SKU: RM.SL10148
ISBN 9790231091489.
SKU: HL.776582
UPC: 736021422018. 13.75x29.0x17.5 inches.
•32-note extended range bells with stamped pitch letter names • Neoprene bar mounting increases resonance and is maintenance free • Impact-resistant ABS side frames and metal support plate enhance bell frame durability • 3.5“x14” 10-lug chrome piccolo snare drum features internal tone control, 20-strand sanres and double air vents • Side-release snare throw-off and heavy-duty butt plate are key adjustable • Stand components include wide tripod stand base with non-slip nylon bushing, platform bell mount and geared snare basket stand top • Birch shaft mallets, SD1 General drumsticks, detachable music rack for bells, rubber practice pad and drum key are included • Serial numbers for easy record keeping • Printed warm-ups and technical exercise for bells and snare drum • Fully padded deluxe nylon traveler bag with heavy-duty zipper, interior accessory compartments, padded bell divider, separate snare compartment • Wheels, feet and retractable handle assembly bolted to ABS plates inside bag.
SKU: CA.2046316
ISBN 9790007196332. Key: G dorian. Language: German/Latin.
Reworking of a motet by Giovanni Gabrieli (1615). Score and part available separately - see item CA.2046300.
SKU: KU.OCT-10002_PO2
SKU: KU.OCT-10004_TRP_1
SKU: KU.OCT-10003
Latin.
From the Symphoniae sacrae.
SKU: KU.OCT-10004_SP2
SKU: UT.AR-1
ISBN 9790215306431. 9 x 12 inches.
29 Madrigali di Francesco Adriani, Adriano Anville, Vincenzo Bell’haver, Michele Comis, Andrea Gabrieli, Eliseo Ghibellini, Daniele Grisonio, Claudio Merulo, Giovanni Pierluigi da Palestrina, Vittorio Raimondo, Giulio Renaldi, Cesare Schieti, Bertoldo Sperindio, Gioseffo Zarlino
SKU: HL.49012086
ISBN 9790001101240. UPC: 884088112226. 9.0x12.0x0.062 inches. Latin.
SKU: HL.14040983
French.
The Modal Column is a cycle of paired pieces for piano, starting from the classical structure- prelude-fugue - used by Bach in Das wohltemperierte Klavier. The modes that are being used have a relatively simple octavizing structure, hence an almost infinite variety of combinations that can generate a large number of pieces, impossible to exhaust by a composer. Therein lies the idea of a column, in the sense given by Brancusi, i.e. an endless succession of modules.
In the vision of the author, the mechanism of the mode is a secondary (ancillary) aspect, the primary goal is deciphering the ethos incorporated in it.
The prelude-fugue structure hypostatizesthe musical discourse at the two possible extremes. free-constructed. While Romanian music rules in free areas, like any old music with an (especially oral) tradition, the constructed pieces start from Dutch (Flemish) or Venetian polyphony, which precedes the idea of fugue, understood as a technology of the movement (dynamics) of sound, after the models of Giovanni Gabrieli or Ockeghem.
The Modal Column is first of all the presentation of a melodic world but, as the subtitle indicates, also an investigation into the ethos of Romanian music. The forms in which the pieces are thought are simple, non-ostentatious, the whole cycle being in fact a musical workshop, whose better parts may be worth including in ampler works. Before the succinct description of the six couples in Books I and II, a few observations, necessary from a musicological point of view:
SKU: KU.OCT-10003_SP
SKU: CA.1600921
Language: all languages.
Score available separately - see item CA.1600900.
SKU: M2.MOS-81041
ISBN 9790203795414.
SKU: M2.MOS-64026-60
ISBN 9790203771876.
SKU: KU.OCT-10001_PO2