S?il fallait ne choisir qu?un seul adjectif pour qualifier cette pièce de Wim Laseroms nous choisirions le terme de « varié ». Variousity développe une série de variations sur un thème donné qui apparaît sous différentes formes dans différents tempi et dans divers chiffrages de mesure irréguliers. La diversité un remède sûr contre l?ennui.

S?il fallait ne choisir qu?un seul adjectif pour qualifier cette pièce de Wim Laseroms nous choisirions le terme de « varié ». Variousity développe une série de variations sur un thème donné qui apparaît sous différentes formes dans différents tempi et dans divers chiffrages de mesure irréguliers. La diversité un remède sûr contre l?ennui.

Varioustes Chant Seul . Par HAHN REYNALDO. Varioustes Chant Seul / Classique / Date parution : 1905-06-24/ Répertoire / Chant et Piano

Varioustes Chant Seul . Par BRUANT ARISTIDE. Varioustes Chant Seul / Classique / Date parution : 1905-06-24/ Feuillet / Chant et Piano

Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.

This rhapsody for concert band describes programmaticallythe period of history when knights fought bravely in suits ofshining armour. The tournament was a time of fierce joustingfor the favour of royalty as well as a duel of mortal combat.The music portrays this battle by showcasing the variousinstrumental sections each fighting for attention with ‘calland response’ patterns. Each section of the band has its ownmoment of glory in this heroic concert work

With Online Audio-A complete survey of traditional Banjo styles complete with tunings playing tips and the author's deft drawings. Progresses from easy tunes for the beginner to more difficult pieces. The styles include up-picking or PeteSeeger's basic strum; two-finger picking; three-finger picking; and what had variously been called frailing clawhammer knocking rapping overhand fram-style flayin' hand and other Appalachian names here called down-picking.Audio download available online.

for Woodwind Quintet-These two extraordinary works of late Mozart KV 594 and KV 608 were both composed to fulfill a commission for a memorial exhibit in Vienna to be played in a “mechanical clock organ.” The term “fantasy” or“fantasia” came to be affixed to these works later and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue “Ein Stüke für ein Orgelwerk in ein Uhr.” They are also variouslytitled “Adagio und Allegro in f für ein Orgelwerk” and “Allegro und Andante (Fantasie in f) für eine Orgelwaltze.”The first of these composed between the monumental String Quintet in D and the Piano Concertoin Bb KV 595 is an A-B-A form comprised of an f minor Adagio opening and closing with a contrapuntal Allegro at its heart. KV 608 is more complicated opening with an f minor section reminiscent of a French Overture followed by a fugue in fminor then an Andante aria followed by a return to the opening and then a more complex version of the fugue.Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices KV 594and 608 are remarkable works which stand at an intersection incorporating what he learned about counterpoint studying at the foot of Bach while looking ahead to the emotional and harmonic poignancy of Schubert.

Written as a commission for the Palmetto Consortium of South Carolina this expansive work explores the delight wonderment and excitement of a young boy's hopes and dreams. Several stylistic elements combine to depict variousemotions and imaginings. In the words of the composer ?a boy's dreams are fantastical and mysterious show great curiosity and yet most importantly they are innocent and credulous.? A terrific and fresh work forwinds! Dur: 6:45

A complete study and reference book Jazz Violin Studies gives string players experience with rhythmic concepts bowing styles syncopation and other jazz Violin effects. This book includes 'licks' of variouslengths. The play-along stereo recording has select examples played at various speeds. Includes access to online audio.

Par FRANCES-HOAD CHERYL. For piano and Commodore 64, Game On, Cheryl Frances-Hoad writes, 'was inspired variously by Game Theory, Commodore 64 gaming music, the stock market and financial crash, and the constant presence of technology in modern day life.' For information on procuring the electronics part, please write to promotion@wisemusic.com. / Date parution : 2023-06-16/ Répertoire / Piano

for Jazz Improvisation. Par ORO XABIER. With content ranging from theory and history to practical exercises, examples, études, and play-along tracks, this book offers the most comprehensive guide ever written for this esoteric and traditionally obscure scale. Simply put, it reveals the last big secret of jazz fusion?s avant-garde.According to which music theorist believes he first discovered it, this scale has been known variously as Messiaen?s mode 3, Slonimsky?s Tcherepnin Scale (honoring his colleague), and Tcherepnin?s own name for it? the 9-note augmented or nonatonic scale.The nine notes of the double-symmetrical augmented scale have fascinated and crucially influenced legendary musicians like John Coltrane, Allan Holdsworth, Mark Turner, Kurt Rosenwinkel, Nelson Veras, Tim Miller, Gary Thomas, and Jerry Bergonzi, among many others.Coltrane?s historic composition, ?Giant Steps,? can be directly attributed to his familiarity with the nonatonic scale. With this book by Berklee College of Music honors graduate, Xabier Oró, you?ll know the secret too.Includes access to online audio. / Date parution : 2022-10-12/ Etude / Guitare