Par HARVEY JONATHAN. Resurrection is based on simple vocal triads that perfectly...(+)
Par HARVEY JONATHAN. Resurrection is based on simple vocal triads that perfectly suit a resonant building. It is ceremonial and repetitive in character, in short, sacred music rather than secular./ Répertoire / Voix Mixtes
Par HARVEY JONATHAN. Ces cantiques écrites pour le Festival des cathédrales du...(+)
Par HARVEY JONATHAN. Ces cantiques écrites pour le Festival des cathédrales du sud de 1978, Harvey suit dans la tradition de Britten et Tippett à fusionner le rituel antique avec thoroughly modern moyen d'expression. Chorales techniques utilisées ici comprennent les glissandi et certains improvisation. Ceux-ci sont frappantes paramètres qui sauront plaire aux chorales plus aventureuses./ Répertoire / Voix Mixtes
Lauridsen's setting of the Ave Dulcissima Maria combines passages of chant with ...(+)
Lauridsen's setting of the Ave Dulcissima Maria combines passages of chant with more melodic homophony and is written for unaccompanied male voices. The piece was commissioned by the Harvard Glee Club Foundation. Faber New Choral Works introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.
The theme tune to the BBC TV series 'The Vicar of Dibley' has already joined the...(+)
The theme tune to the BBC TV series 'The Vicar of Dibley' has already joined the ranks of best-loved TV themes - not surprising when one considers that its composer has written many other memorable themes including those to the 'Black Adder' and 'Red Dwarf' series.The Lord Is My Shepherd is a beautiful piece composed by Howard Goodall and this version is for Men’s Voices (TTBarB) with Organ (or Piano) Accompaniment.
Angels is Robbie Williams??? most famous song even voted the ???best song in th...(+)
Angels is Robbie Williams??? most famous song even voted the ???best song in the past 25 years of British music??? by the British public at the 2005 BRIT Awards. This timeless pop ballad is recognised loved and reinterpreted all over the world even having cover versions in Spanish and Italian. Robbie has performed Angels with artists like Joss Stone and most recently Olly Murs. Despite Williams??? uncountable hits since Angels??? release in 1997 the song is still used to conclude most of his shows proving its continuing relevance.David Lawrence???s arrangement for Tenor I Tenor II Baritone and Bass Voices with Piano accompaniment and Guitar chords makes use of the multiple voices creating new depths and layers as they depart. This version stays extremely close to the original making it a guaranteed audience favourite.Choral arrangements by David Lawrence are available as follows:SATB: Catalogue No. IMP9612ASAB: Catalogue No. IMP9613A2-Part: Catalogue No. IMP9615ASSA: Catalogue No. IMP9614A
This setting of O Magnum Mysterium for double mixed voice choir is an ideal ch...(+)
This setting of O Magnum Mysterium for double mixed voice choir is an ideal choice for Christmas services. Matthew Martin's soft yet intricate setting of the Matins Responsory for Christmas Day was written for Andrew Carwood and The Cardinall's Musick. The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.
Hail Gladdening Light was written at the request of Matthew Owens for the choi...(+)
Hail Gladdening Light was written at the request of Matthew Owens for the choir of Wells Cathedral and was first performed at Candlemas 2006. The composer has long been an admirer of the setting by Charles Wood and so wanted to create a work with a completely different atmosphere particularly focusing on mystical light. The opening and closing sections make use of the Gregorian Chant for Candlemas – a troped setting of the Nunc dimittis. Where these chanted sections occur they should be unconducted and sung with the freedom and tempo of plainsong. The emphasis throughout the whole piece should be on luminosity. This piece isfrom Faber's Choral Signature Series which introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. the series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.