Par BECKSCHAFER MAX. / Date parution : 2023-03-21/ Répertoire / Choeur Mixte (SSATB) a Cappella

Par BECKSCHAFER MAX. / Date parution : 2023-03-21/ Répertoire / Choeur Mixte (SSATB) a Cappella

Par BECKSCHAFER MAX. / Date parution : 2023-03-21/ Répertoire / Choeur Mixte (SSATB) a Cappella

Photo 51. for SSATB unaccompanied Composed for International Women's Day, this mesmerizing piece celebrates the centennary of Rosalind Franklin and sets her own words with additional text by the poet Sean Street.

Set for a cappella voices for both men's and mixed choirs this absolutely inspiring choral captures the genius of Beethoven's work through vocal range style and drama as well as a lot of humor with solo opportunities. Challenging and rewarding! Set for a cappella voices for both men's and mixed choirs this absolutely inspiring choral captures the genius of Beethoven's work through vocal range style and drama as well as a lot of humor with solo opportunities. Challenging and rewarding!

Scored for unaccompanied SSATB and SATB choirs this works was commissioned by Westminster School London.

No Christmas season would be complete without hearing this well-loved song. Kern's fresh a cappella approach, featuring a world-rhythm drum part, really makes the classic shine. 'Pa-rum-pum-pum-pum!? / Choeur Mixte (SSATB) A Cappella

All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions. Four of his six motets were written for the funeral services of prominent members of the St Thomas’ congregation. Jesu Meine Freude (BWV 227) the longest most musically complex and earliest of the six was written in1723 for the funeral of Johanna Maria Käsin the wife of Leipzig’s postmaster. Jesu Meine Freude BWV 227 is a beautifully constructed motet for five-part mixed choir by J.S. Bach. This Urtext edition provides you with a clear and accurate realisation of the composer’s original intentions and includes thoroughly detailed editorial markings and suggestions as edited by Konrad Ameln. Urtext of the New Bach Edition Performance material and choral score (BA5132) available for sale Complete edition of the 6 Motets Vocal score with Piano reduction (BA5193-90) choral score (BA5193)

from Requiem-Last year Karl Jenkins' 'Requiem' for mixed choir and orchestra was a sensational success above all in Great Britain. Now Boosey & Hawkes publish some of the most beautiful movements of the work in separate editions for various choral combinations and piano.Farewell is an atmospheric movement from this chart-topping piece of music by the composer of Adiemus. Setting of the Latin Agnus Dei alongside Banzan's Haiku 'Mame de iyo' ('I pass as do all things like dew on the grass').

English setting of Psalm 127 for SSATB a cappella. Commissioned by the Marquess and Marchioness of Salisbury to mark the 400th anniversary of Hatfield House. First performed there on 11 September 2011 by The Sixteen conducted by Harry Christophers.