Partitions de Mel Bay

Here is a book for Guitar students who wish to develop their instrumental capabilities to the point of mastery. This book while not a method is an attempt to help students internalize the most important aspects of practicingand performing music: Mechanism the set of acquired reflexes that makes playing the Guitar possible; Technique the procedures to follow in order to master a given passage or overcome a given difficulty; and Learning a Mechanismor Technique the process of acquiring a reflex or of mastering a passage or overcoming a specific difficulty.The exercises strive to ingrain proper techniques and mechanisms both physically and mentally making theinterpretation of music as natural to the guitarist as walking. The author encourages the student to conquer musical difficulties through critical and intelligent analysis rather than mere repetition. These techniques are intendedto return the indispensable feeling of creative playing to musical work having freed the student from consciously focusing on the physical aspects of playing. Musical examples are in standard notation only.

Following the best-selling Jazz Piano Chords this informative volume provides a scale reference and practice tool for any pianist wanting to learn to play jazz. Starting with diatonic pentatonic symmetrical and exotic scales more advanced composer and jazz scales are introduced. The following discussion of polytonality alternating scales using scales with chords and scale chords represents the dominating concepts of contemporary jazz. The book endswith extensive 12-key libraries of scales and scales arranged by chords. Learning to use these scales will help any pianist play with more tonal and modal variety color freedom and interest.

Twelve rhythmic comping studies with chord grids notation and tablature. The Frank Vignola Comping the Blues book shows guitar accompaniment in a short precise manner. The comping etudes use a 'stabbing' chord style onlythrowing in chord voicings at the important places not ringing throughout the entire piece. Frank shows us that less is definitely more. To get the full idea of Frank's exercises in this book listen to the CDs from his Jammingthe Blues series. Frank uses these exact ideas in those recordings.

The Mandolin is a great instrument for kids. These simple arrangements of all-time popular songs are ideal for younger learners and will get them playing in no time! This repertoire book is easy to read with classic songs suchas Scarborough Fair  Kum ba Yah  Frère Jaques  My Bonnie and much more. Chords are available for an accompanying instrumentalist and play-along tracks recorded bythe author are available online. The Mandolin part is written in both standard notation and tablature. Includes access to online audio.

The Rhythm Encyclopedia is a collection of 6 561 different rhythms written in notation that can be used for Drum set Conga Djembe Cajon and any other Drum that has a high tone and a low tone.Thistitle will provide many hours of practice for developing stick and foot independence for Drum set Drummers and hand independence for hand Drummers. An invaluable resource for finding interesting and varied rhythms to add to yourplaying repertoire.

A wonderfully diverse collection of 33 great Tommy Flint fingerstyle guitar solos in Nashville lead bluegrass blues and ragtime guitar styles. Tunes include: 'Fisher's Hornpipe' 'Soldier's Joy' 'Amazing Grace' and more. Allselections are in notation and tablature. The audio recording is available as a free download.

Jazz Intros And Endings offers 60 intros and endings for songs in many keys and styles. Ron Eschete is a well known and admired Guitar player having played with Ray Brown Gene Harris Ella Fitzgerald among many others. These harmonically rich phrases offer many great ideas and insight into creating your own intros and endings. The book is in standard notation with chord diagrams and has audio featuring all the examples. Accessto audio available online.

The Bass has been called 'the most important instrument in any band.' The Bass player must create interesting lines under the chord changes keep the 'time flow' or 'pulse' steady and keep the form of the song together. Walking Jazz Lines For Bass is designed to help bassists create beginning to advanced walking patterns (smooth-sounding lines) that can be used in jazz blues R&B gospel Latin and country music. Byexplaining the basics of intervals chords and scales the author builds a framework for understanding bass line patterns. This book presents one- and two-measure patterns that can be used in playing the blues rhythmchanges the II-V-I progression and 20 popular jazz standards. Walking Jazz Lines For Bass is written in standard notation with chord symbols. The audio gives you the opportunity to play with one of thefinest rhythm sections around. It is in stereo with the bass and drums on the left and Piano and Drums on the right. Since the examples in the book are presented both with sample Bass lines and as chord progressions only you caneither follow along with the Bass or practice your own lines with the audio as your accompaniment. Access to online audio is included.

For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists.

Eric Nelson: Bassoon Fingering And Scale Chart is an indispensable reference guide for bassoonists as well as educators. The fingering diagrams are clear and easily understandable with clear photographs of thekeys of the Bassoon. The scales can be used together with those of other instruments in the series.Included in the chart are:Fingering diagrams for the most common fingerings for all the notes in the standardrange of the Bassoon.A separate chart of the most common and useful alternate fingerings.All twelve major and relative minor scales and arpeggiosChromatic scale.Cross-references to alternate fingeringsused in specific scale and arpeggios.

This collection of Handel violin pieces is derived from his sonatas orchestral works and incidental pieces. With few accidentals the selections are easy to play in first position. The piano parts frequently double the violin toaid in performance. The book begins with the easiest arrangements and progresses in level of difficulty.

This book is the ideal primer for anyone wishing to participate in an 'Irish session'. This musical gathering is apparently quite different than a blues jazz or bluegrass jam session in that it is customary at Irish sessions toplay in tight unison with the other musicians adapting appropriate tempos rhythms and ornaments in an attempt to fit in with the 'groove'. The 'Irish Session Tune Book' features 300 reels hornpipes polkas slides andslip-jigs written without chord symbols for the melody instruments commonly played in Irish Sessions. The author shares a wealth of melodies collected over the past 10 years the majority learned by ear at Irish sessions: fiddle accordion tinwhistle tenor banjo mandolin bouzouki etc. Authentic ornamentation is suggested for each tune with the admonition that ornamentation may vary from region to region and chorus to chorus.

Melodies By Women Composers-The solos in this book are all based on melodies composed by women. They are especially well suited to performance on the flute and they provide excellent material for developing skills in rapid tonguing extended breath-control and phrasing. Three of the world’s most famous melodies are here: Mildred Hill’s 'Happy Birthday' (originally 'Good Morning to You') Euphemia Allens’ 'Chopsticks' (originally 'The Celebrated Chop Waltz') and Effie Corckett’s 'Rock-a-Bye Baby.' Less well known delights include Faustina Hodges’ 'Because I’m Twenty-Five' and Florence Percy’s 'Fly Away ' as well as Amanda Aldridge’s 'Dance of the Warriors' and the list goes on and on. A separate recorderedition is available.