| Copland For Cello Cello, Piano [Part] Boosey and Hawkes
La musique de Aaron Copland est typiquement et évidente américaine. Les effort...(+)
La musique de Aaron Copland est typiquement et évidente américaine. Les efforts inlassables de Copland pour s'assurer que ses oeuvres parlerait pour le citoyen moyen, aussi bien quant à ses collègues artistes fait de lui une des plus honorés culturel figures dans l'histoire des Etats-Unis. Parmi les innombrables prix adn honneurs, Copland a reçu le prix Pulitzer et la médaille présidentielle de la liberté. Cette passionnante série d'arrangements offre solistes la possibilité de profiter de certaines des réalisations musicales dans l'établissement d'un idiome typiquement américain d'avant-garde de Copland. / Violoncelle Et Piano
19.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| 5 liriche trascritte per
violoncello e pianoforte
(ALFANO FRANCO) Cello, Piano [Sheet music] Ricordi
a cura di Emilio Mottola e Gennaro Musella. Par ALFANO FRANCO. Le nom du composi...(+)
a cura di Emilio Mottola e Gennaro Musella. Par ALFANO FRANCO. Le nom du compositeur italien Franco Alfano est surtout connu pour son travail de finalisation de l'opéra inachevé de Giacomo Puccini
Turandot. Contemporain de Respighi
il a écrit plusieurs opéras et de la musique de chambre dans un style proche du mouvement post-impressionniste et de l'approche néo-classique. Cette collection Ricordi de musique de chambre vocale de Franco Alfano constitue une partie importante de la production du compositeur napolitain. Les cinq transcriptions pour violoncelle et piano présentées ici ne sont pas seulement l'occasion pour les violoncellistes de s'essayer à une forme musicale qui n'était pas prévue à l'origine pour leur instrument
mais elles sont aussi conçues pour contribuer à la redécouverte et à la revalorisation de la signification historique et musicale de l'une des figures les plus représentatives à part entière de l'Italie du vingtième siècle. / Date parution : 2023-03-11/ Recueil / Violoncelle et Piano
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| Antonín Dvo?ák: Cello
Concerto In B Minor
Op.104 (Cello & Piano):
Cello: Cello, Piano [Sheet music] Barenreiter
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concer...(+)
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
18.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Orange Tango (LOPEZ
ALAIN) Cello, Piano [Score and Parts] - Intermediate/advanced FLEX Editions
Par LOPEZ ALAIN. L'orange était la couleur mise à la mode par les danseurs de ...(+)
Par LOPEZ ALAIN. L'orange était la couleur mise à la mode par les danseurs de tango lors de son apogée dans les années 20. La mélodie est vive comme la couleur, plaisante et non dépourvue d'une certaine fougue. - Alain LOPEZ - Une Pièce originale adaptée pour une audition ou un examen de 2e Cycle B - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Violoncelle 1 Piano - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : 4 mn 52 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Alain LOPEZ - / Niveau : Intermédiaire à Avancé / Classique, Pédagogique / Répertoire / Violoncelle et Piano
15.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Sheku Kanneh-Mason: Song
(KANNEH-MASON SHEKU) Cello, Piano [Sheet music] Faber Music Limited
Par KANNEH-MASON SHEKU. Sheku Kanneh-Mason: Song is a kaleidosope of music for s...(+)
Par KANNEH-MASON SHEKU. Sheku Kanneh-Mason: Song is a kaleidosope of music for solo cello, cello and piano, plus a beautiful cello duet and trio, from the award-winning and internationally acclaimed cellist. This collection presents music from Sheku?s third album, Song, which is a very personal collection that refers to the unique singing tone of the cello. Pieces include Deep River by Samuel Coleridge Taylor, Burt Bacharach?s I Say a Little Prayer and Parry?s Myfanwy, which is arranged for cello trio. / Date parution : 2022-10-25/ Recueil / Violoncelle et Piano
25.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Sonata in F major for
Violoncello and Piano op.
99: Cello: Instrumental
Work Cello, Piano Barenreiter
Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. Th...(+)
Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the Cello part and the composer himself was his partner at the Piano. Even though the work was generally received positively it took some years until it was fully appreciated and gained its irrevocable place in the Cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata Op.99 by Hugo Becker and Carl Friedberg as well as by Julius Klengel. Both cellists Becker and Klengel had aconnection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such the Barenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation String Instrument fingering String Instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With
13.50 GBP - Sold by Musicroom UK |
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| Edward Gregson: A Song
For Chris: Cello:
Instrumental Work Cello, Piano [Sheet music] - Advanced Novello & Co Ltd.
In memory of Christopher Rowland. Originally a concerto for Cello and chamber or...(+)
In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and
19.99 GBP - Sold by Musicroom UK |
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| Reynaldo Hahn: Pieces For
Cello: Cello:
Instrumental Work Cello, Piano Leduc, Alphonse
For quite some time posterity remembered Reynaldo Hahn (1874-1947) for just a h...(+)
For quite some time posterity remembered Reynaldo Hahn (1874-1947) for just a handful of songs and the operetta Ciboulette overlooking the incredible diversity of a catalogue as eclectic as it is appealing. Yet his chamber music contains many little-known treasures: thus cellist Steven Isserlis in his preface hastens to hail the first modern edition of these two scores which he regularly plays in recital so much does their beauty enchant the audience. Published in 1911 the Two Improvisations on Irish Airs for cello and piano turn out to be the transcription of his first and third Preludes for piano four hands (1894). Thesefolk themes come from the collection Songs of Old Ireland published 12 years earlier by Charles Villiers Stanford: gracefully and tenderly The Little Red Lark unfurls a melancholic tune of which the regular foundation respects the breadth of phrase typical of folk songs; in The Willow-Tree the lover begs his beloved in vain to take him in her arms one last time before he lies down lifeless in the shade of the tree. Beyond this sensitive exploration of the Irish soul Hahn offers us a journey into the past: the Variations chantantes sur un air ancien develop a theme borrowed from Cavalli’s opera Xerse. In this aria (1660 version: Act IV sc. 6) Ambassador Periarco dreams of moving away from court intrigues to be able to taste the pleasures ‘to which the gods have destined him’. Reynaldo Hahn’s variations succeed in maintaining the sweet simplicity of this theme as noble as it is refined.
14.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Leos Janacek: Werke:
Cello: Instrumental Album Cello, Piano [Score and Parts] Barenreiter
Leos Janacek wrote only two works for cello and piano of which only Pohadka (Fa...(+)
Leos Janacek wrote only two works for cello and piano of which only Pohadka (Fairy Tale) became established in the concert repertoire. Although he completed the work the composer did not want to have it published. The history of the work’s composition is long and complicated. Janacek began writing the work before 1910 however the Pohadka (Fairy Tale) only received its final form after a series of corrections in 1923. The second composition the Presto is incomplete. Only a sketch exists which Janacek did not develop further. The original tempo marking of Allegro was changed by Janacek himself to Presto. The work has beendiscussed under this title in recent Janacek literature. In the supplement of this edition an early version of A Tale is included. The source to this version is a copy owned by Antonin Vana one of the first interpreters of the composition. The early version of A Tale offers a valuable and interesting alternative to today’s known version with its marked differences such as the considerably changed ending of the first movement and the original form of four movements. Urtext from the Janacek Complete Edition All available sources have been taken into consideration A detailed new foreword by Jiri Zahradka (Czech English German) “Again Bärenreiter sets the industry standard for scholarship clarity of type layout and paper qualitiy.”(Strings July 2009)
17.00 GBP - Sold by Musicroom UK |
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| 5 Pièces Pour Paul
Klee (MANTOVANI BRUNO) Français Cello, Piano Lemoine, Henry
Par MANTOVANI BRUNO. C'est à la suite d'une visite au musée Paul Klee de Bern ...(+)
Par MANTOVANI BRUNO. C'est à la suite d'une visite au musée Paul Klee de Bern lors d'une tournée de l'ensemble intercontemporain dirigé par Pierre Boulez que j'ai décidé de composer ce duo. Inspirés par de nombreuses oeuvres du peintre-musicien allemand, ces cinq moments enchaînés sont autant d'études sur la notion de ligne, particulièrement importante pour Klee. Ainsi, la première section, la plus rhapsodique et hétérogène, est-elle une apologie d'une ligne sans cesse brisée, formée de directions claires et juxtaposées. Le violoncelle se montre lyrique, mais aussi rythmique (lors de courtes cellules en homorythmie avec le piano). C'est l'alternance entre ces deux états qui structure le discours. En opposition avec ce début, la deuxième pièce est, elle, particulièrement homogène. Le violoncelle assure un bourdon quasiment imperceptible, écrin pour le déploiement d'une ligne très volubile au piano. C'est donc la souplesse qui caractérise cette section, au cours de laquelle les deux instruments entreront progressivement en fusion timbrique. Ce flux virtuose conduit alors à une section où les deux instruments ne font encore qu'un, fondée sur des accélérations et des ralentissements écrits dans une pulsation fixe. Une ligne sinusoïdale qui hésite entre pointillisme et continuité, interrompue par un mouvement plus mystérieux, où un trémolo est échangé entre les deux instruments. Enfin, c'est une ligne circulaire qui conclut l'oeuvre, dans un tourbillon pianistique où le violoncelle agit comme résonateur puis comme partenaire-relayeur.
Commandes des rencontres d'ensembles de violoncelles de Beauvais en 2007, ces Cinq pièces pour Paul Klee sont dédiées à leurs créateurs : Shani Diluka et Eric-Maria Couturier.
Bruno Mantovani / contemporain / Répertoire / Violoncelle et Piano
42.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Gabriel Fauré: Élégie
Op.24 For Violoncello And
Piano: Cello:
Instrumental Work Cello, Piano G. Henle
?l?gie for Violoncello and Piano op. 24-Following the enthusiastic reception of ...(+)
?l?gie for Violoncello and Piano op. 24-Following the enthusiastic reception of his first Violin Sonata (HN980) it was clear to Faur? that he would continue to write chamber music. In 1880 he wrote a little piece for cello and piano that was intended as theslow movement for a sonata. However Faur? gave up the sonata project instead publishing the piece under the title ??l?gie. It was so successful that Faur? was urged by the publisher to write further pieces. Theconductor ??douard Colonne commissioned a version of the ??l?gie for orchestra in 1895 which was premi?red two years later. As usual our Urtext edition contains both a marked and an unmarked solo part.
8.75 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Canzona No4 En Ré
Mineur Français Cello, Piano Delatour France
Les instruments monodiques sont en quête de 'l'âme soeur' et souhaitent partic...(+)
Les instruments monodiques sont en quête de 'l'âme soeur' et souhaitent participer activement à la vie d'une sonate ou d'un concerto. En attendant, ces petits duos pleins de fraîcheur et d'accès facile leur permettront de patienter agréablement. / Violoncelle Et Piano
6.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Gustav Holst: Invocation
- Cello And Piano: Cello:
Instrumental Work Cello, Piano - Intermediate/advanced Faber Music Limited
Invocation was composed in 1911 and first performed on May 2nd of that year in t...(+)
Invocation was composed in 1911 and first performed on May 2nd of that year in the Queen's Hall London by May Mukle with the New Symphony Orchestra conducted by Landon Ronald. The work received several performances with Piano accompaniment before 1914 but with the public success of The Planets it became one of many works that Holst never had time to revise or publish. A certain amount of editing of dynamics and phrasing has been necessary and the Piano reduction has occasionally been slightly adjusted to match the orchestral accompaniment more closely. The separate Cello part has been edited by Julian Lloyd-Webber.
9.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Johann Sebastian Bach:
Six Suites For
Unaccompanied Cello:
Cello: Instrumental Cello, Piano Stainer and Bell
For the advancing cellist Bach’s Six Suites For Unaccompanied Cello provi...(+)
For the advancing cellist Bach’s Six Suites For Unaccompanied Cello provide a wonderful addition to your repertoire. This is Paul Tortelier’s revised edition (1983) of his original score from 1966.
17.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Hugues Panassié -
L'Oeuvre
Panassiéenne Et Sa
Réception (CUGNY
LAURENT) Cello, Piano [Book] Outre Mesure
L'oeuvre panassiéenne et sa réception. Par CUGNY LAURENT. Hugues Panassié pre...(+)
L'oeuvre panassiéenne et sa réception. Par CUGNY LAURENT. Hugues Panassié premier et plus grand critique de jazz francophone ? Gardien paranoïaque d'un temple du jazz 'authentique' imaginaire ? En tout état de cause, acteur central et fondateur de l'historiographie du jazz en France et dans le monde. Le présent ouvrage tente de retrouver des équilibres et des vérités qu'il est encore aujourd'hui malaisé d'établir, tant le personnage a soulevé les passions et suscité la polémique.
Cette entreprise s'appuie sur une analyse rapprochée de trois textes extraits d'une bibliographie immense : 1. Le tout premier article sur le jazz, paru en 1930 - 2. Le Jazz Hot, premier opus majeur, paru en 1934, traduit et publié dès 1936 aux Etats-Unis - 3. Les actualisations parues en 1946 et 1952 sous le titre La Véritable musique de jazz. On tente ainsi de reconstituer ce qu'a vraiment été la doctrine panassiéenne, souvent réduite à quelques idées (dont certaines fausses), de même que l'évolution de ce corps théorique.
Sont également examinées les positions et attitudes de l'auteur au-delà de la musique, notamment pendant la Seconde Guerre mondiale. En effet, un lien entre l'idéologie de l'auteur et ses positions musicales a couramment été établi de façon univoque (et parfois condamnatoire) alors qu'il se révèle à l'examen plus complexe. Enfin, sont scrutées la réception et les multiples réverbérations suscitées par une oeuvre encore discutée de nos jours, souvent passionnément, à l'image d'un personnage hors normes.
Laurent Cugny est musicien, pianiste et arrangeur. Il a créé le big band Lumière, joué et enregistré avec Gil Evans et dirigé l'Orchestre National de Jazz. Aujourd'hui professeur à Sorbonne Université, auteur de nombreux articles et ouvrages, il est actuellement engagé dans l'écriture d'une histoire générale du jazz en France, dont le premier tome a paru en 2014./ Livre / Livre
19.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Henri Dutilleux: Henri
Dutilleux: Tout Un Monde
Lontain: Cello:
Instrumental Cello, Piano Heugel
Composed between 1967 and 1970 Tout Un Monde Lontain for Cello and Orchestra ...(+)
Composed between 1967 and 1970 Tout Un Monde Lontain for Cello and Orchestra byHenri Dutilleux is one of the most important additions to the Cello repertoire in the 20th century. Lasting nearly half an hour each of the five movements are inspired by a poem of Charles Baudelaire: 1. Énigme / Enigma 2. Regard / Gaze 3. Houles / Surges 4. Miroirs / Mirrors 5. Hymne / Hymn The main theme initially introduced in the first part Énigme / Enigma is often replayed through the piece. The third part Houles / Surges is the most difficult to interpret with aScherzo part that's quite challenging and no break between the movements. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers among many others. His work also includes a Piano sonata two symphonies the Violin concerto 'L'arbre des songes' (The tree of dreams) and the String quartet 'Ainsi la nuit' (Thus the night).
64.99 GBP - Sold by Musicroom UK |
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| Judith Weir: Three
Chorales: Cello:
Instrumental Work Cello, Piano Chester
These three pieces for cello and piano are meditations – personal secular...(+)
These three pieces for cello and piano are meditations – personal secular and musical – on images from religious poetry. The title of No. 1 Angels bending near the earth comes from a carol which begins‘It came upon the midnight clear’ by the Massachusetts pastor and poet Edmund Sears. The full reference is to “angels bending near the earth/to touch their harps of gold” and this is the inspiration forthe music with piano arpeggios swooping down over the rich central band of sound produced by the cello. No. 2’s title In death’s dark vale is a brief paraphrase (from a Scottish hymnal) of Psalm 23; thefull quotation is “yea though I walk through the valley of the shadow of death I will fear no evil”. The image here is of human life lived against the prospect of impending death. The cello plays a hasty self-absorbed continuo whilst around it piano motifs and chords of different height and depth create an evolving backdrop. No. 3 O sapientia is the only movement which quotes a musical original; Hildegard ofBingen’s hymn O virtus sapientiae –“O strength of wisdom”. This is a calm elegaic set of variations for the cello on Hildegard’s melody accompanied by mostly bright optimistic refl ections from thepiano. Commissioned by cellist Jonathan Miller of Boston MA. First performance on 23 September 2016 at Hamilton Hall Salem MA by Jonathan Miller (cello) and Randall Hodgkinson (piano)
17.99 GBP - Sold by Musicroom UK |
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| Go With The Flow
(SPRINGTHORPE NIGEL) Cello, Piano Kevin Mayhew
14 Fun Pieces From Bossa Nova Through Jazz To A Hoe Down. Par SPRINGTHORPE NIGEL...(+)
14 Fun Pieces From Bossa Nova Through Jazz To A Hoe Down. Par SPRINGTHORPE NIGEL. Ce plaisir et la collection originale comprend une variété de styles populaires allant de latino-américaine et une valse de jazz à une danse russe et une houe américain vers le bas. La collection vise le bourgeonnement 3e à la 12e année violoncelliste 4++ de développer la technique entre les grades./ Recueil / Violoncelle et Piano
25.79 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Jazz Sonata Cello, Piano [Sheet music] Schott
Après 'Jazz Suite' pour violoncelle solo (Schott, CB 224), le violoncelliste it...(+)
Après 'Jazz Suite' pour violoncelle solo (Schott, CB 224), le violoncelliste italien et musicien de jazz Lucio Amanti explore les possibilités de la musique de jazz sur le violoncelle dans cette sonate avec accompagnement de piano. Il veut offrir de nouveaux moyens et de styles pour violoncellistes issus de la tradition classique. C'est pourquoi cette pièce est aussi basée sur ses propres improvisations unis sous la forme d'une sonate. Le résultat est un effet de croisement intéressant entre le jazz et la forme sonate traditionnelle, une pièce de concert enrichissante avec de nombreux personnages et des ingrédients différents: un peu de be-bop, une touche de latin et de tango, du jazz cool, un soupçon de Stravinsky et bien plus encore. Tous ces éléments sont traités de manière égale et faire de cette sonate un morceau de jazz adapté à la salle de concert et le club de jazz aussi bien. Un ajout intéressant au répertoire pour l'esprit ouvert violoncellistes. / Violoncelle Et Piano / 56 pages / niveau : Intermédiaire / Avancé / Partition
29.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Camille Saint-Saëns:
Allegro Appassionato Op.
43 For Cello And Piano:
Cello: Cello, Piano Stainer and Bell
Cello part edited by Stefan Popov.
4.75 GBP - Sold by Musicroom UK |
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| Romance opus 36
(SAINT-SAENS CAMILLE) Français Cello, Piano [Sheet music] Durand
pour violoncelle et piano. Par SAINT-SAENS CAMILLE. « Musique française » est...(+)
pour violoncelle et piano. Par SAINT-SAENS CAMILLE. « Musique française » est une collection conçue pour les étudiants, les professeurs et les interprètes professionnels. Les volumes, qui présentent une analyse des chefs-d??uvre de la musique française, offrent de précieux conseils d?interprétation et des commentaires de caractère historique et stylistique rédigés par de grands professeurs. La seconde moitié du XIXe siècle a vu fleurir un grand nombre de romances instrumentales. Ces pièces que l?on peut qualifier de morceaux de salons, reprennent les caractéristiques de la romance vocale qui était née au milieu du siècle des Lumières et qui, au début de l?ère romantique, avait remporté un vif succès auprès des compositeurs, des interprètes et du public./ Répertoire / Violoncelle et Piano
16.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Un Automne A Paris (LOPEZ
ALAIN) Cello, Piano [Sheet music] FLEX Editions
Cello and Piano. Par LOPEZ ALAIN. 'Le vent emporte les feuilles jaunies tombées...(+)
Cello and Piano. Par LOPEZ ALAIN. 'Le vent emporte les feuilles jaunies tombées sur les trottoirs, les cafés rentrent tables et chaises... J'évoque ici une balade automnale qu'il est bien difficile de faire tranquillement à Paris. Comment prendre son temps dans cette ville avec tant de rues à traverser (phrases musicales de 3 mesures), tant de voitures ou de bus à esquiver (départs des phrases musicales sur le 2ème temps). Certes, les vendeurs de marrons font leur apparition aux bouches de métro, mais comment ne pas presser le pas comme les autres (thème B) pour 'attraper' le métro...' - Alain LOPEZ
Une Pièce originale adaptée pour une audition ou un examen de 1er Cycle C/ Répertoire / Violoncelle et Piano
13.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Christopher Norton: The
Microjazz Cello
Collection 1: Cello:
Instrumental Album Cello, Piano Boosey and Hawkes
The Microjazz Cello Collection is the latest volume in the hugely popular Microj...(+)
The Microjazz Cello Collection is the latest volume in the hugely popular Microjazz series intended for solo Cello with Piano accompaniment. It contains 26 easy pieces in popular styles such as jazz blues rock 'n' roll and reggae all expertly arranged by Christopher Norton. This collection contains all the pieces formerly contained in Microjazz for Starters together with a selection of brand new pieces as well. Suitable for beginner cellists this book contains pieces featured on the Trinity College London syllabus for Initial and Grade One Cello exams.
15.99 GBP - Sold by Musicroom UK |
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| Little Pop Music (SCHMITZ
MANFRED) Cello, Piano - Intermediate AMA Verlag
27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFR...(+)
27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Niveau : Intermédiaire / Contemporary - Solos / Recueil / Violoncelle et Piano
37.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Camille Saint-Saëns:
Allegro Appassionato In B
Minor Op.43: Cello:
Instrumental Cello, Piano [Score and Parts] Barenreiter
Since its premiere in 1873 this work has held an important place in the Violonce...(+)
Since its premiere in 1873 this work has held an important place in the Violoncello repertoire. It is on the one hand a short charming composition; on the other hand equally important is its use in instruction during the first few years of playing. Central here are the articulation of the opening theme and its various repetitions juxtaposed with lyrical passages calling for legato playing.Christine Baur's new scholarly-critical edition is based on a thorough examination of all the sources including Saint-Saëns' later orchestral version. The edition incorporates many articulation alternatives for the soloist which are marked 'ossia' above the solo Cello line in thisversion for Cello and Piano. This important new publication offers cellists not only an Urtext part but also one with bowing and fingering; both parts have a fold-out page so that no page turns are necessary.The first Urtext edition of this important workFold-out page in the solo cello part so no page turns are neededIncludes articulation alternatives as 'ossias'
9.50 GBP - Sold by Musicroom UK |
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| Felix Mendelssohn
Bartholdy: Variationen
Opus 17 Und Andere
Stücke: Cello: Cello, Piano G. Henle
Besides two genuine Cello 'hits' from the pen of Felix Mendelssohn Bartholdy t...(+)
Besides two genuine Cello 'hits' from the pen of Felix Mendelssohn Bartholdy the 'Variations Op. 17' and the 'Song Without Words Op. 109' this urtext edition contains a little sensation: thepremière publication of a delightful and previously unknown original piece for Cello and Piano. Mendelssohn wrote it down in the album of his friend the distinguished cellist Julius Rietz in 1835 while at the pinnacleof his creative powers. All cellists will be happy to welcome this 'Album Leaf' into their repertoire.
21.75 GBP - Sold by Musicroom UK |
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| Points De Rencontre
(LOPEZ ALAIN) Cello, Piano [Score and Parts] - Intermediate/advanced FLEX Editions
Cello and Piano. Par LOPEZ ALAIN. Composition lumineuse et colorée, aux lignes ...(+)
Cello and Piano. Par LOPEZ ALAIN. Composition lumineuse et colorée, aux lignes mélodiques basées sur un jeu de syncopes et pourvue d'une cadence. Elle s'adresse à des interprètes d'un niveau technique et musical déjà confirmé. - Alain LOPEZ - Une Pièce originale adaptée pour une audition ou un examen de Fin de 2e Cycle - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Violoncelle 1 Piano - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : 4 mn 20 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Alain LOPEZ - / Niveau : Intermédiaire à Avancé / Classique, Pédagogique / Répertoire / Violoncelle et Piano
15.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Camille Saint-Saëns:
Allegro appassionato op.
43: Cello: Score Cello, Piano G. Henle
für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Al...(+)
für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Allegro Appassionato Op. 43 for Cello and Piano. Urtext edition score.At the beginning of the 1870s Saint-Saëns displayed a particular partiality for theVioloncello. He composed his first Cello sonata in December 1872 immediately after having completed the first Cello concerto. It was presumably directly after this that he wrote the Allegro Appassionato for Celloand Piano op. 43 that also appeared in a version for Orchestra three years later.We do not know why he wrote the work but it is likely that after having written two weighty works for Cello Saint-Saëns wanted towrite something ?easier? that was also suitable as an encore. In this Henle Urtext edition David Geringas has kindly provided the fingering and bowing for the brilliant Cello part.
9.75 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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