| Franz Joseph Haydn:
Concerto for Violoncello
D major Hob.VIIb:2: Cello Violoncelle, Orchestre [Partition] Barenreiter
About Violoncello ConcertoUrtext der Haydn-Gesamtausgabe. By Franz Joseph Haydn....(+)
About Violoncello ConcertoUrtext der Haydn-Gesamtausgabe. By Franz Joseph Haydn. Edited by Sonja Gerlach. For Cello Solo oboe (2) bassoon ad lib. horn (2) strings. Score; Urtext Edition. Hob. VIIb:2. Duration 22'. Published by Baerenreiter-Ausgaben (German import). (BA4675) ISBN M006501915.
28.50 GBP - vendu par Musicroom GB |
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| Concertante For Oboe,
Bassoon, Violin,
Violoncello And Orchestra
Hob. I:105 Voix seule G. Henle
Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur...(+)
Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Concertante for Oboe, Bassoon, Violin, Violoncello and Orchestra Hob. I:105 écrite et composée pour Piano et plus précisément pour Piano (Réduction) vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Piano (Réduction) / Chanson En Séparée
34.90 EUR - vendu par LMI-partitions Délais: En Stock |
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| Franz Joseph Haydn:
Violoncello Concerto In D
Major Hob. VIIb: Cello: Violoncelle, Piano G. Henle
? l??poque de Joseph Haydn les concertos de soliste ?taient g?n?ralement destin...(+)
? l??poque de Joseph Haydn les concertos de soliste ?taient g?n?ralement destin?s ? un musicien bien pr?cis. Dans le cas du c?l?bre concerto pour violoncelle en r? majeur Hob. VII:2 de Haydn il s?agit du premier violoncelle de l?orchestre du prince Esterh?zy Anton Kraft qui devint par la suite l?un des plus grands virtuoses de Vienne. Cette ?uvre de circonstance devint par la suite un chef-d??uvre pour l??ternit? dont est parvenue ? la post?rit? une partition autographe de la main du compositeur dat?e de 1783. Pour la publication de la r?duction pour piano de ce concerto nous avons eu le plaisir de collaborer avec la sp?cialiste de Haydn Sonja Gerlach. Cette derni?reenrichit l??dition urtext d?une pr?face d?taill?e o? elle aborde notamment le sujet de la r?alisation des ornements et celui des cadences reproduites.
15.25 GBP - vendu par Musicroom GB Délais: En Stock |
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| Franz Joseph Haydn:
Symphony No. 92 In G
Oxford: Orchestra: Part Orchestre Barenreiter
Violoncello-Based on the Henle Complete Edition of the Works of Joseph HaydnOrch...(+)
Violoncello-Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and orchestral parts available for saleHaydn's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.Haydn's Symphony No.92 received its nickname ?Oxford? in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791.This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.
10.00 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony No.88 in G major
Hob.I: Orchestra: Part Orchestre
This edition clarifies a performance aspect of Haydn?s Symphony in G major that ...(+)
This edition clarifies a performance aspect of Haydn?s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola violoncello and several wind instrument parts are marked ?solo? indicating that they play important motifs or themes and ought to stand out.Contrary to other editions the ?solo? marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works operas and symphonies this edition is based on the Henle Complete Edition of the ?Works of Joseph Haydn? . The complete performance material for several ?Sturm und Drang? symphonies and all of the London and Paris symphonies is now available from Bärenreiter.Based on the Henle Complete Edition of the ?Works of Joseph Haydn?Orchestral parts in a large format (25.5 cm x 32.5 cm)Full score & performance material available for sale (BA10980)
6.50 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony No.88 in G major
Hob.I: Orchestra: Part Orchestre
This edition clarifies a performance aspect of Haydn?s Symphony in G major that ...(+)
This edition clarifies a performance aspect of Haydn?s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola violoncello and several wind instrument parts are marked ?solo? indicating that they play important motifs or themes and ought to stand out.Contrary to other editions the ?solo? marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works operas and symphonies this edition is based on the Henle Complete Edition of the ?Works of Joseph Haydn? . The complete performance material for several ?Sturm und Drang? symphonies and all of the London and Paris symphonies is now available from Bärenreiter.Based on the Henle Complete Edition of the ?Works of Joseph Haydn?Orchestral parts in a large format (25.5 cm x 32.5 cm)Full score & performance material available for sale (BA10980)
6.50 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony No.88 in G major
Hob.I: Orchestra: Score Orchestre Barenreiter
This edition clarifies a performance aspect of Haydn?s Symphony in G major that ...(+)
This edition clarifies a performance aspect of Haydn?s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola violoncello and several wind instrument parts are marked ?solo? indicating that they play important motifs or themes and ought to stand out.Contrary to other editions the ?solo? marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works operas and symphonies this edition is based on the Henle Complete Edition of the ?Works of Joseph Haydn? . The complete performance material for several ?Sturm und Drang? symphonies and all of the London and Paris symphonies is now available from Bärenreiter.Based on the Henle Complete Edition of the ?Works of Joseph Haydn?Orchestral parts in a large format (25.5 cm x 32.5 cm)Full score & performance material available for sale (BA10980)
36.50 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony No.88 in G major
Hob.I: Orchestra: Part Orchestre
This edition clarifies a performance aspect of Haydn?s Symphony in G major that ...(+)
This edition clarifies a performance aspect of Haydn?s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola violoncello and several wind instrument parts are marked ?solo? indicating that they play important motifs or themes and ought to stand out.Contrary to other editions the ?solo? marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works operas and symphonies this edition is based on the Henle Complete Edition of the ?Works of Joseph Haydn? . The complete performance material for several ?Sturm und Drang? symphonies and all of the London and Paris symphonies is now available from Bärenreiter.Based on the Henle Complete Edition of the ?Works of Joseph Haydn?Orchestral parts in a large format (25.5 cm x 32.5 cm)Full score & performance material available for sale (BA10980)
6.50 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony No.88 in G major
Hob.I: Orchestra: Parts Orchestre
This edition clarifies a performance aspect of Haydn?s Symphony in G major that ...(+)
This edition clarifies a performance aspect of Haydn?s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola violoncello and several wind instrument parts are marked ?solo? indicating that they play important motifs or themes and ought to stand out.Contrary to other editions the ?solo? marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works operas and symphonies this edition is based on the Henle Complete Edition of the ?Works of Joseph Haydn? . The complete performance material for several ?Sturm und Drang? symphonies and all of the London and Paris symphonies is now available from Bärenreiter.Based on the Henle Complete Edition of the ?Works of Joseph Haydn?Orchestral parts in a large format (25.5 cm x 32.5 cm)Full score & performance material available for sale (BA10980)
32.50 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony No.88 in G major
Hob.I: Orchestra: Part Orchestre
This edition clarifies a performance aspect of Haydn?s Symphony in G major that ...(+)
This edition clarifies a performance aspect of Haydn?s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola violoncello and several wind instrument parts are marked ?solo? indicating that they play important motifs or themes and ought to stand out.Contrary to other editions the ?solo? marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works operas and symphonies this edition is based on the Henle Complete Edition of the ?Works of Joseph Haydn? . The complete performance material for several ?Sturm und Drang? symphonies and all of the London and Paris symphonies is now available from Bärenreiter.Based on the Henle Complete Edition of the ?Works of Joseph Haydn?Orchestral parts in a large format (25.5 cm x 32.5 cm)Full score & performance material available for sale (BA10980)
6.50 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn: Haydn
- Violoncello Concerto in
C Major HobVIIb:1: Cello Violoncelle [Partition + Accès audio] Music Minus One
Music Minus One Cello Deluxe 2-CD Set-Franz Josef haydn's beautiful Concerto in ...(+)
Music Minus One Cello Deluxe 2-CD Set-Franz Josef haydn's beautiful Concerto in C major for Violoncello and orchestra is a treat as well as an absolute requirement for any serious cellist. Strangely though it lay dormant and unknown in a Prague library until it was dicovered in 1961 and brought to light after nearly two hundred years! Since its reintroduction it has become one of the most popular of all violoncello concerti and deservedly so. This concerto was most likely written in the mid-1760s while Haydn was Kapellmeister to Prince Esterhazy. Its splendid memorable themes perfectly showcase the solo instrument against a beautifully and sensitively orchestrated backdrop all of which come together toillustrate Papa Haydn's mastery of form melody and orchestration. Its lovely classical charm beautifully captured here by virtuoso roman Wiszniowski and the Plovdiv Philharmonic will enchant you from beginning to end. Then play it yourself with maestro Todorov and the Plovdiv Philharmonic as your accompanists! This MMO learning and performance edition of one of the great classical cello masterpieces is not to be missed!
23.99 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn: Cello
Concerto In C Hob.VIIb:
Cello: Instrumental Work Violoncelle, Piano G. Henle
Haydnâs Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) was...(+)
Haydnâs Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) was probably composed between 1762 and 1765 when he was already director of music to Prince Esterh zy. It may have been writtenfor the cellist in the court Orchestra Joseph Weigl (1740-1820) for whom Haydn most likely also wrote the solo Cello parts in his early symphonies. Weigl was a member of the Esterh zy ensemble from 1761 to 1769 andthereafter served as a principle cellist in various Viennese ensembles.The concerto was rediscovered by Oldrich Pulkert who in 1961 found an eighteenth-century manuscript copy (Prag National Museum Fonds Radenin) andpublished the concerto in 1962. Previously the existence of this piece was known only through Haydnâs entry in his private list of works (the so-called âEntwurfâ [âdraftâ] catalogue).The Orchestral setting ismodest: besides the Strings (with a non-obligato Bassoon doubling the Bass part) there are two Oboes and two Horns which are reserved almost exclusively for the tutti passages.This Piano reduction is based on the text givenin the complete edition of Haydnâs works as edited by the Joseph Haydn Institute Cologne (Joseph Haydn Werke Series III Vol.2 with Preface and Critical Report published by G. Henle Verlag Munich 1981). The Cello partin the Piano reduction is identical to that of the complete edition and thus follows the Prague source as closely as possible even in the expression marks and in certain peculiarities of notation.
15.25 GBP - vendu par Musicroom GB Délais: En Stock |
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| Franz Joseph Haydn:
Symphony Nr. 91 E-flat
major Hob. I:91:
Orchestra: Part Alto seul Barenreiter
Hob. I:91-This four-movement work with a slow introduction is Haydn?s last symph...(+)
Hob. I:91-This four-movement work with a slow introduction is Haydn?s last symphony for ?Small? Orchestra i.e. without Trumpets and Timpani. However it has long passages for solo Violoncello and is also scored for two Bassoons. The editor of this edition recommends a performance with low Horns (additionally included in the wind set) to prevent the musical character of the Andante from being compromised by the predominantly high registers.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works operas and symphonies this edition is appearing based on the Henle Complete Edition of theWorks of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the Works of Joseph Haydn.- Orchestral parts in a large format (25.5 × 32.5 cm).- Full score & performance material (BA10978) available for sale.
11.00 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony no. 91 E-flat
major Hob. I:91:
Orchestra: Score Orchestre Barenreiter
Urtext edition-This four-movement work with a slow introduction is Haydn?s last ...(+)
Urtext edition-This four-movement work with a slow introduction is Haydn?s last symphony for ?Small? Orchestra i.e. without Trumpets and Timpani. However it has long passages for solo Violoncello and is also scored for two Bassoons. The editor of this edition recommends a performance with low Horns (additionally included in the wind set) to prevent the musical character of the Andante from being compromised by the predominantly high registers.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works operas and symphonies this edition is appearing based on the Henle Complete Edition of theWorks of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the Works of Joseph Haydn.- Orchestral parts in a large format (25.5 × 32.5 cm).- Full score & performance material (BA10978) available for sale.
45.50 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony Nr. 91 E-flat
major Hob. I:91:
Orchestra: Part Violon I Barenreiter
Hob. I:91-This four-movement work with a slow introduction is Haydn?s last symph...(+)
Hob. I:91-This four-movement work with a slow introduction is Haydn?s last symphony for ?Small? Orchestra i.e. without Trumpets and Timpani. However it has long passages for solo Violoncello and is also scored for two Bassoons. The editor of this edition recommends a performance with low Horns (additionally included in the wind set) to prevent the musical character of the Andante from being compromised by the predominantly high registers.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works operas and symphonies this edition is appearing based on the Henle Complete Edition of theWorks of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the Works of Joseph Haydn.- Orchestral parts in a large format (25.5 × 32.5 cm).- Full score & performance material (BA10978) available for sale.
11.00 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony Nr. 91 E-flat
major Hob. I:91:
Orchestra: Parts Orchestre d'harmonie Barenreiter
Hob. I:91-This four-movement work with a slow introduction is Haydn?s last symph...(+)
Hob. I:91-This four-movement work with a slow introduction is Haydn?s last symphony for ?Small? Orchestra i.e. without Trumpets and Timpani. However it has long passages for solo Violoncello and is also scored for two Bassoons. The editor of this edition recommends a performance with low Horns (additionally included in the wind set) to prevent the musical character of the Andante from being compromised by the predominantly high registers.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works operas and symphonies this edition is appearing based on the Henle Complete Edition of theWorks of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the Works of Joseph Haydn.- Orchestral parts in a large format (25.5 × 32.5 cm).- Full score & performance material (BA10978) available for sale.
46.50 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony Nr. 91 E-flat
major Hob. I:91:
Orchestra: Part Violon II Barenreiter
Hob. I:91-This four-movement work with a slow introduction is Haydn?s last symph...(+)
Hob. I:91-This four-movement work with a slow introduction is Haydn?s last symphony for ?Small? Orchestra i.e. without Trumpets and Timpani. However it has long passages for solo Violoncello and is also scored for two Bassoons. The editor of this edition recommends a performance with low Horns (additionally included in the wind set) to prevent the musical character of the Andante from being compromised by the predominantly high registers.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works operas and symphonies this edition is appearing based on the Henle Complete Edition of theWorks of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the Works of Joseph Haydn.- Orchestral parts in a large format (25.5 × 32.5 cm).- Full score & performance material (BA10978) available for sale.
11.00 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony Nr. 91 E-flat
major Hob. I:91:
Orchestra: Part Contre Basse Barenreiter
Hob. I:91-This four-movement work with a slow introduction is Haydn?s last symph...(+)
Hob. I:91-This four-movement work with a slow introduction is Haydn?s last symphony for ?Small? Orchestra i.e. without Trumpets and Timpani. However it has long passages for solo Violoncello and is also scored for two Bassoons. The editor of this edition recommends a performance with low Horns (additionally included in the wind set) to prevent the musical character of the Andante from being compromised by the predominantly high registers.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works operas and symphonies this edition is appearing based on the Henle Complete Edition of theWorks of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the Works of Joseph Haydn.- Orchestral parts in a large format (25.5 × 32.5 cm).- Full score & performance material (BA10978) available for sale.
11.00 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony No.8 In G Major
Hob.I: Orchestra: Parts Orchestre Barenreiter
Haydn's Symphony No.8 is the final piece in his triptych on the times of the day...(+)
Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
20.50 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony No.8 In G Major
Hob.I: Orchestra: Score Orchestre [Partition] Barenreiter
With 2 violino concertato-Haydn's Symphony No.8 is the final piece in his tripty...(+)
With 2 violino concertato-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
27.00 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony No.8 In G Major
Hob.I: Orchestra: Part Orchestre Barenreiter
Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his tripty...(+)
Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
6.50 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony No.8 In G Major
Hob.I: Orchestra: Part Orchestre Barenreiter
Haydn's Symphony No.8 is the final piece in his triptych on the times of the day...(+)
Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
5.50 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn:
Symphony No.8 In G Major
Hob.I: Orchestra: Part Orchestre Barenreiter
Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his tripty...(+)
Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
6.50 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn: Cello
Concerto No.1 In C:
Cello: Study Score Violoncelle, Orchestre Barenreiter
C major-Concert for violoncello and orchestra. Urtext from: Joseph Haydn Werke ...(+)
C major-Concert for violoncello and orchestra. Urtext from: Joseph Haydn Werke G. Henle Verlag München
10.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Franz Joseph Haydn:
Quintett Es-Dur
Hob.XIV:1: Piano Quintet:
Score and Parts Klavier, 2 Hörner, Violine und
Violoncello [Ohne Fingersatz - Broschiert] G. Henle
Haydnâs charming and sole Piano Quintet is for such an unusual combination ...(+)
Haydnâs charming and sole Piano Quintet is for such an unusual combination of instruments - two Horns and Piano trio - that hardly any musicians are familiar with it. Horn players will get theirmoneyâs worth in this very early work by Haydn (ca. 1765) and pianists and String players are also kept busy. Our edition is based on the flawless musical text in the Haydn Complete Edition. We hope that a greatmany Horn players will discover our edition and that the work will finally be able to emerge from the shadows!
13.50 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn: Six
Divertimenti For Violin:
String Trio: Parts Violine (Flöte), Violine und
Violoncello [Set de Parties séparées] G. Henle
Though not nearly as well-known as the 'London Trios ' these six delightful dive...(+)
Though not nearly as well-known as the 'London Trios ' these six delightful divertimentos are Haydn's first pieces of chamber music to expressly call for the flute. Straightforward and full of Haydn's esprit they are a treasuretrove for all lovers of music-making in the home. The stylistic variety of these cheerful pièces d'occasion surely reflects the fact that they are partly based on earlier models: Haydn's baryton trios as well as arias and otheritems from his opera 'Il mondo della luna' ('The World on the Moon').
33.25 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn: Trios
Fur Zwei Floten Und
Violoncello: Flute &
Cello: Score 2 Flûtes traversières,
Violoncelle [Set de Parties séparées] G. Henle
London with its bustling musical scene always provided Haydn with welcome surr...(+)
London with its bustling musical scene always provided Haydn with welcome surroundings at a time when the Flute was extraordinarily popular among English amateurs. The Earl of Abingdon an accomplished flautist undoubtedly enjoyed playing these entertaining trios. Abingdon was a member of Haydn?s circle of acquaintances in London and a composer in his own right: a theme from one of his songs (?The Lady?s Mirror?) servedHaydn for a set of variations in the second trio. Neither of the men could have foreseen the huge success that these cheerful and straightforward pieces would enjoy among music-lovers all over the world.
23.50 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn: Three
Piano Trios: No. 29 in F
Major: Violin Solo: Violon [Partition + CD] Music Minus One
Music Minus One Violin-Famous trios composed about 1790 displaying Haydn's geni...(+)
Music Minus One Violin-Famous trios composed about 1790 displaying Haydn's genius for writing charming chamber works. Haydn deliberately scored these three trios for either flute or violin with piano and violoncello. Years of playing pleasure await you. Includes a complete high-quality printed music score and a compact disc containing accompaniments minus you the soloist. Accompaniment: The Classic Piano Trio: Harriet Wingreen piano Alan Shulman violoncello
12.99 GBP - vendu par Musicroom GB Délais: Info (stock) sur le site |
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