Anthology of various Works for the first two Years by: Bonis Gabus Garnier Koechlin Mozart Naderman Tournier etc. (Some Works for 2 Harps and Flute and Harp are also included)

French harpist composer and teacher Marcel Tournier (1879-1951) wrote important solo repertoire for the Harp which expanded the harmonic and technical possibilities of the instrument. His Étude De Concert Au Matin is no exception. Composed in 1940 Étude De Concert Au Matin remains regularly performed and recorded by harpists. The piece is marked allegro and is in compound meter. Tonality and rhythm are sublimely exploited and there is much use of extended technique. Tournier's Étude De Concert Au Matin is suitable to all advanced harpists seeking to explore variedrepertoire on the instrument.

Célèbres Études pour la harpe-Composed by?Nicolas-Charles Bochsa Twenty-five studies Op. 62?is a set of part of the 'Favourite studies' from the same author for intermediate and advanced Harp players. Reviewed by Alphonse Hasselmans each studies has a different difficulty level and can be played separately. This set of studies will help the Harpist to gain in flexibility and speed and would ideally be played on pedal Harps. In the same series Bochsa also composed a set of 'Forty easy studies Op. 318' a set of 'Twenty studies' in two books and one called 'Fifty studies Op.34'. All these sets havebeen reviewed by Alphonse Hasselmans professor at the Paris Conservatoire who also indicated the best finger positions to use.

Six Studies is a set of six studies for Pedal Harps by Eric Schmidt. Reviewed and edited by Pierre Jamet a French Professor at the Paris Conservatoire this set would be ideal for an upper intermediate level and above. Most studies are two pages long and enable the player to work on different technical aspects:  I. Allegro (3/4 tempo 120) II. Vivace (4/4 tempo 132) – It focuses finger flexibility with a set: 4-1-3-1-2-1-3-1-4 for the right hand III. Lento (3/4 tempo 48) – It focuses on arpeggios IV. Andante con moto (3/4 tempo 92) - It has thesame aim as the second study but includes chords to play on “1” V. Con Bravura (6/8) – This is a work on chords which has few pedal changes VI. Leggiero Volante (4/4) – Longer than the other studies it also focuses on developing fingers flexibility and features some glissando and some pedal changes

50 morceaux recueillis par Dominig Bouchaud - Musique du MOyen-Age et de la Renaissance - Musique baroque et romantique - Musique traditionnelle