For violin cello and piano'The title 'Time Will Pronounce'is taken from the last lines of Joseph Brodsky’s poem 'Bosnia Tune' which deals with the horror of the unnecessary unacceptable daily deaths in Bosnia during 1992 (andstill in 1993): ‘Time whose sharp blood-thirsty quill parts the killed from those who kill will pronounce the latter tribe as your type’. The violin and cello are (generally) treated as a unit independent of the piano. Theform (generally) alternates slow and fast tempi without motivation. The musical ideas are (generally) carried over from section to section. (Generally) the harmonic melodic and textual materials features third and semitonesderived (generally) from the movement of the bass part in the opening bars.

Description An unbeatable selection of popular classics, opera, jazz and classic pop expertly arranged by Bill Thorp for piano trio. Suitable for intermediate standard players (grade 3-5) upwards. Parts plus score. Songlist Barbara Allen Berceuse Op.56 No.1 (Dolly Suite) [Faure, Gabriel] Bess, You Is My Woman Now (Porgy And Bess) [Gershwin, George] Bridge Over Troubled Water [Simon, Paul] Dance Of The Comedians (The Bartered Bride) [Smetana, Bedrich] Here, There And Everywhere [Beatles, The] La Ci Darem La Mano (Don Giovanni) [Mozart, Wolfgang Amadeus] Norwegian Dance No.2 [Grieg, Edvard] Oklahoma [Rodgers, Richard] Pennies From Heaven [Johnston, Arthur]

Par HARRISON SADIE. / Date parution : 2022-05-31/ Répertoire / Violon, Violoncelle et Piano

Par WENNAKOSKI LOTTA. Lotta Wennäkoski tells about her 10 minute long work Päärme (Hem) for piano trio: 'We often speak in music of crafting in a figurative sense, and craftsmanship is, for the composer particularly, a traditional professional virtue. I personally have from time to time nevertheless been interested in the concrete images aroused by handicrafts, the way fabrics feel, and sewing. The pi-ano trio Päärme/Hem has a pulsative character, especially in the outer sections, and the idea of steady but erratically colourful stitching prompted the amusing and highly unusual word I chose for the title of the piece. The hemming in this trio is cheerfully brisk, though the result is not al-ways even intended to be over-neat or regular. For noise sounds are also an intrinsic feature of a hand-made texture. As is often the case with me, my source of inspiration in composing was the fact that the Sibelius Piano Trio would be giving the first performance. The slow, melodic material of the static middle section is to a great extent indebted to the knowledge of just how succulently such delicate, inten-sive lines can sound in the hands of ace players.' This product includes the score (=piano part) and parts for violin and violoncello, all in B4 size. / Date parution : 2022-05-31/ Répertoire / Trio avec Piano