SKU: VD.ED95256
ISBN 9790202002568. 11.69 x 8.26 inches.
SKU: SU.97030100
Instrumentation: Clarinet & Violin Duration: 4' Composed: 2006 Published by: Subito Music Publishing.
SKU: SU.80111203
Violin & Clarinet Duration: ' Composed: 1971 Published by: Soundspells Productions Includes 2 scores Three for Two (1971) is a set of three miniatures in a neo-classicla style for violin and clarinet duo.
SKU: SU.24200120
Short recital piece.Clarinet and Violin Duration: 4' Composed: 2017 Published by: Asher Rose Music.
SKU: SU.21010070
Violin & Clarinet Duration: 16’ Composed: 1969 Published by: Estate of Edward T. Cone.
SKU: SU.80111202
Violin & Clarinet Duration: ' Composed: 1972 Published by: Soundspells Productions Includes set of 2 scores The Garden of My Father's House (1973) is a dramatic rhapsody for violin and clarinet duo. The composer wrote the following: I composed THE GARDEN OF MY FATHER'S HOUSE in 1972 in memory of my father, who was my first music teacher. Although he played many instruments and loved to sing, he could not read a note of music. When I was very young he would sing Gypsy songs, Yiddish folk-songs and Rumanian tunes to me and I would play them back on my clarinet, often with ornaments and variations. Sometimes he would accompany me on the piano; he had a few favorite chords which always seemed to pop up no matter what the tune. The piece is a musical ritual, based on a C-sharp drone, or pedal note, that is heard without interruption, across several ranges, throughout the piece. The violin's drone tremolos, often combined with perfect fifths and quarter-tone tunings, imply the key of Csharp minor. The violin part is always rubato — lyrical, expressive and frequently very passionate. But, most importantly, the violin is always tonal. The clarinet, on the other hand, is atonal, its pitches drawn from the twelve-tone row that I used to write my Cycles of Infinities. The style of the clarinet is contemporary, using wide-range intervals, biting accents and unusual instrumental effects, including fluttertonguing and quarter-tone trills. In combining the 'contrasting' roles of the two instruments, I sought to create a musical ritual-game that would draw energy and bits of information from the polarized instruments. The language of the piece calls the listener's attention to the cogent features of both instrumental personalities in a manner that is somewhat similar to the way in which Yiddish combines German and Hebrew. The drone becomes more and more magnetic and begins to join the parts together until they become one in the final C-sharp unison.
SKU: SU.50035590
Copyright 1988. Published by: Seesaw Music.
SKU: SU.50002820
Performing Materials: Set of 2 Scores Published by: Seesaw Music.
SKU: SU.50016960
Published by: Seesaw Music.
SKU: HL.49017561
UPC: 884088057688. 8.25x11.5x0.01 inches.
SKU: HL.50486554
ISBN 9790080145487. 9.0x12.0x0.056 inches. Hungarian, English, German. Adam Kondor.
The set of eight short duets entitled Schattenwelt, Schlachtfeld was composed in 1999 and was influenced by the extraordinary clarinet-playing of Barbaros Erkose (Istambul). Employing simple stage movements as well, this composition mobilizes considerable emotional energies, which if the performance is sufficiently concentrated can have a cathartic effect. The work was given its premiere in Budapest in May 2000 by Lajos Rozman and Andrea Varhegyi.
SKU: HL.49003509
ISBN 9790001034524. UPC: 884088057633. 9.0x12.0x0.036 inches.
Violin and clarinet.