for Violoncello and Piano-Cesar Franck?s Sonata for Piano and Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franck?s friend the cellist Jules Desart was so impressed when he heard the Violin Sonata performed at the Société nationale de musique in Paris that he adapted the work for his instrument. This arrangement was first published in 1887 by inserting the Cello part into the Piano score of the original edition. For this purpose thePiano score had received a new cover and the publisher had expanded the title of the composition to ?Sonate pour Piano et Violon ou Violoncelle?. This version by the cellist Jules Delsart for Piano and Violoncello is the only arrangement of the work authorized by the composer and its first edition represents the main source for Bärenreiter?s new scholarly-critical publication.This Barenreiter edition also includes a separate movement ?Mélancolie? first published after Franck?s death in 1911 again for the same instrumentation Piano and Violin or Violoncello. This short piece is based on a solfège exercise and was written at the height of the composer?s creative powers at about the same time as his famous Violin sonata.The edition is rounded off by an informative text on the genesis and reception history of the two compositions (Ger/Fr/Eng) a complete list of sources editorial notes and a Critical Commentary (Eng).Pioneering new Urtext editionInformative text on the genesis and reception history of the two compositions (Ger/Fr/Eng)Detailed Critical Commentary (Eng)Also available:Sonata; Andantino quietoso Op.6; Mélancolie for Piano & Violin BA9425.Sonata arranged for Piano & Viola BA10918.Sonata in A major arranged for Piano & Flute BA8734

The Violoncello Studies by Bernhard Cossmann (1822-1910) provide specific exercises for the development of the left hand such as double stop trill studies finger dexterity exercises chord scale and thumb position studies which intensively include the use of the fourth finger in particular. This is what gives these studies their special value and make them indispensable to the training as a cellist. They are aimed at the advanced pupil and student but also at the professionally trained cellist who wants to improve and maintain the dexterity and velocity of the left-hand fingers by means of short exercises.

in the First Positions for Cello. Par LEE SEBASTIAN. Sebastian Lee (1805-1887) went down in music history primarily as the composer of pedagogic works. Successive generations of cellist were brought on his studies, duets, etc, which remain valuable aids for teacher. The collection of 40 Studies Op. 40 with the accompaniment of a second cello (the teacher) is designed for beginners (in the first two years of study) and contains excellent finger exercises for the left hand and bowing for the right hand. / Date parution : 2023-06-01/ Etude / Violoncelle

Par BUNTING CHRISTOPHER. Warming up and keeping one?s basic technique in peak condition, (or working to get to peak condition) is fundamentally important, yet many cellists do not have routine exercises to follow. This book, the second of a two volume set, which complements book 1, provides the exercises that every cellist needs, for both the left and right hands: bow off the string; right arm choreography; shifting; winter skating; various portamenti; fives; string crossing; octaves; resilience exercises; double-stopping ritual; pizzicato; a few spiccati; bow control ? accents. Christopher Bunting (1924-2005), the cellist and composer, gave concerts, broadcasts and masterclasses throughout Europe, Australasia and the United States. The Daily Telegraph described him as ?a master?. Die Welt remarked on his ?highly developed musical comprehension, prodigious technique and outstanding artistry?, and the Swedish press called him ?one of the greatest instrumentalists of today?. He thought deeply about the psychological and physical influences that lie behind technique./ Etude / Violoncelle

This comprehensive technique and musicianship book provides an abundance of enjoyable repertoire and musical results-driven exercises (including scales etudes chorales classical repertoire and more) that will help yourstudents develop solid accurate technique. Establishing a strong foundation with good left and right hand technique will result in outstanding musical performances and will help open your students’ world to a vast wealth ofincredible literature. Perfect for intermediate level students in class or private studio settings.

The studies by Friedrich August Kummer are perfect for music lessons, particularly because of their accompaniment of a second violoncello. They are characterized by a very systematic arrangement, cleverly introduce the circle of fifths and offer exercises at all levels of difficulty. The studies originally come from the appendix to Kummer's Celloschule für den ersten Unterricht Op. 60. In this new edition, they are for the first time published completely in two volumes as 92 progressive studies. The present edition is based on the first edition published in 1839 (Verlag Friedrich Hofmeister, Leipzig) and has essentially adopted the original fingerings and bowing indications. For better readability, the number of fingerings has been slightly reduced. Volume 1 (ED 22371) is intended for beginner and intermediate lessons. Volume 2 (ED 22372) focusses on the musical performance of the advanced pupil. Friedrich August Kummer (1797?1879) was a pupil of Friedrich Dotzauer and Bernhard Romberg and later trained famous cellists like Julius Goltermann or Bernhard Cossmann.

The first volume of a method in 4 books  Cello Method - Scales and Arpeggios (Volume 1) was composed by Paul Bazelaire(1886-1958) based on scales and arpeggio studies.This set of works covers all the scales and can therefore be used to introduce beginners to scales and arpeggios or by advanced Cello players to master the perfect technique on this particular subject. This book of 47 pages is definitely a must-have for developing the basics and is followed by volumes of daily exercises and twelve studies of velocity. Paul Bazelaire was a French cellist and composer who won many literature andpoetry prizes.