Par . Le nouveau programme de guitare classique RSL vise à prendre en compte les goûts de plus en plus variés des jeunes en intégrant le travail de compositeurs confirmés et émergents, et en se positionnant à l\'avant-garde d\'un vaste et riche patrimoine musical allant de la période baroque à l\'époque contemporaine. Le répertoire se fonde sur quatre principes clés : des compositeurs issus d\'ethnies diverses, la représentation équitable des genres, la reconnaissance de l\'histoire et de la tradition de la pédagogie de la guitare, et la possibilité pour les élèves de se sentir à l\'aise dans l\'étude de la musique dans un environnement populaire et classique. Les recueils RSL Classical Guitar contiennent tout ce dont un élève a besoin pour se préparer à un examen : dix morceaux de répertoire variés de différents compositeurs, des exercices techniques et des exemples de tests de base, notamment la lecture à vue (ou des tests facultatifs d\'improvisation et d\'interprétation), des tests d\'écoute et des questions générales sur la musicalité. / Date parution : 2022-09-14/ Recueil / Guitare

Par GIULIANI MAURO. / Date parution : 2022-07-20/ Répertoire / Guitare Classique

Par GIULIANI MAURO. / Date parution : 2022-07-20/ Répertoire / Guitare Classique

Par GIULIANI MAURO. Rossiniana no 1 de Mauro Giuliani tirée de l?édition critique complète de Frédéric Zigante / Date parution : 2022-07-20/ Répertoire / Guitare Classique

La methode s?adresse a ceux qui souhaitent apprendre la guitare classique en autodidactes. Le parcours d?apprentissage est structure de façon progressive et s?enrichit d?une selection de pieces celebres simples a jouer, tirees du repertoire aussi bien classique que pop. Les tablatures, ajoutees a la notation traditionnelle, facilitent l?etude pour ceux qui n?ont pas de familiarite avec la lecture des partitions musicales.
Les interpretations des pieces realisees par Roberto Fabbri sont disponibles tant sur le CD joint a la publication qu?en streaming ou par telechargement (format MP3). Les leçons-video de tous les chapitres de la methode, qu?on trouve sur la chaîne YouTube de l?auteur, sont facilement accessibles grâce aux codes QR fournis dans le texte, avec la possibilite d?activer le sous-titrage en français. / Méthodes et pédagogie / Guitare / Guitare acoustique / CARISCH

Par . Designed for those in the early stages of studying the classical guitar, this is part of a progressive series of ten handbooks, primarily intended for candidates considering taking the London College of Music examinations in classical guitar. This handbook covers all the material needed for the grade one exam: nine performance pieces in a variety of musical styles (with practice notes

Par . Designed for those in the advanced stages of studying the classical guitar, this is part of a progressive series of ten handbooks, primarily intended for candidates considering taking the London College of Music examinations in classical guitar. This handbook covers all the material needed for the grade seven exam: nine performance pieces in a variety of musical styles (with practice notes

Par . Designed for those in the advanced stages of studying the classical guitar, this is part of a progressive series of ten handbooks, primarily intended for candidates considering taking the London College of Music examinations in classical guitar. This handbook covers all the material needed for the grade eigth exam: nine performance pieces in a variety of musical styles (with practice notes

Par . Designed for those studying classical guitar at foundation level, this is part of a progressive series of ten handbooks, primarily intended for candidates considering taking the London College of Music examinations in classical guitar. This handbook covers all the material needed to take the step 2 exam: all the required exercises for this level, ten performance pieces in a variety of fun styles to enjoy, and details on the discussion section of the exam - in fact, absolutely everything you need to take step 2! / Date parution : 2022-05-31/ Etude / Guitare Classique

Transcribed for Classical Guitar. Par MASCOTT PAUL. This book of 53 intermediate-level guitar pieces is derived from Le Secret des Muses, a two-volume collection of lute tablature by Nicolas Vallet (c. 1583 ? c. 1642). Born in France, by 1614 Vallet had relocated to Amsterdam where he established a dance school and was active as a composer, lute teacher and leader of a consort that played at weddings and festivals.Le Secret des Muses is among the last published collections of French lute tablature intended for the 10-course Renaissance lute, which was ultimately supplanted by the larger 13-course Baroque model. Most of these pieces consist of traditional European dance forms, but also contains a few settings of popular lute themes and longer works suitable for concert performance are included. Written in standard notation only with occasional drop-D tuning, these pieces make excellent sight-reading and warmup material as well as historically significant concert selections. / Date parution : 2021-11-03/ Recueil / Guitare

Classical Guitar Arrangements from Bizet's Opera Carmen. One might think that it would be impossible to arrange the music of Georges Bizet?s opera, Carmen, for solo classic guitar, but Néstor Ausqui has done it! While the guitar is an intimate and sweet-sounding instrument, it does not have a broad dynamic range; yet, as Dionisio Aguado proclaimed in his Nuevo Método para Guitarra of 1843, the classic guitar?s expansive palette of tone color gives it the ability to emulate ?a miniature orchestra?. These characteristics make the guitar the ideal instrument to reflect both the character and sensuality of the dances that occur throughout Bizet?s Carmen?Aragonaise, Habanera, Seguidillas, and Danse Bohéme?as well as Carmen?s sober ?Chant de la Mort?. Recommended for the advanced guitarist, Carmen Suite is written in standard notation with extensive digitation and occasional drop-D tuning. In Néstor Ausqui?s Carmen Suite, ??the guitar both sings like a human voice and accompanies itself, giving the work an irrefutable guitar identity. The characteristic feeling manifested in Spanish dance is now expressed through the guitar with a full and defined instrumental singularity.? ? Guillermo Rene? Alvarez Musicologist, Professor at the Instituto Superior de Mu?sica, Universidad Nacional del Litoral-Argentina

In the late eighteenth and nineteenth centuries, the parlor was a room set aside for particular functions. Before the advent of the radio, it was the place where formal presentations were staged, including amateur and semi-professional concerts. This classical guitar solo collection for the intermediate to advanced player offers nine engaging and lyrical European and North American favorites of this bygone era. All of the solos are presented in standard notation only and played on authentic reproductions of period instruments on the book?s online companion recording. Author Joseph Mayes plays works by well-known guitarist-composers Carulli, Coste and Giuliani as well as the lesser-known but deserving ?Kathleen Mavoureen?Romanza? by Frederick N. Crouch arranged by Charles de Janon, and Felix Arndt?s ?Nola,? one of the era?s most popular ragtime piano themes, here transcribed and arranged by William Foden and the author. Includes access to online audio.

Classical Guitar Solos - Favorite Sonatinas. In this book, guitarist and music historian David Grimes presents 20 ?small sonatas? or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava. While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students. In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a rest? exposing and overcoming yet another shortcoming in the education of many guitarists. Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirate? plus three more composers in a similar vein? promoting confident, enjoyable sight-reading by guitarists of all levels.