Quartet

Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quartets he was 15 years old and a composition student of Christian Gottlob Neefe in Bonn. They reveal a strong Mozartian influence while the brilliant piano writing already gives a sense of the mature Beethoven. He may conceivably have written the works for the wealthy Mastiaux family in Bonn, as he gave piano lessons to one of the daughters and the other three siblings played violin, viola and violoncello. The sole source for the quartets is the autograph score which contains many overwritings that shed light on the works' original conception and possible alternative readings. Although Beethoven never published the pieces in his lifetime and is not known to have performed them, he reused their melodic and thematic material in later compositions. Beethoven preserved the autograph score to the end of his days ? perhaps an indication that the quartets meant a great deal to him. The first edition was published by Artaria in Vienna one year after his death, albeit with the pieces in a different order and with many errors in the musical text. Bärenreiter's scholarly performing edition of the Piano Quartets WoO 36 is edited by the Italian pianist Leonardo Miucci, a specialist in the performance practice of keyboard music from this period. The edition not only presents the correct readings, it also sheds light on the young Beethoven's expressive notation and provides a plausible explanation for the distinction he made between dots and strokes to indicate staccato./ Répertoire / Quatuor pour Piano, Violon, Alto et Violoncelle

Haydn Quartets. Par MOZART WOLFGANG AMADEUS. Haydn Quartets / Seiffert, Wolf-Dieter / Répertoire / 2 Violons, Alto, Violoncelle

Blake Dreaming ‘Goodison Quartet No. 5’ was commissioned by Nicholas and Judith Goodison.First performance on 30th April 2010 at Wigmore Hall London by Roderick Williams (baritone) and the DoricQuartet. Composer's Note   The commission was for a work which “uses the voice as an extra instrument without a text.” In BlakeDreaming I have cheated a little setting a line from “The Marriage of Heaven and Hell” albeit incompletely:- The roaring of lions the howling of wolves the raging ofthe stormy sea... are portions of eternity too great for the eye of man. The first section sets the Blake down to “stormy sea” with voice alone and follows this by a “dreaming” upon andaround it for voice and quartet where the baritone has pure vocalise. The second section sets the rest of the sentence again followed by an extended “dreaming” with pure vocalise. The baritone line should be urgentand moody suggesting eventful and disturbing dreaming. I would suggest that he imagine a dramatic outline throughout – even to specific (but unsung!) words and emotions – to ensure as powerful and gripping a dialoguewith the quartet as possible.

This piece for Flute, Clarinet, Horn and Bassoon was premiered April 18th, 2012 in Istanbul by its commissioner, the Nis'tanbul Quartet, composed of Sibel Pensel, Aysegül Kirmanoglu, Patrick Peignier and Arthur Menrath. Armando Ghidoni's Swinging Counterpoint keeps all of its title's promises: flowing with the same naturalness, the same fluidity as Bach's, the counterpoint masterfully blends the colours and the lilt of swing. Recorded by the Nis'tanbul Quartet for the label Chant de Linos, the work bursts with inspiration, a melodic sincerity and a joyful insouciance. / Quartette A Vent

Cette édition contient deux miniatures quatuor à cordes qui sont 43 ans d'intervalle. Piccolo Quartetto (1961) est le premier Valentin Silvestrov douze notes de composition qui se compose de trois mouvements peu attacca fusion dans l'autre. Bien que créé à un âge précoce, le travail est tout sauf le travail d'un élève: C'est surtout dans le 2e mouvement que le 'toucher' des personnes âgées du Silvestrov peut déjà se faire sentir. Icon a été composée en 2004 pour le Quatuor Rosamunde. C'est une composition calme et introvertie dans le style d'une prière. Sa modalité spécifique n'aurait guère émergé dans l'oeuvre d'un compositeur qui n'avait pas passé par le 'purgatoire' du dodécaphonisme. / Quatuor A Cordes / 24 pages / niveau : Intermédiaire / Partition