Traditional fiddle music from around the world. Par . Le répertoire complet de musique traditionnelle pour violon est maintenant à votre portée ! Avec ce grand choix de recueils vous pourrez recréer l'ambiance de votre propre 'ceilidh', des danses folkloriques, du club de jazz, des cafés concerts comme à Sarajevo. Certains de ces morceaux de musiques sont connus, d'autres sont plus exotiques, mais tous sont absolument authentiques et leurs arrangements sont faits sans compromis, mais ce qu?il y a de plus important, c'est qu'ils vous donneront énormément de plaisir. Chaque titre de la série est disponible en deux versions : la Violin Edition (avec en option une partie violon simplifiée et des accords de guitare), ou la Complete Edition qui comprend des accompagnements pour clavier et pour violon. Chaque version permet de jouer la musique en solo, en duo ou en trio aussi bien que dans des ensembles plus importants. Edward Huws Jones a beaucoup voyagé lors de sa recherche de styles traditionnels pour violon. Dans chaque livre il explique l'histoire d'un style particulier, offrant ses propres suggestions pour obtenir une exécution vivante. / Date parution : 2022-06-21/ Recueil / Violon

La gamme complète de violon traditionnel répertoire est maintenant à votre portée ! À l'aide de ces collections généreuses, vous pouvez créer votre propre ceilidh, le barn dance, le club de jazz, rue de Sarajevo-café ou Tzigane de collecte. Une partie de cette musique est familier, certaines plus exotiques, / Violon (2 Violons) Et Piano Et Guitare Ad Libitum

World Music. Les éditions existantes pour solistes avec accompagnements sur CD, sont maintenant disponibles avec un accompagnement au piano alternative ajouté fournissant des pianistes et solistes avec la chance de jouer ensemble de ces pièces. Les CD a immédiatement leur musique traditionnelle vivante de partout dans le monde - dans toute sa diversité. Représentations complètes des pièces sont également fournies et seront une source d'inspiration à la fois des solistes et des pianistes.Joueurs de niveau intermédiaires./ Recueil / Violon et Accompagnement CD ou Piano

Edward Huws Jones’ popular series of traditional fiddle repertoire now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music some familiar some more exotic but all of it faithfully arranged enable you to create your own ceilidh bluegrass club or charanga band.The violin edition includes optional easy violin part and guitar chords whilst the complete edition also includes both keyboard and violin accompaniments. Either format is highly flexible whichmeans the music can be played as solos duets or trios as well as with larger ensembles.Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance.

This wonderfully diverse collection explores the world of traditional fiddle music from Irish to Gipsy and from Bluegrass to Latin-American with many other exciting and intriguing styles along the way. The CD reflects this diversity with supporting bands featuring an extraordinary variety of instrumental colours including authentic sounds drawn from the Celtic countries central and eastern Europe and from the Americas.The arrangements can be performed as solos or duets (or played by larger ensembles) accompanied by piano violin or guitar with or without the CD accompaniment. Above all this is music to play and enjoy with other people.The edition is part of theTrinity syllabus 2007 (grade 1 2 3).

Description Fiddle Tunes For The Violinist Betty M. Barlow. Jigs, reels and hornpipes for the beginner to build real violin technique.

Instrumentation: Vln—Pf Editor: Cliff Eisen Format: Sheet Music Details: This projected complete edition of the MozartSonatas for Keyboard and Violin has been researched and prepared by Cliff Eisen, one of the most distinguished Mozart scholars of our time. Professor Eisen recognises that many of the apparent inconsistencies and idiosyncrasies of Mozart's notation are perfectly deliberate, and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can be misguided. As he writes in the preface: '…the notion that the classical style represents a model of symmetry, balanceand clarity is for the most part a 19th-century fiction…it has little to do withMozart's actual practice, which is based primarily on variety of both content and articulation. So in this new edition, alternative readings found in parallel passages are preserved, rather than being sterilised by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respected in the new edition, as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisen is conscious that there is no single 'Urtext' for this music. On the contrary he believes that 'there is compelling evidence that Mozart's later performances of his works were characterised by changes – sometimes substantial changes – in the musical text'. It is the achievement of this edition to indicate how far this freedom of musical expression can extend, andas such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces. Contents: K454, K481, K526, K547 & Variations K359, K360