Bring the excitement of traditional Latin dance to the string orchestra with this collection. Explore the 'clave,' or rhythmic groove styles, such as the Merengue, Tango, Mambo, and others in a flexible format. All instruments have the melody, a harmony part, and an accompaniment/bass line. Easy hand percussion parts are included for the string players to perform or the optional drumset part can be used. The use of piano and guitar is recommended for authenticity but not necessary. All text appears in both English and Spanish. / Alto

Bring the excitement of traditional Latin dance to the string orchestra with this collection. Explore the 'clave,' or rhythmic groove styles, such as the Merengue, Tango, Mambo, and others in a flexible format. All instruments have the melody, a harmony part, and an accompaniment/bass line. Easy hand percussion parts are included for the string players to perform or the optional drumset part can be used. The use of piano and guitar is recommended for authenticity but not necessary. All text appears in both English and Spanish. / Alto

Partition parue en mars 2012, cet ouvrage référencé sous le code GB8629 intitulé Samuel Tupin : Version latine et écrit par Tupin Samuel est destiné à un public pratiquant Musique de Chambre. / Musique De Chambre / 20 pages / Partition

Mon deuxième quatuor à cordes, Crescent Scratches, s'inscrit dans la continuité du premier, Scratches, sans toutefois recourir au dispositif électronique qui, dans le premier quatuor, me permettait d'amplifier les timbres et de transformer le son en temps réel.Le terme de 'crescent scratch' provient des techniques de jeu développées par les DJ sur leurs platines vinyles ('scratch' ou 'scratching') que l'on retrouve dans le hip-hop et les musiques industrielles.Crescent Scratches est conçu à partir de deux principales idées : le glissando saturé (fréquemment pulsé), assimilable au 'scratch', provoqué par l'aller-retour du disque sur la platine, et la notion de boucle qui consiste à reproduire une même séquence, variée ou non. J'ai conçu des boucles et agi sur leur vitesse d'exécution, sur leur superposition en strates et leur traitement par caractéristiques de timbre. Cela finit par rendre quasiment imperceptible le retour des boucles - un phénomène qui m'a particulièrement intéressé dans cette composition. La boucle se meut en micro-élément, moteur d'une intense activité dans une macrostructure, cette macrostructure elle-même étant dès lors perçue comme une masse totalement saturée en évènements.La continuité entre ces deux quatuors se situe pour moi du côté du timbre et plus précisément dans la notation des différentes positions et pressions d'archet engendrant une large palette de sonorités saturées créant comme une aura autour du son des instruments. L'idée de 'scratch' comme onomatopée décrivant une rayure, une éraflure, une rupture ou une déchirure reste également au centre du propos de Crescent Scratches.Au-delà de l'électronique, l'endroit où se décèle la différence entre ces deux quatuors est dans la structuration de la forme et la gestion des événements. Crescent Scratches s'organise en un bloc d'une grande densité dans le traitement simultané des quatre instruments qui s'unissent là où, dans Scratches, j'articulais la forme en une succession de moments en solo, duo, trio et tutti.Yann Robin / Quatuor A Cordes

- SATB Soli, SATB Choir, Orchestra- Piano-Vocal Score (Latin)- Revised Edition (2005)- Full Score and Instrumental Parts are also available for purchase / Alto

Par WIBERNY HEINER. Heiner Wiberny has written this joyful composition for his wife Ulla, who has a special affinity for African Music. The listener recognizes immediately the sound and flavor of 'African Highlife” and 'Latin Funk”. The composition consists of the following parts: chorale-intro, prelude, ABA-theme, transition, violin- and violasolos with 'break'-intros, prelude, AB-theme, Coda. The soloists may play either the written transcriptions or their own improvised solos, whereby the corresponding ensemble sections can be repeated. The phrase markings offer help in the correct stylistic interpretation of the piece, but they can also be changed according to the individual preferences. 'Klaus the fiddler” (Klaus der Geiger) gave the world premier of this work with the String Quartet of the Cologne Kunst-Salon Orchestra (Streichquartett des Kölner Kunstsalonorchesters). Klaus and the string quartet deserve my special thanks./ Répertoire / Quatuor à Cordes

Christmas Round The World brings together carols from five countries in settings which explore the vivid national charateristics of each country through the ages.Ideal for both string orchestra and quartet use the arrangements exploit all the techniques and colous of the school or amatuer ensemble. There is plently of melodic interest for the inner parts and cello while jazz latin-american and medieval music provide the inspiration for the up-beat accompaniments. The beginners' line (suitable for Violin Viola and Cello) allows everyone to join in the fun of festive music making at Christmas.

Par MIRANDA LIN-MANUEL. Your orchestra (and audience!) will love the catchy music from Disney's big hit featuring Latin rhythms. / Date parution : 2022-05-17/ Recueil / Ensemble de Cordes

Par JARRELL MICHAEL. Congruence, du latin congruere, convenir, est un terme de géométrie: 'lorsque tous les points de deux figures superposées coïncident, elles sont dites congruentes', rapporte le compositeur. Le pluriel du titre implique alors un attachement au principe de 'degrés de congruence', réactivant ainsi la notion de tuilage, de recouvrement, de stratification, oeuvrant dans Trace-Ecart, une partition de laquelle Congruences tire sa quintessence. Laurent Feneyrou, extrait du livret du disque Accord / contemporain / Date parution : 1988-01-01/ Répertoire / Flûte-Midi, Hautbois et Ensemble Instrumental

Christmas round the world brings together carols from five countries, in settings which explore the vivid national characteristics of each country through the ages. Ideal for both string orchestra and quartet use, the arrangements exploit all the techniques and colours of the school or amateur ensemble. There is plenty of melodic interest for the inner parts and cello, while jazz, Latin-American and medieval music provide the inspiration for the up-beat accompaniments. The beginners' line (suitable for violin, viola and cello) allows everyone to join in the fun of festive music making at Christmas. / Ensemble Music / Recueil / Violon, Violoncelle, Alto et Contrebasse

FOR THE STUDENT This material is part of the worldwide Suzuki Method of teaching. Companion recordings should be used with these publications. In addition there are viola part books that go along with this material. FOR THE TEACHER In order to be an effective Suzuki teacher a great deal ongoing education is required. Your national Suzuki association provides this for its membership. Teachers are encouraged to become members of their national Suzuki associations and maintain a teacher training schedule in order to remain current via institutes short-term programs and long-term programs. You are also encouraged to join the International SuzukiAssociation. FOR THE PARENT Credentials are essential for any teacher you choose. We recommend you to ask your teacher for his credentials especially those relating to traning in the Suzuki Method. The Suzuki Method should be a positive one where there exists a wonderful fostering relationship between child parent and teacher. So choosing the right teacher is of the utmost importance.

Mary Cohen’s Superstudies For Viola Book 1 is a collection of nineteen original imaginative studies for solo viola which have been specially designed for young players. Each piece concentrates on one or two aspects of technique and the whole set covers a wide range of left and right hand skills including spicatto bowing string-crossing moto perpetuo cantabile and easy double-stopping. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating.

27 pieces to play in second position-4 Collections to give a structured training scheme for the viola player to play in position.Position 2 is an instructive and stimulating introduction to the second position for viola players who have some playing experience in the first position. It is not necessary to learn the third position before beginning this book. Twelve exercises and 27 tunes in different styles with accompaniment on the CD provide an excellent basis for learning the second position.

Par COHEN MARY / SPEARING ROBERT. Masterful duo Mary Cohen and Robert Spearing team up once again in this wonderful collection of original pieces for established beginner string quartet. Quartetstart Level 2 is full of stimulating and enjoyable repertoire which has been carefully devised for string players of around ABRSM Grade 2?3. Building on the skills and ideas first introduced in Quartetstart Level 1, this truly original collection explores a wide range of musical styles as well as many interesting string effects (including simple harmonics, collegno, pizzicato and tremolo). Containing invaluable rehearsal tips throughout, these imaginative pieces will give string players the opportunity to discover the joys of ensemble playing right from the early stages of learning. A violin 3 alternative to the viola part is provided. / Ensemble Music, Methods