Play-Along Tracks For Developing Your Rhythm And Lead Blues Guitar. Par GARCIA JOHN. Blues Guitar Play-Along Trax, within the School of the Blues Lesson Series, is an exciting play-along that contains the most common grooves used in blues bands today. Notated examples are also provided to give you an idea of how you can approach accompanying a vocalist or instrumentalist. Along with the 12 jam tracks, the book is accompanied by a CD recording of all examples (played by author John Garcia) along with the background music. / Niveau : Débutant / Blues - Play Along / Recueil / Guitare

Par BARRETT DAVID. Blues clavier le long de jeu Trax, au sein de l'école de la série de leçon de Blues, est un passionnant jeu-long qui contient les sillons plus courantes utilisées aujourd'hui dans les bandes de blues. Non seulement c'est un pičce de théâtre-long ŕ travailler sur votre piano et orgue improviser des compétences, mais codé exemples est également fournie pour vous donner une idée de comment vous pouvez approcher accompagnant un chanteur ou instrumentiste. Cette série est conçue pour les étudiants d'autres instruments ŕ jouer ensemble. Si vous avez des amis que jouent l'harmonica, guitare, basse et batterie, leur dire sur cette série de sorte que vous pouvez jouer ensemble. Avec les 14 confiture pistes, le livre est accompagné par un enregistrement de CD de tous les exemples (joué par auteur Steve Czarnecki) avec la musique de fond. / Niveau : Débutant / Blues - Play Along / Recueil / Piano

Par CHRISTIANSEN COREY. Charlie Parker was arguably one of the most influential jazz musicians to have ever lived. This text presents numerous jazz lines in Charlie's style, grouped by their application in a given harmonic content. Students will learn to connect lines to play over ii-V-I progressions, turnarounds and other harmonic frameworks. To facilitate proficiency in all twelve keys, each section of the book has a chordal play-along that modulates around the circle of fourths. Some of the techniques used in Charlie Parker style will also be discussed with examples provided. This will help musicians analyze each of the ideas presented, further ensuring their mastery. Also available in Japanese from ATN, Inc. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Saxophone Alto

Welcome to the School of the Blues Lesson Series! This book and recording were created to help give you context to all the music you worked so hard to learn. The recorded Play-Along Trax have no Bass. This gives you theopportunity to work on your blues Bass patterns. I have used several different keys and tempos throughout these Play-Along Trax. These Play-Along Trax give you a very realistic example of how you would play live with aband.Music examples are kept fairly simple to make sure this book is accessible to Bass players just above the beginning level. For best understanding of these techniques refer to Mel Bay's Blues Bass Level 1(MB21063BCD).Lastly all the references in this book are written for a right-handed four string electric Bass. If you play a 5 string Bass you just need to extend the examples to include your B string. If you playleft-handed then you need to reverse any references to the left and right hands. We will use standard music notation along with Bass tablature (TAB) for this book. Includes access to online audio.

Blues Drums Play-Along Trax within the School of the Blues Lesson Series is an exciting play-along that contains the most common grooves used in blues bands today.All of the examples are minus theDrums and you can place in whichever drum pattern you feel is appropriate or use the recommended notated example in the book.Includes access to online audio recording of the 15 jam tracks examples (played by authorKevin Coggins) along with the background music.

Media Type : Book/CD Set Level : Beginning Musical Genre : Blues Series : School of Blues Number of pages : 24 Blues Guitar Play-Along Trax, within the School of the Blues Lesson Series, is an exciting play-along that contains the most common grooves used in blues bands today. Notated examples are also provided to give you an idea of how you can approach accompanying a vocalist or instrumentalist. Along with the 12 jam tracks, the book is accompanied by a CD recording of all examples (played by author John Garcia) along with the background music.

Par BARRETT DAVID. Cet ensemble de livre/2-CD a été conçu pour aider le guitariste avec isolation des études. Ces 36 des pistes le long de jeu rythmique incarnent l'atmosphčre électrisante du Blues de la côte ouest et vous offrent la possibilité de placer les nouveaux licks et concepts de l'isolation dans le contexte. Ils comprennent des blues lent blues rapide, blues jazzy, rumbas, chansons avec des pauses, balançoires, marches, blues mineur, boogies et beaucoup d'autres. Une section pratique est incluse mettant en vedette neuf le long de jeu Trax qui commencent ŕ un rythme de 40 battements par minute et aller ŕ 200 pour l'étude de lick progressive. Il s'agit d'un excellent outil pour vous aider ŕ maîtriser toute lécher ou la chanson qui est trop difficile ŕ jouer ŕ sa vitesse initiale. Les autres pistes de sauvegarde sont classés par clé, guitare unique ou bande et tempo. La plupart des exemples utiliseront le format standard 12-bar blues, tandis que quelques variations communes d'utilisation telles que 16-bar blues. Le livre fournit la progressions d'accords plus les instructions sur la façon d'utiliser les CD ŕ la pratique de l'écoute et les pauses. / Niveau : Débutant ŕ Intermédiaire / Blues - Improvisation / Recueil / Guitare

A Fiddle Player's Guide To Jamming features everything the Fiddle player needs to know to participate in a jam session. Suitable for beginning-intermediate level Fiddle players this book coversall-important topics such as the anatomy of a jam session jam session etiquette and chords and keys for jamming and vamping. A play-along online audio recording download is included with 9 typical bluegrass jam tunes.The tunes are played twice: once with the tune played on the left channel and a verbal description on the right channel and once in stereo.

Stacy Phillips is an internationally acclaimed soloist and author on Resonator Guitar. This comprehensive book took years to produce and is the culmination of Stacy's many years of playing the instrument studying new Resonator techniques and interviewing other Resonator greats.This book achieves the following objectives: 1. To present an in-depth survey of the styles in which well-rounded lap Guitarist should be competent.2. To examine the playing styles and techniques of some of the world's greatest Resonator Guitarists. 3. To catalog many of the licks that are lingua franca in the world of Resonator guitarists. 4. To indicate some of theunderlying relationships between notes keys and chords by introducing some basic music theory as it relates specifically to the six-string Guitar in G tuning. 5. To gain insights into the world of Resophonic Guitar stylings andperformance through interviews with some of the top players. 6. To demonstrate unconventional concepts in order to stimulate fresh approaches to playing the instrument. Tablature included. The audio presents more than 90minutes of stereo recording featuring Stacy Phillips on Dobro and Paul Howard on Guitar. Play-along tracks are included for several of the tunes. Access to online audio included.

Learn how to improvise and explore your creativity with this method developed by acclaimed fiddler violinist and instructor Julianna Waller.This book is divided into four Skill Sections and presented in workbook format.Each exercise includes basic and advanced examples as well as easy progress tracking.The unique improvisatory activities entice the imagination through imagery observation external stimuli art projects and memories.This multifaceted methodology is appropriate for novice and professional String players of the Fiddle Violin Viola and Cello and is adaptable to many musical styles.A high-quality play-along recording is provided tosupport your practice and entice your imagination. The recording includes all examples from sections two and three Piano and full band accompaniment tracks for the I IV V7 - I chord progression in ten keys and excerpts fromtwo bluegrass compositions by the author.

Description This in-depth blues rhythm guitar text is core curriculum of the University of Southern California's Studio Guitar Department, which is part of the prestigious Flora L. Thornton School of Music, located in Los Angeles, California. It features eighteen twelve-bar blues rhythm guitar accompaniments in the style of guitarists such as Chuck Berry, Eric Clapton, Jimmy Page and Stevie Ray Vaughan. Nine of the songs use a shuffle feel and nine use a straight eighth note feel. The play along CD contains two versions of each of the eighteen songs in the book. The first version has the guitar part and the second version is without the guitar. This gives you the ability to play along with the guitar part as a guide and also to play along with the track as the only guitarist. The examples are written using traditional musical notation and tablature. Included for each song is a short description of the important points to consider when learning each example. The book presents songs that will expand the guitarist's vocabulary by presenting a variety of different ways a guitarist can play through the twelve bar blues. A number of different chord variations, keys and tempos are used in demonstrating these eighteen idiomatic rhythm guitar parts that have been used by the masters.

The Guitar Playing of Lonnie Johnson, Bo Carter, Rev. Gary Davis, Buddy Moss, Josh White and Tommy McC. This collection presents six legendary blues guitarists from the 1920s to early 1940s. Each has his own unique approach, style and techniques for playing. Some like Rev. Gary Davis favored regular tuning while Josh White was equally at home playing in Open D tuning as well as standard tuning. Lonnie Johnson is unique in his playing techniques as well as use of a D G D G B E tuning. Buddy Moss's recordings influenced generations of Piedmont guitarists, especially Blind Boy Fuller. Bo Carter had one of the most unusual tonal approaches for playing blues, ragtime and novelty songs. And lastly there is Tommy McClennan. His recordings sound 'rough and tumble'ť but once you explore the intricacies of his playing you will discover a powerful blues guitarist. REV. GARY DAVIS: Cincinnati Flow - Piece without Words - Children of Zion - Twelve Gates to The City BO CARTER: Let's Get Drunk Again - Nobody's Business - Honey - What You Want Your Daddy to Do BUDDY MOSS: Oh Lordy Mama - Sleepless Night - Someday Baby (I'll Have Mine)JOSH WHITE Crying Blues - Bad Depression Blues - High Brown Cheater - My Soul Is Gonna Live With God - Pure Religion Hallilu LONNIE JOHNSON: Away Down In the Alley Blues - Stomping 'Em Along Slow - Blue Ghost Blues There Is No Justice - Helena Blues - Sittin' On A Log - Corn Bread Blues TOMMY McCLENNAN: Blues as I Can Be - I'm Goin', Don't You Know - Love With a Feeling - New Highway No.51 - Drop Down Mama HOW TO USE THIS BOOK: 1) Listen over and over to the original recordings available via the download link for this collection. 2) Get a program that can control digital audio files. Use this with the transcriptions and the recordings. 3) Be patient!! Practice, practice and practice some more!! / Niveau : Intermédiaire / Date parution : 2019-05-27/ Recueil / Guitare Flatpicking et Fingerpicking

Media Type : Book/CD Set Level : Beginning-Intermediate Musical Genre : Bluegrass & Country Series : Qwik Guide Series Number of pages : 64 Dix Bruce is a musician, writer, and 'journeyman namdolinist' with a strong belief in teaching a wide range of material, from bluegrass and jazz standards to classics, waltzes, polkas, and other ethnic music. The choice of material in this 5 1/2 by 8 QWIKGUIDE reflects that philosophy. This book is not meant to be a mandolin method but a collection of fun tunes to play. The selections in this book are in no particular order, although the easier tunes are grouped toward the front. Performance tips are given at the front of the book for each tune. All the tunes are in notation and tablature. The accompanying CD is set up so that you can play along with each tune at both regular and slow speeds. You can also adjust the balance control on your stereo to hear both mandolin lead and accompaniment, just mandolin lead, or just accompaniment. Also available in Japanese from ATN, Inc.