Great backing tracks for 12 favourite pieces-Now this is a great idea ? take twelve pieces of music and give then super backing tracks. Just play along and sound really great! With FREE CD.Sounds Professional ?Recorderincludes: Hallelujah Chorus (Handel) The Swan (Saint Saëns) Greensleeves (Anon) Panis Angelicus (Franck) Land of Hope and Glory (Elgar) The Blue Danube (Strauss) Air from Suite No. 3 (Bach) Canon (Pachelbel) To a Wild Rose (MacDowell) Minuet in G (Bach) Humoreske No. 7 (Dvorák) and Two Songs from The Mikado (Sullivan).

Includes a history of the recorder how to choose an instrument how to read music as well as a complete note and fingering chart duets and fun songs from every period of music history from Greensleeves to When the Saints Go Marching In! A fun-filled book that really teaches you how to play!

Bassblockflöte lernen im Ensemble für 3-5 Blockflöten (SA(A)TB) und CD-The bass recorder brings a deep rich timbre to the recorder ensemble. Nevertheless when beginning with the bass recorder even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a ?hands-on? tutor which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tonequality rhythm and technical demands.The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects:? the bass recorder ? construction instrument types historical background? technical foundations of bass recorder playing posture fingering sound and articulation? practise and rehearsal techniques intonation in ensemble playing? stylistically diverse ensemble repertoire ranging from medieval to contemporary musicThe Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line which can be used to play along with.Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher. ? Contents: ? Anonymus: Dindiridin Greensleeves Un poquito canto

21 Works for Treble Recorder with Piano-This anthology contains pieces by seventeenth and eighteenth-century composers in a variety of different styles. The repertoire includes works by major composers such as Telemann as well as lesser-known composers including amongst others Hotteterre Marcello Chédeville and Schickhardt. This collection is ideal for recorder teachers looking for additional repertoire for their teaching practice as well as developing players looking to expand their repertoire and for use in school or music centre concerts.Content- Hotteterre: Overture Le Festin- Hotteterre: Entrée du Bal- Hotteterre: Air- Hotteterre: Bourrée- Dornel: Le Zephir- Dornel: Marche des Vestales- Dornel: Marche des Evapores- Dornel: Les Turlupins- Finger: Paul's Steeple- Anon.: Sarabande- Anon.: Minuets I & II- Anon.: Hornpipe- Anon.: Greensleeves to a Ground- Marcello: Adagio- Marcello: Allegro- Chédeville: Pastorale- Schickhardt: Largo- Schickhardt: Allegro- Telemann: Adagio- Telemann: Vivace- Dornel: Chaconne

1-4 T. Susato (c.1500-1561(4)): 'Ronde'5-8 C. de Sermisy (1490-1562): 'Tant que vivrai'9-12 Traditional: Variations 'Greensleeves'13-16 Traditional: Variations 'Ah vous dirais je maman'

Par BOURGOIN MARIE-CHRISTINE. Pièces classiques et modernes pour les 2 premières années de flûte à bec soprano choisies et annotées par Marie-Christine Bourgoin. / Niveau : Débutant / classique / Répertoire / Flûte à Bec

24 Pieces from 5 Centuries. The Easy Concert Pieces series has the right pieces ready for the first concerts. Easy to intermediate original compositions and arrangements for descant recorder and piano provide a cross section of the different epochs, from the Renaissance to the modern era. The enclosed CDs contain all pieces as full versions and as piano accompaniment for playing along. In Vol. 2, the tonal range is extended to a'', including a few semitones. The works are rhythmically more complex and, with regard to fingering technique and melodic expression, more demanding than the pieces in Vol. 1. / Niveau : 2-3 / Recueil / Flûte à Bec et Piano

Par PUSCOIU COSTEL. Well-known classical works for recorder students at all levels of ability, adapted and arranged especially for the recorder. The works are drawn from all periods, including Baroque, Classical, Romantic and Modern. The author has carefully placed the melodies in the best keys for easy recorder. / Niveau : Intermédiaire / Classic - Solos / Recueil / Flûte à Bec Soprano

Leichte Vortragsstucke. To every pupil, the first concert is a special experience. The period of intensive preparation, the mixture of trepidation and joyful anticipation, the concentration during the performance, the applause of the audience and the pride after the successful performance. Such impressions will all stick in the pupil's mind and quite often influence his or her entire future development. The choice of the 'right' performance piece is of vital importance: It should be neither too long nor too short, make a strong impression and give great pleasure in practising. The edition My First Concert includes 25 easy and appealing pieces for descant recorder and piano ranging across five centuries; most of these are original recorder pieces, along with a few arrangements. The collection includes not only Renaissance, Baroque and early Classical works, but more recent compositions too, notably various genres from the field of popular music. Pieces range from little dance movements first published by Attaingnant and Susato, with sonata movements by Telemann and Loeillet through to jazzy tunes. Some of these easy pieces will suit players who have had two years of tuition. Slightly more demanding pieces can then be tackled in later lessons. This book offers a wide selection of repertoire for auditions, concert performances and youth music competitions; it offers an ideal complement to any recorder tutorial method. The accompanying CD will give an impression of how the music can sound, making it easier to start practice. With the separately recorded piano accompaniment, pieces can be played even when no pianist is available./ Recueil / Flûte à Bec et Piano

Avec Variantes, Exemples Et Conseils Pour Jouer Et Improviser Sur Tous Instruments. Par AUTEURS DIVERS. Anne Fuzeau Classique vous propose des ouvrages sur la musique en général.Le présent recueil propose un panorama de ces basses obstinées, chansons et danses de la Renaissance et du Baroque qui circulaient d'une publication ou d'un manuscrit à l'autre, de pays en pays et sur lesquelles, au fil des décades et même des siècles, les compositeurs n'avaient cesse de proposer des variations, les musiciens d'improviser.Se référant aux compilations de ' standards ' utilisés par les jazzmen, Pascale Boquet et Gérard Rebours présentent ici, sur une centaine de pages de musique, 50 pièces dans leur version de base, avec leurs transpositions, et un choix de 210 variantes et airs dérivés les plus significatifs - le tout ponctué d'explications, de commentaires, de références et de notes historiques, et précédé d'une généreuse analyse théorique et pratique de l'improvisation. Sans oublier le glossaire, la liste des sources et la bibliographie.Classées par ordre progressif, les pièces de ce recueil peuvent être utilisées à trois niveaux : - - - - - - Le débutant jouera les airs, souvent faciles, tels quels. - - - - - Le musicien un peu familiarisé avec le sujet pourra commencer à écrire quelques diminutions ou variations. - - - - - L'expérience aidant, il pourra ensuite se lancer dans l'improvisation, ' sans filet ', comme il se doit.De plus, tout instrument et groupe instrumental, ancien ou moderne, pourra aborder ce répertoire dans lequel : - - - - - - Les instruments mélodiques (flûtes, violons, violes, hautbois,...) auront la charge de - jouer et de varier ces airs et ces danses. - - - - - Les instruments polyphoniques (claviers, luths, guitares, harpes) pourront les accompagner de nombreuses façons à partir de la basse chiffrée, mais aussi en réaliser des versions autonomes en jouant et variant les deux parties ensemble. - - - - - Les instruments graves (basse de viole, basson, violoncelle,....) assureront la ligne de basse sans oublier d'y introduire eux aussi variations et diminutions.Enfin, ce sera l'occasion d'explorer une partie conséquente du répertoire de base des XVIe et XVIIe siècles, d'approfondir certains aspects harmoniques, mélodiques et stylistiques propres à chaque époque, chaque pays, voire chaque auteur, et d'élargir son approche de la musique ancienne en y introduisant cette dimension pas encore assez familière : l'improvisation.Sommaire : Avant-ProposGenèse'Standards'Principes éditoriauxImproviser (G.R.)Le geste improvisatoireDiminutions, fredons, passages, gloses, divisionsImproviser, selon les traitésUne leçon de diminutionsConseils pratiques pour improviser (P.B.)Analyse de deux grands standards : - - 1-La Passemezzo (P.B.) - - 2-Les folies (G.R.)50 standards Renaissance et BaroqueGlossaireSources : - - 1-Traités - - 2-Sources musicales - - 3-Compilations musicales manuscritesBibliographieLes auteursRemerciementsIndex des 50 StandardsIndex des compositeurs et des ouvrages / Niveau : Facile / Date parution : 2006-01-01/ Recueil / Traîté