Par KRENEK ERNST. Erst ein Studienprojekt und eine erfolgreiche Exkursion zum Ernst Krenek Institut ermöglichten die Veröffentlichung der frühen Lieder Ernst Kreneks. Die vorliegenden drei Bände versammeln alle 37 Werke der 1920er Jahre./ Recueil / Chant et Piano

from West Side Story-From one of the greatest musicals of all time here is Bernsteins ever-popular Mambo in a carefully adapted and edited version that reduces some of the extreme technical demands of the original. This arrangement is notatedin cut time for ease of reading and is scored a third lower. However none of the authenticity or energy has been altered resulting in a stunning showcase for concert or festival or even an encore.

Ce document, unique par son ISBN 9782906757837 a été conçu par Bernstein Leonard et a pour titre Bernstein Leonard Un Chef Inspire. Il fait partie de la catégorie Livres, Revues, DVD, Logiciels Et Accessoires. / Divers / Livre

Ten songs from Bernstein's famous stage works, now available for each voice type! Each voice type has a unique song list. The editions include access to online piano accompaniments for streaming or download. / Soprano Et Piano

Scottish Opera Version-Deluxe hardcover full score of Bernstein's comic operetta as performed by the Scottish Opera in 1989. HPS 1180

from West Side Story-From one of the greatest musicals of all time here is Bernstein's ever-popular Mambo in a carefully adapted and edited version that reduces some of the extreme technical demands of the original. This arrangement is notated in cut time for ease of reading and is scored a third lower. However none of the authenticity or energy has been altered resulting in a stunning showcase for concert or festival or even an encore.

A great arrangement of one of the most loved songs from Bernstein's Broadway West End and Hollywood sensation West Side Story. Arranged by William Stickles for SSA Choir and Piano.

Six Motets Op.169 for Mixed Chorus Based on texts by Franz Kafka and scored for mixed chorus (SATB). Ernst Krenek (1900-1991) “One need have no hesitation about designating my writing of the past ten years as dodecaphonic since the twelve tones are always in close proximity. It is atonal since it rejects tonal centers. I only occasionally employ the stricter disciplines of the dodecaphonic and serial techniques since I am more interested in a suppler writing style. I have nothing to do with new tendencies like ‘New Simplicity’ ‘Neoromanticism’ ‘Minimalism’ and so forth.” (Ernst Krenek 1989) Evenduring his lifetime Ernst Krenek who left behind an oeuvre of more than 240 works when he died at the age of 91 held quite an extreme position in music history. Because of his great versatility critics in Europe often spoke of him as constantly changing his “style of composing ” tacitly implying that a creative life must be stylistically uniform. In the United States however he was deemed the “one-man history of twentieth-century music ” a unique and nearly unbelievable fact Krenek lived up to through his creation of work that spans more than seven decades of the twentieth century from the end of the 1910s until the end of the 1980s. When taken seriously this bon mot does not refer to the temporal concordance of his works or his participation in the latest developments in music throughout his life; it rather points to his role as a twentieth-century contemporary.

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire south-German region. His extensive oeuvre comprises over 300 works, and his compositions served as models for the young Mozart./ Répertoire / Solistes SATB, Choeur SATB, 3 Trombones, 2 Violons

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire south-German region. His extensive oeuvre comprises over 300 works, and his compositions served as models for the young Mozart./ Répertoire / Solistes SATB, Choeur SATB, 3 Trombones, 2 Violons

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire south-German region. His extensive oeuvre comprises over 300 works, and his compositions served as models for the young Mozart./ Répertoire / Solistes SATB, Choeur SATB, 3 Trombones, 2 Violons