SKU: HL.14010764
11.75x8.25x0.425 inches.
Bridge's early works - those written before the first World War - were more late Romantic in style, warmly expansive, than his mature works. The Adagio is a four-Voice fugue of poetic expressiveness that makes full use of the instrument's tonal resources.British composer Frank Bridge was active in the early decades of the 20th century and was a highly respected conductor, violist and teacher - his sole composition student having been Benjamin Britten. Britten honoured his former teacher in his work Variations on a Theme of Frank Bridge, based on a theme from one of Bridge's pieces for String quartet.
SKU: HL.14001678
SKU: HL.14037178
UPC: 884088441760. 8.25x11.75x0.099 inches. English.
These five part-songs were composed over ten years from 1903 to 1913, but only the first was published in the composer's lifetime. Bridge's early works - those written before the first World War - were more late Romantic in style, warmly expansive, than his mature works. These songs display Bridge's skill and craftsmanship.British composer Frank Bridge was active in the early decades of the 20th century and was a highly respected conductor, violist and teacher - his sole composition student having been Benjamin Britten. Britten honoured his former teacher in his work Variations on a Theme of Frank Bridge, based on a theme from one of Bridge's pieces for String quartet.
SKU: CY.CC2652
British composer Frank Bridge is mainly remembered for his beautiful chamber music. The Four Pieces from 1912 are originally for Violin and Piano and are titled:1. Meditation2. Spring Song3. Lullaby4. Country DanceMr. Sauer has done a beautiful job scoring these works for Euphonium. There is a wonderful simplicity to Bridge's music, a simplicity that was lost forever just two years later at the beginning of the Great War, WW I. Bridge's most famous composition student was Benjamin Britten, who wrote one of his greatest works as an homage to Bridge.
SKU: AP.12-0571570127
ISBN 9780571570126. English.
Frank Bridge was one of the finest English composers of the first half of the 20th century. The Pageant of London is his only work for wind band, comprising of two marches, one scored from Bridge's best known organ piece and including the chimes of Big Ben, plus three short renaissance pastiche items, one arranged from Playford (later used by Peter Warlock in Capriol Suite). The music is tuneful, approachable, and, in the words of wind band legend Timothy Reynish makes a fine alternative to Holst's two suites, which were composed around the same time. Reynish has introduced this work to concert bands right across the world. It has been performed in USA and the Far East, recorded by the celebrated Kosei Wind Orchestra of Japan and also by the BBC National Orchestra of Wales in the Chandos edition of Bridge Orchestral Music.
SKU: AP.12-0571572391
ISBN 9780571572397. English.
Frank Bridge (1879--1941) was one of the leading English composers of his time. In October 1922, he adapted his popular string quartet Sir Roger de Coverley for full symphony orchestra and Sir Henry Wood agreed, at the last minute, to include it in the last night of the Queen's Hall Promenade Concerts at the end of that month. This elaborate and colourful orchestral version has never been widely performed, but has now been brilliantly transcribed by Alastair Wheeler to provide a miniature dance poem for grade 5 level concert band. Bridge's lively treatment of one of England's most famous traditional dance melodies will make a fitting end to any concert, with the strains of Auld Lang Syne introduced by Bridge as a nod towards Sir Roger de Coverley's traditional function as the final dance of a Christmas Ball, as it was in Old Mr. Fezziwig's party in Dickens' A Christmas Carol.
SKU: AP.12-0571572383
ISBN 9780571572380. English.
SKU: AP.12-0571570119
ISBN 9780571570119. English.
Frank Bridge was one of the finest English composers of the first half of the 20th century. The Pageant of London is his only work for wind band, comprising of two marches, one scored from Bridge's best-known organ piece and including the chimes of Big Ben, plus three short renaissance pastiche items, one arranged from Playford (later used by Peter Warlock in Capriol Suite). The music is tuneful, approachable and, in the words of wind band legend Timothy Reynish, makes a fine alternative to Holst's two suites, which were composed around the same time. Reynish has introduced this work to concert bands right across the world. It has been performed in USA and the Far East, recorded by the celebrated Kosei Wind Orchestra of Japan and also by the BBC National Orchestra of Wales in the Chandos edition of Bridge Orchestral Music.
SKU: ST.H480
ISBN 9790220223846.
Timed to exploit the centenary of his best pupil, Benjamin Britten, Frank Bridge's reissued Capriccios for Piano Nos.1 and 2 of 1905 come up fresh as paint: Stainer & Bell's front cover alone - reproducing Panini's elaborate 1758 painting Capriccio of Rome - is worth long study. No 1 sounds like Moszkowski; No 2 (a better piece) is more typical, recalling Bridge's own Rosemary and The Sea, and contains some chords silently depressed and exposed by re-pedalling. ***** Showy and effective, and most recommendable.
SKU: AP.36-M219791
ISBN 9781682962985. UPC: 660355108884. English.
A major work in four movements by this masterful British composer, Frank Bridge (1871-1941). Dating from 1917 and little-known, the work is largely light, despite World War I looming so large in the world. Reprint of the first edition. Movements: The Princess; The Ogre; The Spell; The Prince.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.14043460
8.25x11.75x0.048 inches. English.
A work for Piano solo by Frank Bridge.
SKU: HL.50602178
ISBN 9781540071354. UPC: 888680979232.
Many of the occasional pieces Bridge wrote in the early part of his career were published in versions for violin and piano, or celloand piano. Bridge was himself a fine viola player and so it is therefore appropriate that these pieces (in addition to those he wrote specifically for viola and piano) should be published in transcriptions for viola. This volume contains numbers 1 to 5 of a set of ten pieces which have been skilfully transcribed for Viola with Piano accompaniment by Veronica Leigh Hunt.
