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European Companies
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| Concerto No. 3 in C Minor (Seitz) for String Orchestra and Solo Viola Viola and orchestra [Score and Parts] Alfred Publishing
For String Orchestra and Solo Viola. Composed by Friedrich Seitz. Arranged by Do...(+)
For String Orchestra and Solo Viola. Composed by Friedrich Seitz. Arranged by Doris Preucil. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra; Suzuki. Solo with Orchestra Series. Form: Concerto. 20th Century; Masterwork Arrangement; Romantic. Part(s); Score. Alfred Music #00-24800. Published by Alfred Music
$30.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Remembering Child - Version 2013 Viola and orchestra Wilhelm Hansen
Viola and Orchestra SKU: BT.WH32021 Composed by Per Nørgård. Classi...(+)
Viola and Orchestra SKU: BT.WH32021 Composed by Per Nørgård. Classical. Score Only. Composed 2017. 58 pages. Edition Wilhelm Hansen #WH32021. Published by Edition Wilhelm Hansen (BT.WH32021). English. This is the 2013 version (reduced strings) of Per Nørgård's Remembering Child - Viola concerto No. 1 (1986) - Two Movements for Viola Solo (or Cello solo) and Chamber Orchestra. Programme Note: The title refers to the original meaning of the word remembering: Making whole. The work should not be considered as a sort of requiem for Samantha Smith - the late 13 years old fighter for nuclear disarmament - but as an evocation of the childish, creative forces in all people, young and old. Therefore the work applies thematic material of a certain dawning quality, including two Gregorian chants, appearing intertwined in the beginning of the 2. movement. And therefore the workalso may be considered as a tribute to the still living child-heretics, fighting against the global lunacy of grown-up, such as Eamon Burke, the Australian boy, continuing, independently, the work of Samantha. REMBERING CHILD was commissioned by St. Paul Chamber Ochestra and dedicated to Pincas Zuckerman, soloist at the premiere performance (Sept. 12, 1986). Per Nørgård. $70.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| A Musical Buffet Of All-Time Favorites - Viola Viola and orchestra [Sheet music] - Intermediate Kjos Music Company
By James McLeod. Orchestra Method/Study. Musical Buffet of All Time Favorites. L...(+)
By James McLeod. Orchestra Method/Study. Musical Buffet of All Time Favorites. Level: Grade 3. Music Book. Published by Neil A. Kjos Music Company.
$5.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 2nd and 4th Position String Builder Viola and orchestra [Sheet music] Alfred Publishing
By Samuel Applebaum. For Viola. String Orchestra Method/Supplement. Belwin Cours...(+)
By Samuel Applebaum. For Viola. String Orchestra Method/Supplement. Belwin Course for Strings. Book. 32 pages. Published by Alfred Publishing.
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Viola Concerto G major after the Clarinet Concerto Viola and orchestra [Score] Kunzelmann
Edited by Teresa Schwamm. Full Scores. Full Score. Edition Kunzelmann #OCT10...(+)
Edited by Teresa Schwamm.
Full Scores. Full Score.
Edition Kunzelmann #OCT10345.
Published by Edition
Kunzelmann
$30.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I Can Read Music, Volume 2 Viola and orchestra [Sheet music] Alfred Publishing
I Can Read Music, Volume 2. (Viola). By Joanne Martin. For Viola. String - (Suzu...(+)
I Can Read Music, Volume 2. (Viola). By Joanne Martin. For Viola. String - (Suzuki) Supplementary. Book. 108 pages. Published by Alfred Music Publishing
$16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Konzert für Viola und Orchester D-Dur op. 55/1 Viola and orchestra Verlag Dohr
Viola solo und Orchester SKU: VD.ED20211 Composed by Johann Nicolaus Trie...(+)
Viola solo und Orchester SKU: VD.ED20211 Composed by Johann Nicolaus Triebel. Edited by Wolfgang Birtel. Classical. Score. 86 S. pages. Verlag Dohr #ED20211. Published by Verlag Dohr (VD.ED20211). ISBN 9790202042113. 12 x 9 inches. $43.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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| William Walton: Concerto
For Viola And Orchestra:
Viola: Study Score Viola and orchestra Oxford University Press
William Walton Edition-William Walton's 1962 Concerto For Viola And Orchestra. S...(+)
William Walton Edition-William Walton's 1962 Concerto For Viola And Orchestra. Study score.This edition of Walton's celebrated Viola Concerto (1962 version) has been off-printed from the William Walton Edition full score and combines the scholarship of the Edition with the practical benefits of the smaller format. An introduction is provided by the volume editor Christopher Wellington.Instrumentation: solo Viola 2 Flutes (II Picc) Oboe Double Bass 2 Clarinet(II Bcl) 2 Bassoon 4 Horn 2 Trumpet 3 Trombone Timpani Harp Strings.
25.95 GBP - Sold by Musicroom UK | |
| Nico Muhly: Viola
Concerto: Viola: Score Viola and orchestra [Score] St Rose Music Publishing
Nico Muhly’s Viola Concerto is a work for Solo Viola and Orchestra co-co...(+)
Nico Muhly’s Viola Concerto is a work for Solo Viola and Orchestra co-commissioned by Orquesta y Coro Nacionales de España Detroit Symphony Orchestra Festival de Saint Denis & the National Arts Centre Orchestra and Alexander Shelley. It was first performed on 6th February 2015 and lasts around 24 minutes. This is the Full Score.
44.99 GBP - Sold by Musicroom UK | |
| Benjamin Britten: Two
Portraits for Strings
(1930): Viola: Study
Score Viola and orchestra [Study Score / Miniature] Chester
Britten's Two Portraits for strings - the composer himself called them 'Sketches...(+)
Britten's Two Portraits for strings - the composer himself called them 'Sketches' - were composed in August and September 1930 during the summer holidays preceding the sixteen-year-old composer's first term at the RoyalCollege of Music in London.Both are musical depictions of character the first portraying Britten's school friend David Layton and the second introducing a solo Viola (Britten's own string instrument) a self-portraitof the composer. According to Britten's diary he planned to compose a third portrait again for strings that was to depict another school friend Peter Floyd but this movement was not written. However David Layton was to beportrayed again though very differently in Britten's later quartet suite Alla Quartetto Serioso (1933) itself revised and re-titled in 1936 as Three Divertimenti.The Pencil manuscript score in theBritten-Pears Library at Aldeburgh although hastily written is very detailed ad dynamics and phrasing are carefully notated throughout. However in several places in the first 'Portrait' the notes themselves are either difficultto decipher or due to the highly chromatic nature of the music difficult to interpret - in some cases Britten has clearly made notational 'spelling' mistakes which have been silently corrected in this editon. A list ofthose places where the reading of the manuscript is doubtful may be obtained from the Britten-Pears Library Aldeburgh.As with virtually all orchestral music from his youth Britten did not hear either 'Portrait'performed. The first performance of Two Portraits was given by the Northern Sinfonia conducted by Martyn Brabbins broadcast by BBC Radio 3 on 5th December 1995 as part of a series entitled 'Britten's Apprenticeship'.The first concert performance of Portrait No.1 was given by the Britten Chamber Orchestra conducted by Andreas Mitisek at the Konzerthaus Schubert-Saal Vienna on 10th February 1996. The first concert performance of
16.99 GBP - Sold by Musicroom UK | |
| Johann Christian Bach:
Concerto in c minor:
Viola: Score Viola and orchestra Peters
for Viola and Orchestra-J. C. Bach's Concerto in C minor for Viola and Piano.
30.95 GBP - Sold by Musicroom UK | |
| Viola Concerto Viola and orchestra Schott
Edition Schott reflects a wide variety of music and offers a comprehensive music...(+)
Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder.Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper.Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music. / Alto Et Orchestre
32.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| William Walton: Concerto
for Viola and Orchestra:
Orchestra: Score Viola and orchestra Oxford University Press
William Walton Edition vol 12-This volume prints both of Walton's orchestration...(+)
William Walton Edition vol 12-This volume prints both of Walton's orchestrations: his initial scoring (1929) and his reduced orchestrations of 1962. It also for the first time restores the solo part as edited by Frederick Riddle an early soloist and champion of the work who devised numerous idiomatic phrasings and bowings with the approval of the composer. The volume is completed by critical notes facsimiles and an introduction. Full performing material for both orchestrations is available from the Hire Library.
214.95 GBP - Sold by Musicroom UK | |
| Béla Bartók: Viola
Concerto op. posth.:
Viola Viola and orchestra Boosey and Hawkes
Version prepared from the composer's original manuscript-(Full score). Bartok B
66.50 GBP - Sold by Musicroom UK | |
| Dufourt H. - Les
Chardons D'apres Van Gogh
Français Viola and orchestra Lemoine, Henry
Les Chardons d'après Van Gogh Discipline / Instrument : Alto et orchestre ...(+)
Les Chardons d'après Van Gogh Discipline / Instrument : Alto et orchestre de chambre Nomenclature : 1(+picc).1(+ca).2(+clB).1(cbn) / 1.1.1.0 / perc / 1.1.2.1.1 Genre : contemporain Média : Partition Nombre de pages : 90 Format : A3 Editeur : Lemoine Réf. : 28792 Date de parution : 28/05/2009 ISBN / ISMN : 9790230987929 Création 09/09/2009 - Turin (Italie), Festival Settembre Musica, Geneviève Strosser (vla), Ensemble Orchestral Contemporain, Daniel Kawka (direction) Commanditaire Commande de l'Etat à l'initiative de Daniel Kawka et de l'Ensemble Orchestral Contemporain Notice Van Gogh écrit en 1888 : Le peintre de l'avenir, c'est un coloriste comme il n'y en a pas encore eu. A cette époque, Van Gogh se sépare des impressionnistes, élargit leur intuition de la couleur et la simplifie. La forme-couleur se crée plutôt qu'elle ne se recompose dans notre vision. Van Gogh ne se soucie plus que de l'énergie de l'image. Le peintre séjourne en Arles où Gauguin le rejoint quelque temps. Il veut rénover les fondements mêmes de l'art, changer la technique de la peinture. Il rêve de créer un atelier du Midi et pense trouver là le Japon idéal, les paysages de Monticelli, de Cézanne, le rayonnement du soleil et l'âpre lumière qui annonce l'art de l'avenir. Il forge un style original en deux cents tableaux, parmi lesquels les Tournesols (août 1888), Joseph Roulin, le postier (août 1888), L'Arlésienne (novembre 1888) et Les Chardons, qui datent de la même année. Des tons vifs et crus, des couleurs claires, éclatantes, étalées en des dispositions stridentes à grands coups de pinceau ou au couteau, résument tout le registre expressif de son art. Bleu contre jaune, vert contre rouge écarlate, lilas, gris-rose, gris-violet, bleu et vert, noir et jaune: la seule force des contrastes suffit au déploiement de la forme. Tournesols, oliviers, chaumes, cyprès, ravins, rochers, chardons, tous ces motifs lacérés, distordus, ont l'intensité spontanée d'un tourment intérieur. Van Gogh a délibérément renoncé à la capture de l'instant fugitif comme à la représentation de la lumière, de l'air, de l'atmosphère - la qualité transitoire de l'impression visuelle lui importe peu désormais. Ses toiles sont emportées par la véhémence des touches, la brutale évidence des couleurs, leur vitalité convulsive. Désespoir, lucidité, emportement sont les traits d'un art que l'on a reconnu précurseur de l'expressionnisme. Les Chardons nous découvrent les racines du monde, une sorte de brasier originel d'où jaillissent trois flamèches. Les assises géologiques du paysage - l'expression est de Cézanne - y semblent déchiquetées, consumées dans une perpétuelle fournaise. C'est un enchevêtrement d'arêtes vives, une nature émiettée, une image de passion et de fureur. Au fond, à gauche, se découpe un petit pan de ciel bleu, encastré dans un horizon surélevé de montagnes vertes. La terre, chauffée à blanc, y occupe tout l'espace. Au premier plan, un fourmillement de stries incandescentes qui se tordent et crépitent. Les Chardons d'après Van Gogh - ma propre transposition musicale inspirée du tableau auquel elle emprunte son titre - sont écrits pour un alto soliste et une formation de chambre de quinze instrumentistes. Cette pièce s'attache à restituer la vitalité sourde de la toile, son atmosphère d'embrasement. Elle n'a ni contours ni limites, ni, à proprement parler, de schèmes d'organisation. J'y ai plutôt recherché des agencements formels doués d'une valeur dynamique, donnant au modelé de la masse sonore un rôle ambigu: axes de forces, impulsion des gestes, variété des dimensions directrices, tensions du matériau, conflit des principes formateurs. L'alto décrit en permanence la trajectoire idéale d'un mouvement irréel - formes spiralées, volutes, arabesques. Mais il fraie son chemin dans un milieu constamment hostile. Le choix du timbre de l'alto met en valeur le registre du sous-médium, à l'intensité contenue. La technique d'écriture consiste en une composition de textures, dont le propre est l'enchevêtrement des forces et des formes. Les structures perceptibles elles-mêmes procèdent du seul jeu des masses et des couleurs. J'ai évidemment mis l'accent sur la dynamique de l'interaction des couleurs qui forment la trame sonore. Je nourris toutefois un certain scepticisme à l'égard des méthodes scientifiques et raisonnées qui s'appliquent au traitement des propriétés acoustiques du son. La culture du son n'est pas, à mon sens, réductible à la science du son. La musique, me semble-t-il, a ceci de commun avec la peinture qu'elle peut investir la couleur de qualités contraires. Un bleu violacé peut s'assimiler aussi bien à un pourpre tirant sur le bleu qu'à un bleu en train de rougir. Van Gogh soutenait précisément l'idée d'un dynamisme, et même d'une intentionnalité de la couleur, capable de se déployer selon des foyers et des aires de diffusion, en transgressant toute limite. La musique que je souhaite écrire n'a pourtant rien de commun avec une nouvelle forme d'impressionnisme. C'est le drame que je recherche dans la plastique sonore. Ce drame peut être aussi bien celui des structures dispersées que de l'amplification indéfinie des actes, celui de la violence des masses tumultueuses comme celui du surgissement ou de l'essor. La partition est une Commande de l'Etat, à l'initiative de Daniel Kawka et de l'Ensemble Orchestral Contemporain. Hugues Dufourt
65.00 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock | |
| Der Schwanendreher Viola and orchestra Schott
Un Spielmann vient dans la bonne société et de la diffusion de ce qu'il a appo...(+)
Un Spielmann vient dans la bonne société et de la diffusion de ce qu'il a apporté de très loin : chansons graves et ludique, enfin une pièce de danse. Après l'invasion et de l'actif étendu et il a décoré les façons que bon musicien, präludiert et phan / Alto Et Petit Orchestre
35.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Trauermusik Viola and orchestra Schott
Ainsi, la musique de funérailles Hindemith composée à l'occasion de la mort s...(+)
Ainsi, la musique de funérailles Hindemith composée à l'occasion de la mort subite du roi George v à Londres commence sons touchante belle chaîne, d'où un alto solo se plaindre démarque. Un jour après son achèvement, il était en / Alto (Violon, Violoncelle) Et Orchestre A Cordes
19.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Harold En Italie Op. 16 Viola and orchestra [Study Score / Miniature] Eulenburg 26.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
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