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Peace Be Still by The Belonging Co feat. Lauren Daigle - Piano/Vocal/Chords, Singer Pro
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Peace Be Still
Isn't He (This Jesus) by The Belonging Co feat. Natalie Grant - Piano/Vocal/Chords, Singer Pro
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Details
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The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book
[Fake Book]
Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...
(+)
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.
(31)
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Rise Again Songbook
Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...
(+)
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
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The Ultimate Fake Book - Third Edition (Bb version)
Bb Instruments
[Fake Book]
Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 p...
(+)
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.
(8)
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Rise Again Songbook
Lyrics and Chords
Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...
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(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
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Gospel's Greatest
Melody line, Lyrics and Chords
[Fake Book]
-
Intermédiaire
Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...
(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord names and guitar chord chart. Gospel and worship. Series: Hal Leonard Fake Books. 295 pages. 9x12 inches. Published by Hal Leonard.
(26)
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Lyrics
Lyrics only
[Sheet music]
Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...
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Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.
(1)
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Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
C Instruments
[Fake Book]
Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...
(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.
(14)
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My Dearest Ruth
Mezzo-Soprano voice, Piano
Theodore Presser Co.
For Mezzo-soprano and Piano. Composed by Stacy Garrop. Sws. Duration 6 minutes...
(+)
For Mezzo-soprano and Piano. Composed by Stacy Garrop. Sws. Duration 6 minutes, 40 seconds. Theodore Presser Company #111-40297. Published by Theodore Presser Company
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My Dearest Ruth
Baritone voice, Piano
Theodore Presser Co.
For Baritone and Piano. Composed by Stacy Garrop. Sws. Duration 6 minutes, 40 ...
(+)
For Baritone and Piano. Composed by Stacy Garrop. Sws. Duration 6 minutes, 40 seconds. Theodore Presser Company #111-40298. Published by Theodore Presser Company
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Dan Coates - Complete Advanced Piano Solos
Piano solo
[Sheet music]
-
Avancé
Alfred Publishing
The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Com...
(+)
The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Composed by Hagood Hardy Weve Got Tonight Composed by Bob Seger Song From M*a*s*h (Suicide Is Painless) Composed by Johnny Mandel, Mike Altman Misty Composed by Erroll Garner, Johnny Burke Other Side Of Midnight Composed by Michel Legrand The Rose Composed by Amanda Mc Broom Tears In Heaven Composed by Eric Clapton, Will Jennings Theme From New York, New York Composed by Fred Ebb, John Kander Heart Composed by Richard Adler, Jerry Ross Hey There Composed by Richard Adler, Jerry Ross Colors Of My Life Composed by Cy Coleman, Michael Stewart Over The Rainbow Composed by Harold Arlen, E.y. Harburg Separate Lives Love Theme From "white Nights" Theme From Ice Castles Composed by Marvin Hamlisch, Carole Bayer Sager Tonight I Celebrate My Love Composed by Michael Masser, Gerry Goffin In This Life Composed by Mike Reid, Allen Shamblin Up Where We Belong Composed by W Jennings, B Sainte, Marie, J Nitzsche From A Distance Composed by Julie Gold I Will Always Love You Composed by Dolly Parton Oh! What It Seemed To Be Composed by Bennie Benjamin, George David Weiss, Frankie I Believe I Can Fly Composed by R. Kelly Valentine Composed by Jim Brickman, Jack Kugell How Do I Live Composed by Diane Warren Colors Of The Wind Composed by Stephen Schwartz, Alan Menken A Dream Is A Wish Your Heart Makes Composed by Mack David, Al Hoffman, Jerry Livingston see less... Tell Him Composed by Linda Thompson, David Foster Con Te Patiro / Time To Say Goodbye Composed by Lucio Quarantotto, Francesco Sartori Karen's Theme Composed by Richard Carpenter The Prayer Composed by Carole Bayer Sager, David "babyface" Foster My One True Friend Composed by Carole Bayer Sager, Carole King Love Solo Composed by Dan Coates I Don't Want To Miss A Thing Composed by Diane Warren As Time Goes By Composed by Herman Hupfeld La Vie En Rose Composed by Louiguy, Piaf (French), David (Eng.) What's New? Composed by Bob Haggart, Johnny Burke Summer Me, Winter Me Composed by Michel Legrand, Alan, Marilyn Bergman Evergreen Composed by Barbra Streisand, Paul Williams Arthur's Theme (Best That You Can Do) Composed by Burt Bacharach, Carole Bayer Sager Can You Read My Mind Composed by John Williams, Leslie Bricusse Love And Marriage Composed by Jimmy Van Heusen, Sammy Cahn Desperado Composed by Don Henley, Glenn Frey The Wind Beneath My Wings Composed by Jeff Silbar, Larry Henley How Do You Keep The Music Playing? Composed by Michel Legrand, Alan Bergman Anywhere The Heart Goes Composed by Henry Mancini, Will Jennings Once Before I Go Composed by Dean Pitchford, Peter Allen Star Wars - Main Theme Composed by John Williams Open Arms Composed by Steve Perry, Jonathan Cain Canon In D Composed by Johann Pachelbel That's What Friends Are For Composed by Burt Bacharach, Carole Bayer Sager Friends Or Lovers Both To Each Composed by Paul Gordon, Jay Gruska Forever Composed by Kenny Loggins, Eva Loggins, David Foster Saving All My Love For You Composed by Gerry Goffin, Michael Masser Miss Celie's Blues Composed by Quincy Jones, Rod Temperton, And Anne's Theme Composed by Hagood Hardy One Moment In Time Composed by Albert Hammond, John Bettis Kei's Song Composed by David Benoit I Say A Little Prayer Composed by Burt Bacharach, Hal David Happy Birthday To You Composed by Mildred J. Hill, Patty S. Hill May You Always Composed by Larry Marks, Dick Charles If My Friends Could See Me Now Composed by Cy Coleman, Dorothy Fields You Can Always Count On Me Composed by Cy Coleman, David Zippel Ashokan Farewell Composed by Jay Ungar Everything I Do I Do It For You Composed by Bryan Adams, Robert Lange, Michael Kamen Send In The Clowns Composed by Stephen Sondheim She Loves Me Composed by Sheldon Harnick, Jerry Bock How Could I Ever Know? Composed by Marsha Norman, Lucy Simon My Unknown Someone Composed by Cy Coleman, Adolph Green, Betty Comden Favorite Son Composed by Cy Coleman, Adolph Green, Betty Comden I Swear Composed by Gary Baker, Frank Myers I Can Love You Like That Composed by S Diamond, M Derry, J Kimball Beauty And The Beast Composed by Howard Ashman, Alan Menken Angel Eyes Composed by Jim Brickman If You Believe Composed by Jim Brickman Because You Loved Me Composed by Diane Warren Un-break My Heart Composed by Diane Warren Ragtime Composed by Stephen Flaherty, Lynn Ahrens Complete Advanced Piano Solos (Music for All Occasions). Arranged by Dan Coates. For solo piano. Piano - Intermediate / Advanced Collection; Piano Supplemental. The Professional Touch Series. Contemporary Instrumental and Pop. SMP Level 9 (Advanced). Collection. Standard notation (does not include words to the songs). 304 pages. Published by Alfred Music Publishing
(80)
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The Real Book - Volume 3 - Mini Edition
Fake Book
[Fake Book]
Hal Leonard
Second Edition C Instruments. By Various. Fake Book (Includes melody line and ch...
(+)
Second Edition C Instruments. By Various. Fake Book (Includes melody line and chords). Softcover. 464 pages. Published by Hal Leonard.
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Concerto in Eb Major
Trumpet, Piano
Carl Fischer
For Trumpet in Bb and Piano, S. 49
. Composed by Johann Nepomuk Hummel (17...
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For Trumpet in Bb and Piano, S. 49
. Composed by Johann Nepomuk Hummel (1778-1837). Edited by Elisa Koehler. Arranged by Elisa Koehler. Romantic. Score and part(s). With Standard notation. 36 8 pages. Carl Fischer #W002681. Published by Carl Fischer (CF.W2681).
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The Real Book - Volume 3
Bb Instruments
[Fake Book]
Hal Leonard
Bb Edition. By Various. Fake Book (Includes melody line and chords). Size 8.5x11...
(+)
Bb Edition. By Various. Fake Book (Includes melody line and chords). Size 8.5x11 inches. 464 pages. Published by Hal Leonard.
(1)
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Malaguena
Concert band
Southern Music Ltd
Full Score
. Composed by Ernesto Lecuona (1895-1963). Arranged by James Ba...
(+)
Full Score
. Composed by Ernesto Lecuona (1895-1963). Arranged by James Barnes. Southern Music. Softcover. 36 pages. Southern Music Company #S966FS. Published by Southern Music Company (HL.236112).
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The Best Rock Pop Fake Book
C Instruments
[Fake Book]
Hal Leonard
(For C Instruments). By Various. For C Instruments. Fake Book. Softcover. 576 pa...
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(For C Instruments). By Various. For C Instruments. Fake Book. Softcover. 576 pages. Published by Hal Leonard
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A Gregorian Liturgical Year for Organ, Vol. 3: The Vigil of Pentecost through Pentecost 17 Ordinary Time 24 - Proper 19
Organ
Composed by Gerald Near (1942-). For organ. Chant-Based. Catholic Sequences, Com...
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Composed by Gerald Near (1942-). For organ. Chant-Based. Catholic Sequences, Complete Mass, Pentecost, Trinity, Communion. Medium. Published by Aureole Editions
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The Real Vocal Book - Volume 2
Fake Book
[Fake Book]
Hal Leonard
C Edition. By Various. Fake Book (Includes melody line and chords). 368 pages. P...
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C Edition. By Various. Fake Book (Includes melody line and chords). 368 pages. Published by Hal Leonard.
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The Definitive Paul Simon Songbook
Melody line, Lyrics and Chords
[Sheet music]
Music Sales
The Definitive Paul Simon Songbook by Paul Simon. For Melody Line, Lyrics and Ch...
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The Definitive Paul Simon Songbook by Paul Simon. For Melody Line, Lyrics and Chords. Music Sales America. Folk Rock. Softcover. 560 pages. Paul Simon Music #PS11594. Published by Paul Simon Music
(1)
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The Daily Ukulele - Baritone Edition
Baritone Ukulele
Hal Leonard
Arranged by Jim Beloff and Liz Beloff. For Baritone Ukulele. Fake Book. Softcove...
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Arranged by Jim Beloff and Liz Beloff. For Baritone Ukulele. Fake Book. Softcover. 336 pages. Published by Hal Leonard
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E-Z Play Today #316: White Pages
Easy Piano
[Sheet music]
-
Débutant
Hal Leonard
By Various. E-Z Play Today. Softcover. Big note notation. 880 pages. Published b...
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By Various. E-Z Play Today. Softcover. Big note notation. 880 pages. Published by Hal Leonard
(1)
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The Little Black Songbook: Paul Simon
Lyrics and Chords
[Sheet music]
-
Facile
Music Sales
By Paul Simon. For guitar. Little Black Songbook. The little book with all the B...
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By Paul Simon. For guitar. Little Black Songbook. The little book with all the BIG songs. Folk. Level: Easy. Lyric and Chord Book. 224 pages. Published by Music Sales.
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The Real Latin Book
Bb Instruments
[Fake Book]
Hal Leonard
(B-Flat Instruments). Composed by Various. For B-flat Instruments. Fake Book. So...
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(B-Flat Instruments). Composed by Various. For B-flat Instruments. Fake Book. Softcover. 576 pages. Published by Hal Leonard
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The Ultimate Rock Pop Fake Book
C Instruments
[Fake Book]
Hal Leonard
By Various. For C Instruments. Fake Book. Softcover. 560 pages. Published by Hal...
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By Various. For C Instruments. Fake Book. Softcover. 560 pages. Published by Hal Leonard
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Ukulele Fake Book
Ukulele
[Fake Book]
Hal Leonard
(Full Size Edition). Composed by Various. For Ukulele. Ukulele. Softcover. ...
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(Full Size Edition). Composed by Various. For Ukulele. Ukulele. Softcover. 688 pages. Published by Hal Leonard
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Ukulele Fake Book
Ukulele
[Fake Book]
Hal Leonard
By Various. For Ukulele. Ukulele. Softcover. 688 pages. Published by Hal Leonard...
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By Various. For Ukulele. Ukulele. Softcover. 688 pages. Published by Hal Leonard
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The Real Latin Book
C Instruments
[Fake Book]
Hal Leonard
(C Instruments). By Various. For C Instruments. Fake Book. Softcover. 464 pages....
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(C Instruments). By Various. For C Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard
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The Dove
[Score and Parts]
Schott
auf Texte aus der Bibel. Par HAKIM NAJI. Die Taube (The Dove) was commissioned b...
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auf Texte aus der Bibel. Par HAKIM NAJI. Die Taube (The Dove) was commissioned by ”Kirchenmusik bei St. Anna Augsburg” to celebrate the 450th anniversary of the 'Augsburger Religionsfrieden' (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness. The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ. First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest, 8 August 2005. Gen.8/11 : ”And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. ” Luk. 1/79 : ”To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. ” Joh.14/27 : ”Peace I leave with you, my peace I give unto you. ” '...to guide our feet into the way of peace.' (Luke 1,79) Words and music bind people together to form fellowships which guide us into the way of peace. Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'. In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let God´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, 'Let God´s melody resound in you.' The melody of our life is a single voice within God´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another. God´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, 'I am with you always, even to the end of the age.' (Matthew 28, 20). Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future. Let God´s melody resound in you and guide your feet into the way of peace./ Répertoire / Ténor et Quatuor à Cordes
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Ernesto Lecuona: Malaguena: Concert Band: Score & Parts
Orchestra
Southern Music Ltd
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest seriou...
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Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.
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Malaguena: Concert Band: Score
Orchestra
Southern Music Ltd
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest seriou...
(+)
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.
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Johann Sebastian Bach: Complete Organ Works - Volume 3: Organ: Instrumental Work
Organ
Breitkopf & Härtel
Fantasien und Fugen/Einzelwerke - mit CD-ROM-Although the “fantasia”...
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Fantasien und Fugen/Einzelwerke - mit CD-ROM-Although the “fantasia” was already considered as old-fashioned around 1700 this genre exerted a particular fascination on the very young Bach – he had since relocated to Köthen – and the experienced composer as well.Volume 3 the latest installment in the Complete Organ Works gathers together all transmitted organ fantasias by Bach the fragments of the fugues belonging to them and all individual fugues as well. They include for instance the Fantasia in C BWV 570 undoubtedly the master’s oldest free organ work.The most notable works in this edition are the celebrated Fantasia in g minor BWV 542/1 and the Fuga in g BWV 542/2. DidBach actually intend a combination of the two pieces as a joint composition? This and other intriguing questions concerning versions sources and genre history are examined by editor Pieter Dirksen in the introduction and comments which contain a synopsis and a wealth of transposed and ornamented versions of the works which supplement the edition on the enclosed CD-ROM.
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Robert Russell Bennett: Autobiography Part 1: Concert Band: Score
Concert band
[Sheet music]
Schirmer
Score-The suggestion that I write my autobiography was made at a time when anyon...
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Score-The suggestion that I write my autobiography was made at a time when anyone who did not write one risked being called eccentric. It became and still is a major sport among the oldsters. Some of the contemporary books are goodreading indeed. One of the best of them is the result of an enormous research job as is brought out in the introduction to the work. Imagine spending long hours and traveling many miles to find out about oneself: I am sure Iwould be one of the first to be utterly bored by the subject. It was not so easy however to dismiss the whole idea as my friends presented it.The only answer I could think of with any degree of enthusiasm was this one written purely for whatever pleasure it could give. My own part of the pleasure is mostly in utilizing the musical language of the concert band with its apparently inexhaustible colors and its fabulous vitality.The form(if the term has any right being here) is seven short pictures each about two minutes long of my own personal seven ages. The two-minute idea may be the result of the loudspeakers spread all over the hotel in Arizona where thepiece was composed. There was no getting out of ear-shot of those two-minute gems - in the dining rooms around the swimming pools by the putting green everywhere-but I honestly do not believe any of them crept into what I waswriting. I do not believe I paid much more than passing attention to them.Part One:I. 1894: Cherry StreetII. 1899: South OmahaIII. 1900: Corn Cows and MusicThe three of my seven ages inPart One took us to the legal end of my youth. Gathering up my unspectacular belongings including my entire fortune of less than two hundred dollars I swooped down on New York for no more reason than that it was New York and hada street in it called Broadway. The music borrows two or three rhythms from the era but the only note-for-note quote is what the bugler at Camp Funston played every morning while we put on our shoes. Later when we get to Paris
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COMPLETE ORGAN WORKS - VOLUME 3 (BACH JOHANN SEBASTIAN)
Organ
[Sheet music + CD-ROM]
Breitkopf & Härtel
Par BACH JOHANN SEBASTIAN. Although the ?fantasia? was already considered as old...
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Par BACH JOHANN SEBASTIAN. Although the ?fantasia? was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach ? he had since relocated to Köthen ? and theexperienced composer as well.Volume 3, the latest installment in the Complete Organ Works, gathers together all transmitted organ fantasias by Bach, the fragments of the fugues belonging to them and all individual fugues as well.They include, for instance, the Fantasia in C BWV 570, undoubtedly the master?s oldest free organ work.The most notable works in this edition are the celebrated Fantasia in g minor BWV 542/1 and the Fuga in g BWV 542/2.DidBach actually intend a combination of the two pieces as a joint composition? This and other intriguing questions concerning versions, sources and genre history are examined by editor Pieter Dirksen in the introduction andcomments, which contain a synopsis and a wealth of transposed and ornamented versions of the works which supplement the edition on the enclosed CD-ROM. / Date parution : 2021-11-25/ Recueil / Orgue
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Flavio Henrique: Violin Solos On Brazilian Themes: Violin: Instrumental Album
Violin
[Sheet music + Audio access]
-
Easy
Mel Bay
Brazil offers a great and luxurious musical variety not only for its large exte...
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Brazil offers a great and luxurious musical variety not only for its large extension of land but also for the multiple cultural interchange established along centuries among the several peoples which contributed to the formingof its rich and varied musical map. From that triple (though not always conscious) alliance among the native Indigenous the European colonizer and the African (those latter brought here as slave workers) resulted a 'Brazility'feeling which is common to every country side despite the distances that separate them: joyous melancholic nostalgic or ritual Brazilian music is always the most authentically expression of its people their happiness andsorrows. This work is an effort to display some Brazilian popular melodies arranged for violin and piano. The themes chosen coming from the country as well as urban areas are part of a repertoire quite familiar to everyBrazilian some of them already belonging for centuries to Brazil's memory. No intention of producing a scientific or musicological work has been nourished by the arrangers. What guided them in the choice of the songs presented inthis book was above all a poetic sense and deep love for the music of their country. Enclosed are 19 violin solos on historic Brazilian themes. A free piano accompaniment is available free online.
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R. R. Bennett: Autobiography For Pt2 Sc Band: Concert Band: Score
Concert band
[Sheet music]
Schirmer
Score-The suggestion that I write my autobiography was made at a time when anyon...
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Score-The suggestion that I write my autobiography was made at a time when anyone who did not write one risked being called eccentric. It became and still is a major sport among the oldsters. Some of the contemporary books are goodreading indeed. One of the best of them is the result of an enormous research job as is brought out in the introduction to the work. Imagine spending long hours and traveling many miles to find out about oneself: I am sure Iwould be one of the first to be utterly bored by the subject. It was not so easy however to dismiss the whole idea as my friends presented it.The only answer I could think of with any degree of enthusiasm was this one written purely for whatever pleasure it could give. My own part of the pleasure is mostly in utilizing the musical language of the concert band with its apparently inexhaustible colors and its fabulous vitality.The form(if the term has any right being here) is seven short pictures each about two minutes long of my own personal seven ages. The two-minute idea may be the result of the loudspeakers spread all over the hotel in Arizona where thepiece was composed. There was no getting out of ear-shot of those two-minute gems - in the dining rooms around the swimming pools by the putting green everywhere-but I honestly do not believe any of them crept into what I waswriting. I do not believe I paid much more than passing attention to them.Part Two:IV. 1916: Mo. to N.Y.V. 1919: The Merrill MiracleVI. 1926: A Parisian in ParisVII. 1935: What Was theQuestion?The three of my seven ages in Part One took us to the legal end of my youth. Gathering up my unspectacular belongings including my entire fortune of less than two hundred dollars I swooped down on New Yorkfor no more reason than that it was New York and had a street in it called Broadway. The music borrows two or three rhythms from the era but the only note-for-note quote is what the bugler at Camp Funston played every morning
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Antonio Vivaldi: Dixit Dominus RV 595: Voice
Piano, Voice
Ricordi
Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The Dixit ...
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Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The Dixit Dominus RV 595 shares a key and some further characteristics with the better-known setting of the same psalm RV 594 but differs from it markedly: first in being scored for an undivided ensemble (i.e. not ?in due cori?): second in belonging to Vivaldi?s first period of sacred music composition around 1715 rather than to a later period. There are stylistic parallels too with Vivaldi?s two Gloria settings RV 588 and RV 589. Three of the eleven movements making up RV 595 use borrowed material which in two instances is taken from movements by unknown composers in Vivaldi?s own collection and in one instance (heavily disguised) from a published madrigal(1705) by Antonio Lotti. The borrowings are absorbed extremely well into the fabric of the setting and do not disrupt its well-unified character. Among the high points of RV 595 are its opening pair of moments ? the first bustling and the second poignantly reflective ? and the fourth movement ?Tecum principium? where two obbligato cellos enter into dialogue with two sopranos. This Dixit Dominus preserved uniquely in Prague ranks among Vivaldi?s finest large-scale sacred vocal compositions. The Introduction and Critical Commentary for this vocal score are based on the Critical Edition by Michael Talbot published in 1993.
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Byt' Svetem Vladla: Mixed Choir a Cappella: Vocal Score
Choral SATB
[Vocal Score]
Pavane Publishing
This is a song composed for one of the girls' barracks in the Theresienstadt Con...
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This is a song composed for one of the girls' barracks in the Theresienstadt Concentration Camp during the Holocaust. It's intent was two-fold: first when the girls were being moved about ina group outside the barrack it was sung on lai lai lai to keep the girls together and to identify them as belonging to a certain barrack: second the text consisted of virulently anti-Nazi lyrics that could be sung in the barrack to keep Hope alive when the girls were alone.
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Franz Schubert: Winterreise Op. 89 D 911 - Low Voice: Low Voice: Vocal Album
Low voice, Piano
[Sheet music]
Barenreiter
Singing Score Urtext edition-In spring 1827 Schubert performed the first part o...
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Singing Score Urtext edition-In spring 1827 Schubert performed the first part of his best-known song cycle ?Winterreise? for his friends for the first time. At this time he assumed that he had set all the texts belonging to the cycle to music. Only later did he come across the complete cycle of 24 songs in Müller?s volume ?Gedichte aus den hinterlassenen Papieren eines reisenden Waldhornisten? of 1824. As a result he set the twelve further poems as a separate group partly paraphrasing the songs in the first part and partly continuing them.The appendices also contain four songs ?Wasserflut? ?Rast? ?Mut? and ?Der Leiermann? in Schubert?s original keys before they were transposed downa tone by him or his publisher Haslinger .- Famous song cycle taken from the practical Complete Edition of Schubert Lieder Volume 3- Foreword by Walther Dürr discussing the history of the work?s composition and sources (Ger/Eng)- With an English translation of the song texts by Richard Wigmore
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Wolfgang Amadeus Mozart: Batti Batti O Bel Masetto: Opera: Vocal Work
Piano, Voice
[Vocal Score]
Ricordi
Batti Batti O Bel Masetto is taken from the Opera Don Giovanni. Don Giovanni i...
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Batti Batti O Bel Masetto is taken from the Opera Don Giovanni. Don Giovanni is widely regarded as one of the greatest pieces of music ever composed and of the many operas based on the legend of Don Juan Mozart's is thought to be beyond comparison. The opera was billed as dramma giocoso or playful drama belonging to a genre neither completely comic nor completely tragic. In the original production the actors alternated between spoken recitative and sung aria but most modern productions use the secco-recitatives composed by Mozart in place of the spoken text.
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Otto M. Schwarz: Man in the Ice: Concert Band: Score & Parts
Concert band
[Score and Parts]
Mitropa Music
On September 19th 1991 a mummified corpse of a man was found at the Similaun gl...
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On September 19th 1991 a mummified corpse of a man was found at the Similaun glacier in the Ötztäler Alps. The glacier unveiled an early man after 5 300 years with all his personal belongings. His clothes and weapons were fairly well preserved and today allow us a deeper insight into that period. Austrian nature filmmaker Kurt Mündel reconstructed the life of this man and made a film which based on facts shows how it might have been then. Otto M. Schwarz used this documentary as an opportunity to write a work for symphonic wind band and musically resurrect the ?Man in the Ice.?
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Otto M. Schwarz: Man in the Ice: Concert Band: Score & Parts
Concert band
Mitropa Music
This programmatic piece of music is one of the best-selling works from Otto M. S...
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This programmatic piece of music is one of the best-selling works from Otto M. Schwarz. There was a very high demand for a lower grade version to enable young and small bands to perform this epic piece. On September 19th, 1991, a mummified corpse of a man was found at the Similaun glacier in the Ötztäler Alps. The glacier unveiled an early man after 5300 years, with all of his personal belongings. His clothes and weapons were fairly well preserved and provide us today with a deeper insight into that period. Austrian nature filmmaker Kurt Mündel reconstructed the life of this man and made a film, which Otto M. Schwarz used as an opportunity to write a work for symphonic wind band and musically resurrect the ?Man in the Ice- Ötzi?.
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Part]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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The Piano Solo Collection (BOSSO EZIO)
Piano solo
[Sheet music]
Hal Leonard
Par BOSSO EZIO. A brand new collection of solo piano pieces by Ezio Bosso from t...
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Par BOSSO EZIO. A brand new collection of solo piano pieces by Ezio Bosso from the album The 12th Room, which combines original compositions with famous pages by Bach and Chopin, revisited by Ezio and included in the suite Bach Was in Another Room (2-7), and by John Cage with In a Landscape. The collection is completed by three pieces belonging to three other projects: Six Breaths (2009), Music For Weather Elements (2010-11), Seasong 1 to 4 and Other Little Stories (2011)./ Recueil / Piano
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Schonberg Arnold - String Quartet N°2 Op.10 - Score
String Quartet: 2 violins, viola, cello
Universal Edition
Arnold Schönberg: String Quartet No. 2 - F# minor for soprano and string quarte...
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Arnold Schönberg: String Quartet No. 2 - F# minor for soprano and string quartet op. 10 PH229 Arnold Schoenberg's String Quartet No. 2 op. 10 with soprano (1907 /1908) is among the founding documents of New Music. Instrument: for soprano and string quartet Edition type: pocket score Composer: Schönberg Arnold 'This quartet adds a new element to Schoenberg's creative oeuvre: brevity. It was already indicated by the succinctness of the Chamber Symphony and is clearly expressed in the structure of the F sharp minor Quartet with four shorter movements. There is only a small step from the harmonic language of this work to a complete renunciation of tonality. The last movement - although, in the main, belonging to F sharp mayor - no longer carries a key signature. Chromatic alteration turns the fourth chords into harmonies never heard before, free from any tonal context.' (Anton Webern)
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Frédéric Chopin: Scherzo B Flat Minor Op. 31: Piano: Instrumental Work
Piano solo
G. Henle
Chopin gave the “scherzo” a character all of its own and his second...
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Chopin gave the “scherzo” a character all of its own and his second Scherzo is probably the best known of the four works that he composed in that genre. In contrast to the first Scherzo which survives only in its first editions we are fortunate in that manuscript material is also extant for the second. These multitude sources are complemented by printed copies once belonging to Chopin’spupils that contain his own annotations and which have been newly evaluated for this revised Henle Urtext edition. Footnotes provide information on authorised variants and in addition to the report printed in the edition itself a detailed critical report is available on the Internet with in-depth information for those keen to know more about the history of the sources.
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Mack Wilberg: The Prodigal: Vocal Score
[Vocal Score]
Oxford University Press
Mack Wilberg's The Prodigal for SATB and Organ or Orchestra. With a text by Davi...
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Mack Wilberg's The Prodigal for SATB and Organ or Orchestra. With a text by David Warner on the parable of The Prodigal Son from St Luke's Gospel this dramatic choral work brings to life the ancient universal story of reconciliation and belonging. The closely woven text and music feature an expansive range of expression-plaintive exuberant and resolute-before concluding with a transcendent coda that gives way to reverberating 'Amen's. With echoes of some of the minimalist elements of Wilberg's Requiem as well as Arvo Pärt Henryk Górecki and John Tavener the work is scored for mixed voices without soloists allowing the choir to function like a Greek chorus-sometimes narrating sometimes participating in the action sometimes reflecting on it-all underpinned by Organ or Orchestra or Chamber Ensemble.
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: Mixed Choir: Study Score
Partition de Poche
[Sheet music]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Brian Tate: Hold Me Rock Me: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
Pavane Publishing
Released in SATB in 2004 this piece has been popular enough to demand a setting...
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Released in SATB in 2004 this piece has been popular enough to demand a setting for women's voices. Brian Tate cleverly combined the texts from a variety of frequently used spirituals to create a brand new choral selection. The yearning for belonging is quickly evident and rocks gently to a satisfying finish. Brian Tate has been composing and arranging a steady string of choral hits that deserves our attention.
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Russian Piano Album - Russisches Klavieralbum: Piano: Instrumental Collection
Piano solo
Forberg
12 Pieces - 12 Stücke-This collection features both famous and lesser known Rus...
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12 Pieces - 12 Stücke-This collection features both famous and lesser known Russian composers: 12 selected compositions by Anton Arenski Reinhold Glière Michail Glinka Sergej Prokofjew Alexander Skrjabin and more belonging to the eminent Forberg repertoire.
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Matthew Hindson: Home: SATB: Vocal Score
Choral SATB
[Sheet music]
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Intermediate/advanced
Faber Music Limited
Matthew Hindson's Home for SATB divisi is a strikingly atmospheric piece which...
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Matthew Hindson's Home for SATB divisi is a strikingly atmospheric piece which conjures up the warm sensation of 'belonging' through slow incantation over ever-shifting and semi-improvisatory choral textures.
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Brian Tate: Hold Me Rock Me: Mixed Choir a Cappella: Vocal Score
[Vocal Score]
Pavane Publishing
Brian Tate has cleverly combined the texts from a variety of frequently used spi...
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Brian Tate has cleverly combined the texts from a variety of frequently used spirituals to create a brand new choral selection. The yearning for belonging is quickly evident and rocks gently to a satisfying finish.
28.50 GBP - Sold by Musicroom UK
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