the move in 1996 to Cleveland Lodge in Dorking, Surrey. The included CD includes a selection of music from the RSCM Archives. John Henderson and Trevor Jarvis are Hon Librarian and Hon Assistant Librarian to the Royal School of Church Music. Psallam Spiritu et Mente Sing with the Spirit and Understanding.

SKU: CL.CB204-01

SKU: KJ.8899

SATB Organ

A lovely and evocative setting of a gorgeous 17th century text, Christ, he requires still whereso'er He comes to feed or lodge, to have the best of rooms. Beautiful for Communion or General use.

SKU: HL.51489055

ISBN 9790201890555. UPC: 888680950590. 7.0x9.0x0.25 inches. Preface: Ullrich Schneidler.

Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge “Société Olympique” in Paris, which ran a large orchestra and organised regular concerts. These six works are notable for their artful motivic work and playful wit. Haydn here pays tribute both to the discerning taste of the Paris audience and to the excellent abilities of the musicians in the orchestra. These symphonies rapidly became famous and popular throughout Europe, thanks to editions published variously in Paris, Vienna and London. In this Symphony in A major, composed in 1785, Haydn provides the flute with concertante solo passages in the Adagio which was perhaps a nod to the instrument’s popularity in France at the time. This study edition reproduces the musical text of the Haydn Complete Edition, which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future.

SKU: TM.06814SET

P/C in set. To a Wild Rose, Will-O'-the Wisp, At an Old Trysting Place, In Autumn, From an Indian Lodge.

SKU: ST.MB49

ISBN 9790220212093.

This is a representative collection of solo songs by a seminal figure in the English Musical Renaissance. 36 items selected from the English Lyrics show a fine sense of word setting and poetic subtlety, with texts by Sir Philip Sidney, Shelley, Scott, Lovelace, Beddoes, Byron, Keats, Sir John Suckling, Julian Sturgis, Beaumont and Fletcher, Meredith, Haywood, Herrick, Thomas Lodge and Rossetti. The four Shakespeare Sonnets are also included.

SKU: TM.06174SET

P/C in set. To a Wild Rose, Will-O'-the Wisp, At an Old Trysting Place, In Autumn, From an Indian Lodge.